Füge eine Handlung in deiner Sprache hinzuA U.S. senator is spirited away to a secret lab after a serious car crash, and his injuries are healed by advanced medical technology. A TV reporter who witnessed the accident investigates t... Alles lesenA U.S. senator is spirited away to a secret lab after a serious car crash, and his injuries are healed by advanced medical technology. A TV reporter who witnessed the accident investigates the senator's disappearance and uncovers a plot.A U.S. senator is spirited away to a secret lab after a serious car crash, and his injuries are healed by advanced medical technology. A TV reporter who witnessed the accident investigates the senator's disappearance and uncovers a plot.
- Adams
- (as Richard Simmons)
- Dr. Keating
- (as Tris Coffin)
Empfohlene Bewertungen
Small in scale, and more akin to the production values of a telemovie than a fully fledged feature film, there are however some assets in the cast and one or two plot twists to which you can look forward. Dillman as the title character spends most of his time comatose and then in a wheelchair debating scientific heresy, while Dickinson looks more like a space cadet than the dedicated doctor, who believes her work is of national significance. Nielsen is essentially the central character, a tenacious reporter not content to digest the force-fed facts without due interrogation. He spends most of the film, piecing together evidence that eventually leads him to the mysterious clinic in New Mexico. Noted stage actor Daly is also quite effective as the clinic's principal surgeon; his attempt to rationalise the existence of the coneheaded clones (called Somas) lies more in the field of fantasy than it does in any serious debate on human cloning.
Well scripted, with okay special effects, concerned mostly of pale-faced make-up on stupefied faces - the Dillman zoo experiment is unintentionally funny, his 'full retard' no doubt perfected by hours of rehearsals and takes. Dressed in monk-like garb with coneheaded frontal lobe projection, the Somas are also quite inspired imagery; more emphasis on their existence might have balanced the argument better, but their brief inclusion is still an alarming visual demonstration of the human harvesting process depicted in the film. Despite its 100 minutes, there's ample action, characterisation and plot development; had the climax resolved more satisfactorily, the film might have become a minor cult favourite, ahead of its time in terms of content. As it is, a worthy sci-fi companion, and perhaps no longer such a distant prospect.
Fairly typical of the sort of thing Leslie Nielsen was making in his days as a straight actor, this has a very similar plot 'Seconds' and 'Never Let Me Go', but with more emphasis on action (and a generally rather whimsical score by Marlin Skiles). As it unfolds it splits into two separate narratives involving Nielsen on one hand and Dillman on the other.
But the mood darkens considerably (and the plot turns far more ghoulish) as the political implications of creating longevity for a select and amoral few (here decided by a cabal called the Committee of Nine) are explored. And when the two strands finally come together there's a zinger of a punchline.
Angie Dickinson (now ninety) also has a raunchy scene shaving Dillman.
On a final note, it has a ridiculous non-sequitur ending that had me giggling, but the ending seems to fit a cheap movie like this, whose filmmakers certainly couldn't afford a lot of explosions and gunfights .
I just read your review of "The Resurrection of Zachary Wheeler" posted 15th of June, 2005 . Wow ! You have no idea how that made me feel. I don't know why I typed that old title into Google, maybe just boredom or some weird ego trip, but I am one of the writers of that screenplay along with my then writing partner Jay Simms . It all started with my reading an article in Esquire magazine regarding the possibility of organ transplants . At that time I was working as a Production Coordinator on the TV series " Big Valley" and I mentioned it to Jay who was one of the writers and before we knew it we came up with the idea for a screenplay. It took about 3 weeks and when we finished it we gave it to Jays' agent who said " It's too far out". That turned out to be the general consensus and both Jay and I went on to different things . Eventually it was bought and produced with a very small budget, very evident in the final version but it did have a "far out" premise. I never wrote another screenplay but went on to a career as a film editor but deep down there lurks a frustrated writer. Who knows, maybe I'll try it again. Glad you liked what you saw and you're right, with a few more bucks it could have been a "killer" !
Regards,
Tom Rolf
Further reflect on recent cloning advances. What if you could clone a human, with no brain? (It is an unfortunate condition that occurs occationally in humans. The offspring die shortly after birth.) Would it be moral to use their bodies to extend your life?
Wusstest du schon
- WissenswertesCited as the first U.S. made example of the videotape-to-film process.
- Zitate
Cab Driver: Where to, Mister?
Harry Walsh: How far to the library?
Cab Driver: About six miles.
Harry Walsh: I'll give you ten bucks if you get me there in five minutes.
Cab Driver: That's what I call a real thirst for knowledge!
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- The Resurrection of Clayton Zachary Wheeler
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 40 Minuten
- Sound-Mix