The Fiend

Having recently bought a copy of the 2010 release of this lost gem, finally available fully uncut and beautifully presented in anamorphic widescreen 1.78:1 - Odeon Entertainmant ODNF162 - I can't recommend it enough. Taking into consideration the very strict censorship laws and general climate the time of it's production, it's easy to see why it was butchered and suppressed at the time of it's initial release in 1972, the Mary Whitehouse brigade would have soiled themselves collectively at the subject matter alone. And the murder scenes, whilst fairly tame compared to some in todays more enlightened times, were way out there for early 70's Britain.

It's not the most polished of films, but the directing is pretty good and the acting pretty solid throughout - with a convincing enough ratio of ham, menace and believability - with the script and storyline excellent. Overall the results, particularly when taking the fairly small budget into consideration, really are very, very good indeed. Which is why I honestly think this film was years ahead of it's time.

An essential addition to any Brit Horror collection - it's a proto-slasher of sorts, imo - and also to anyone with an interest in looking at the darker and less positive sides of religion and it's very strong tendencies towards brainwashing, mind control and even abuse. I'd also recommend it to anyone who just loves a good well made and sincere film, however if you're just a cannibals & zombies or shoot 'em ups only freak, don't bother, it's definitely not for you.

This is one of the more notable British horror films from the early 1970s, a stylish and generally accomplished mix of religion, psycho-drama, music and exploitation. The opening cross-cutting between a prayer meeting – accentuated by a powerful gospel song – and a vicious murder is so stunning that the rest of the film actually struggles to live up to it, though the ending – appropriately over-the-top – is worth waiting for. Thematically, the film anticipates Pete Walker's equally good HOUSE OF MORTAL SIN aka THE CONFESSIONAL (1975) – but here we get the added bonus of a typically intense performance from Patrick Magee as the religious group's fanatical leader. Ann Todd (the former Mrs. David Lean) is one of his closest collaborators – in fact, her house is a converted church! – but who has to keep her diabetic condition a secret because the intake of insulin is prohibited by her faith! Her son (Tony Beckley), a security guard and part-time swimming instructor and pamphlet distributor, is repressed and unbalanced – and soon revealed to be the serial killer of nubile girls terrorizing the neighborhood (he even records on tape the victims in the throes of death a' la PEEPING TOM [1960]!). Todd's new nurse happens to have a reporter sister (genre regular Suzanna Leigh) who, alerted to the inhabitants' conspicuous Puritanism, concludes that all is not well with the house and decides to investigate. Given the permissive era in which this was made, violence and gratuitous nudity (along with the standard prerequisites associated with such fare) contend for the running-time – and the audience's attention – with a moderately serious treatment of the subject at hand. The end result may not be surprising or even particularly insightful but nonetheless proves wholly absorbing, thanks also to its undeniable surface polish.

The main character of Robert Hartford-Davis "The Fiend" is an emotionally disturbed religious nut.He loses grip on his sanity and sets off on a killing spree murdering prostitutes and other sexually active women."The Fiend" is a mildly interesting British serial killer flick with sleazy atmosphere and the background of religious fanaticism.The script is quite warped with religious rituals and misogynistic murders.The gospel songs are fantastic and the killings are nasty.One victim is found skewered on a meathook.I haven't seen Robert Hartford-Davis "Corruption",but I'd like too.If you are a fan of sleazy British horror give "The Fiend" a look.6 gospels out of 10.

British horror/sex shocker about an overbearing mother (played by Ann Todd), her psycho son Kenny (Tony Beckley) and a very strict religious cult, led by Patrick Magee (great actor but this is far from being his best performance). Pre-opening credits we see a young boy being baptised by being immersed in water at the cult's chapel, at the same time a young woman is chased, stripped and thrown dead into water. Early on we see that Kenny is the killer, so there is no mystery in that respect. His mother relationship reminded me of Norman Bates in "Psycho" (1960), they both live in a large Gothic house, only Norman's mother was dead, Kenny's isn't (though she is very ill). There is plenty of female eye candy amongst the cast, and also female nudity, including one scene with full frontal. The murders are fairly vicious but nothing to write home about. I watched the uncut version which is rated BBFC 15, I dread to think how tame the heavily cut X version would have been. I did find it laughable how two young women were happy to accept lifts of a stranger (Kenny in his van). One corpse can be seen breathing and the inclusion of three pop songs throughout the movie proved detrimental to my viewing pleasure, I will add that the film is also a bit boring at times and relies on the kills and nudity to liven it up. Pete Walker made far more enjoyable British shockers than this, The Fiend is watchable but unremarkable.

Beware My Brethren (1971): An English fundamentalist church has a small but committed (they should be) congregation. They listen to tapes from their Leader in Arizona. Crazed scenes as they respond to Preacher Patrick Magee who puts in a worthy performance. Amazing how many low budget horror features he starred in along with Pinter and Beckett plays, exploitation movies paying the rent I guess. Anyway one of his flock, Tony Beckley is a few psalms short of a psalter and has become a serial killer. A demented portrayal , not just as he gruesomely dispatches his victims but also as he simultaneously listens to tapes of their pleadings along with his Leader's rants. Some really good editing as the action cuts between a full immersion baptism and the drowning of one of those murdered by Beckley. Production values suffer from a limited budget but it;s certainly worth watching. Directed by Robert Hartford-Davis, written by Brian Comport. On Legend Channel. 6.5/10.