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Ein Halleluja für Camposanto

Originaltitel: Gli fumavano le Colt... lo chiamavano Camposanto
  • 1971
  • Not Rated
  • 1 Std. 34 Min.
IMDb-BEWERTUNG
6,1/10
537
IHRE BEWERTUNG
William Berger and Gianni Garko in Ein Halleluja für Camposanto (1971)
Spaghetti WesternComedyWestern

Füge eine Handlung in deiner Sprache hinzuA mysterious gunfighter decides to protect a pair of naive brothers after they unwittingly clash with a gang of extortionists.A mysterious gunfighter decides to protect a pair of naive brothers after they unwittingly clash with a gang of extortionists.A mysterious gunfighter decides to protect a pair of naive brothers after they unwittingly clash with a gang of extortionists.

  • Regie
    • Giuliano Carnimeo
  • Drehbuch
    • Enzo Barboni
  • Hauptbesetzung
    • Gianni Garko
    • William Berger
    • Christopher Chittell
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,1/10
    537
    IHRE BEWERTUNG
    • Regie
      • Giuliano Carnimeo
    • Drehbuch
      • Enzo Barboni
    • Hauptbesetzung
      • Gianni Garko
      • William Berger
      • Christopher Chittell
    • 13Benutzerrezensionen
    • 8Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos14

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    + 8
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    Topbesetzung48

    Ändern
    Gianni Garko
    Gianni Garko
    • Camposanto
    William Berger
    William Berger
    • Duke
    Christopher Chittell
    Christopher Chittell
    • John McIntire
    John Fordyce
    • George McIntire
    Ugo Fangareggi
    Ugo Fangareggi
    • Sancho
    • (as Ugo Fancareggi)
    Raimondo Penne
    • Chico
    Franco Ressel
    Franco Ressel
    • Judge
    Aldo Barberito
    • Sheriff
    Ivano Staccioli
    • Avelin
    Nello Pazzafini
    Nello Pazzafini
    • Cobra Ramirez
    Giovanni Di Benedetto
    • Douglas Toland
    • (as Gianni di Benedetto)
    Ugo Adinolfi
    • Breeder
    Gildo Di Marco
    • Undertaker
    Bill Vanders
    • Clay McIntire
    Pinuccio Ardia
    Pinuccio Ardia
    • Gunsmith
    Amerigo Santarelli
    Amerigo Santarelli
    • Barman
    Ettore Arena
    • Brawler
    • (Nicht genannt)
    Fortunato Arena
    • Ambusher
    • (Nicht genannt)
    • Regie
      • Giuliano Carnimeo
    • Drehbuch
      • Enzo Barboni
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen13

    6,1537
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    Empfohlene Bewertungen

    6planktonrules

    Too bad the dubbing and print are lousy--this would have been an exceptional film

    Before I review the film, I want to say a bit about the DVD that has both this film and another so-called 'spaghetti Western' ("Il Prezzo del Potere"). The picture quality is very poor and the DVD has no captions--just really bad quality dubbing. While in some films in the genre the dubbing was excellent (such as in the Clint Eastwood films), this one is not particularly good. As for the picture, it's scratchy and dark--so dark in one important scene that you have no idea what is happening. It is obviously a second-rate (or possibly third-rate) packaging of the film. You can't blame the film makers for this. In its original form it must have been a much better film.

    The film begins with two brothers coming to the West to see their father. Apparently, they have been educated back East and have no idea of the life on the range. To call them ignorant is charitable--they are idiots. When they stand up to a representative of a group of extortionists who are threatening their father's ranch, they beat him (the extortionist--not the father) up...and have no idea that the gang will naturally come looking for them. They also naively assume the law will simply arrest the gang and can take care of the problem non-violently. Can anyone be THAT stupid in a film of this genre??!! Fortunately, a man in black ('Cemetery') stumbles upon them and takes pity on them--teaching them how to use a gun and not be a couple ignorant rubes! In many ways, this man in black is similar to characters played by men such as Lee Van Cleef in Westerns--a decent and inexplicable guy and also someone you don't want to irritate! In addition, he has an acquaintance who is also equally bad whose loyalty to his boss seems a bit suspect at times--leading to an interesting showdown between the two master gunfighters near the end.

    While there were approximately 68 bazillion Italian Westerns made during this era (give or take three), what sets this one apart a bit is that it doesn't take itself so seriously. Sure, it has all the requisite killing, the bad guys and the scary bad hero, but it manages to make you laugh occasionally (such as the swimming scene as well as when one guy's mustache ended up looking like Charlie Chaplin's--thanks to some fancy shooting). While certainly not in the same league as the Sergio Leone films, this is very good and worth seeing--plus I doubt it was intended to be in the same league. Still, this one is more a very good time-passer with a bit more to offer--even if some of the humor is a bit broad (such as the fight scene with the ranchers).

    Overall, the film loses a couple points for the dubbing and print quality and earns an overall score of 6. In its original form, no doubt it would be a bit higher.
    6chain83

    The Simplist Movies are the Hardest to Understand

    This isn't a profound movie and doesn't try to be. It's a low budget action comedy (with a little bit of parody) which is great fun to watch, but doesn't try at all to be a classic.

    Film scholars are gonna have nothing to go on here, but will inevitably compare it to Leone and Kurosawa just like they do to every other Spaghetti Western (or Samurai film in the case of Kurosawa specifically). Here's a hint: Just because it's a Western made in Italy doesn't mean the movie was trying to accomplish what Leone was.

    The movie itself? As a fun movie I'd give it a ten out of ten, because it's perfect for what it is. If you have some spare time or if you see it in a bargain bin or whatever, go for it. It's a funny, quirky little movie. It's not a great film, but if movies like this didn't exist, I'd go freaking nuts. As much as I appreciate Citizen Kane, I'll never enjoy it like I enjoy these kinds of movies.
    6FightingWesterner

    Decent

    Two fancy-pants brothers return west after years of eastern schooling and almost immediately anger the local gang of murderous extortionists. However, the boys have an ace up their sleeves in the form of ultra-cool gunslinger Gianni Garko, a mystery man with a debt to pay.

    After the first several minutes of pretty silly slapstick, things get good, with lots of amusing touches and a neat performance by Garko, dubbed into English by an actor sounding like he's doing an impersonation of Clint Eastwood!

    Whenever Garko disappears too long though, the movie begins to suffer. Still, it's worth recommending for spaghetti western fans who've already seen everything.

    I've noticed that other viewers seem to overlook the connection between the brothers and the gunfighter, why he's protecting them. It's actually explained quite early on, in pretty certain terms.
    7cwhaskell

    Oh man, this is such a good movie!

    Seriously, where did Spaghetti Western Comedies go? The literal translation (best I could do) is "The Smoking Colt ... Call Him Cemetery" and don't worry about the fact it doesn't translate well, every other portion of the movie does.

    There is an amazing theme song, good humor, plenty of gun fights, just in general a real positive energy throughout the entire film. The quality of the print was pretty awful, so I hope someone picks this up and restores it. The man called cemetery is a grizzled veteran of Westerns All'Italiana who appeared as the anti-hero several times and knows how to stare down a bad guy and can not-be-bothered-while-people-are-shooting-at- him with the best of em. Take the time out to watch this forgotten gem.

    Rating: 30/40
    chaos-rampant

    They Call Him Cemetery - an all around great spaghett western ensemble.

    Giuliano Carnimeo is mostly known in the spaghetti western universe for his Sartana sequels that followed in the wake of Frank Krammer's very successful original, so successful in fact that it spawned a vast number of unofficial sequels only second to Django. For They Call Him Cemetery, he takes two seasoned genre veterans and throws everything and the kitchen sink in the mix to make a damn fine, entertaining movie.

    Two young greenhorns with impeccable manners arrive from Boston to see their father somewhere in the far west. Which, as they soon discover, is a lawless place, full of gun-totting and impolite people. Their father, along with every major ranch owner in the area, is being blackmailed on a regular basis by a bunch of bandits. It's up to the two youngsters to find out who's behind all the scamming, but they're not on their own.

    Enter Gianni Garko as the Stranger. Garko is one of those genre actors that is probably unknown outside the spaghetti western circle, but a cult icon for fans. A regular collaborator with Carnimeo, here he practically reprises his famous Sartana role. Sure the name's different, but the gun, the look and the style all screams Sartana. Garko might be on the greenhorn's side but his antagonist, hired by the bandits to bushwack the nosy kids is none other than William Berger, another great actor and cult spaghetti western icon. Both of them are spot on in their roles and there are sparks flying in their scenes together. A big part of why They Call Him Cemetery is so successful is that it relies on the shoulders of such experienced and talented leads.

    Lucky for us, the absurdly convoluted plot lines of Carnimeo's Sartana sequels are missing. Instead we get a fairly simple story, with a whodunit touch and lots of comedy, both in the form of caustic dialogues (Berger's lines about his mother are a hoot and a half) and bucketloads of slapstick. If the latter brings to mind the Trinity movies, it should be no surprise, as Enzo Barboni penned this one. There's none of the grim outlook of Corbucci's westerns to be found here. No sign of the leftist Mexican revolution trend of the late 60's either. This is a funny, badass, stylish Italo-western that concerns itself only with pure entertainment. The pacing is practically perfect, something interesting happening at every scene. There's also a great score by Bruno Nicolai, who provides nice themes for both Garko and Berger's characters. Sure there might the typical amount of unnecessary pans and fast zooms that every spaghetti boasts, but what really makes it so good is that it's crafted with genuine fascination for the old west (and the old American westerns by extension).

    In that sense, it's a true spectacle in the vein of master Sergio Leone. Like the godfather of the genre used to say "it's like playing cowboys and Indians". Indeed, there's a playful quality in They Call him Cemetery that makes everything so much fun to behold. The vision of the chaotic west seen through the eyes of the two greenhorns in the first 15 minutes as they arrive in the small town is a laugh riot. Parents soothe their babies cries by giving them a bullet to chew on, old ladies demonstrate their impeccable shooting skills by chopping cacti in half, there's a huge slapstick brawl inside a saloon, people face-off in the middle of the street. Everything is tongue-in-cheek and yet done with a childlike fascination for the west that now takes the form of myth. That's where spaghetti westerns really take off. It's the old west interpreted through the eyes of impressionable Europeans. And when they succeed like They Call Him Cemetery does, it's because the people that make these movies really love their subject matter. Judging by Carnimeo's other films, I didn't think much of him. This one certainly had me reconsidering

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    Details

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    • Erscheinungsdatum
      • 9. Juni 1972 (Westdeutschland)
    • Herkunftsland
      • Italien
    • Sprache
      • Italienisch
    • Auch bekannt als
      • A Bullet for a Stranger
    • Produktionsfirmen
      • Flora Film
      • National Cinematografica
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    Technische Daten

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    • Laufzeit
      1 Stunde 34 Minuten
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 2.35 : 1

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    William Berger and Gianni Garko in Ein Halleluja für Camposanto (1971)
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