Eyewitness

i bought this movie because i became a fan of mark lester after watching oliver. however i was somewhat dissapointed in this movie while it is exciting theres i snoyt much too it other than the boy being chased around by the bad guys. in is very voilent for a flim rated pg but of course pg 13 did not exsit back then.i guess basically it is a good movie to watch when you have nothing better to do.

"Pins you to the edge of your seat" is the tagline for this film, and while that could be aptly applied to many thrillers; it certainly doesn't suit this one! John Hough's Eyewitness has the basis for a decent story (even if it's not all that original) but it's never capitalised on properly and, for the first two thirds at least, the film is slow, largely uninteresting and lacks tension and suspense; thus not providing what you want or expect from a film that calls itself thriller (much less, one that proudly proclaims that you will be on the edge of your seat). The plot takes obvious influence from the common thriller idea of having somebody witness a crime and then having the perpetrators go after that person; here, we also have a bit of 'the boy who cried wolf' thrown in too for good measure. The eyewitness of the title is a boy named Ziggy who goes to watch a parade and ends up witnessing an assassination. It's not long before the assassins are on his tail, but naturally considering the boy's track record for lying, his family don't believe him...

The film is rather well produced; it looks nice, is well directed and mostly features good acting from the ensemble cast. Lionel Jeffries is my pick of the performers and he does well as the eccentric grandfather and head of the family. He gets good support from Tony Bonner as a young stranger who ends up with the family due to a care few and the beautiful Susan George as his granddaughter. The film also features a performance from Mark Lester and this is where the film falls down. The child actor will always be famous for his role as Oliver Twist in the 1968 film (I'm not a fan), but here he is completely irritating and doesn't do much than run around looking scared for the ninety minute duration. The first two thirds of the film are very slow and dull and that's a shame because the film really opens in the final half hour and is actually quite good; but by then I was too bored to care as much as I could have done were it not for the disappointing opening. The climax to the film is quite good and on the whole, while I wouldn't say this is a bad film; it's not a particularly good one either.

If you like a good thriller this is the film for you, there are scenes which will keep you glued to your seats. Ziggy, (Mark Lester) plays the role as a little boy who has an older sister named Pippa, (Susan George) and they live with their grandfather who lives in a lighthouse on the Island of Malta. Ziggy has a great imagination and many times tell stories that are not true and no one really believes anything he tells them. One day Ziggy sees an assassination and also knows what he looks like and can identify this person who is in high authority on Malta. Ziggy is hunted down by this person and no one will believe him when he tries to tell his sister Pippa, they all get mad at him except his grandfather. Susan George looked radiant and very charming playing a great role along with a great child star, Mark Lester. Don't miss this film, it is great entertainment.

This has a certain amount of promise with its Maltese setting, a host of reliable British actors, a young Mark Lester and a fairly young Susan George. Although the cinematography is fairly sparkling, with shots into motorcycle mirrors, faces caught through gates and a superbly photographed car chase and aftermath, the director seems bored and as much time is spent letting Lionel Jeffries go on just a little too long than opening up a decent story line. There is, as might be expected, too much time with Lester too. Appealing enough as the young lad is, numerous sequences of him chasing or being chased make this seem more like a children's film than anything else, however attractive the streets of Valetta. Regarding the stop and start soundtrack, as an old fan of Van der Graaf Generator, I kept an ear out for their supposed contribution. No luck and nobody seems clear just what their input was but I'm assuming it was their music helping to make that road chase at the end so memorable.

"Eyewitness", a.k.a. "Sudden Terror", is an engrossing adaptation (by Ronald Harwood and an unbilled Bryan Forbes) of a novel by John Harris. While it holds no major surprises, it does deliver at least one twist that the viewer *might* not see coming. It also delivers some fine suspense and action scenes, and benefits a lot from its exotic locale.

It's set on the island of Malta, where an imaginative boy, Ziggy (Mark Lester of "Oliver!" fame) lives with his sexy older sister Pippa (Susan George, "Die Screaming Marianne") and his grandfather (Lionel Jeffries, "Chitty Chitty Bang Bang") in a lighthouse. Ziggy is prone to a rich fantasy life, so naturally his family is inclined *not* to believe him when he tells them the truth: he witnessed a policeman committing the murder of a visiting dignitary. Thus, the perpetrator (top British character actor Peter Vaughan, 'Game of Thrones') and his accomplice (Peter Bowles, "Blowup") spend the remainder of the running time hunting down the unfortunate Ziggy.

"Eyewitness" is quite fun, as it spins a fairly familiar "Boy Who Cried Wolf" type of yarn. It makes time for a little romance, between Pippa and a vacationing nice-guy stranger named "Tom Jones" (Aussie actor Tony Bonner, "The Man from Snowy River"), as well as some entertaining character details & humour. (Tom dislikes brandy, yet it seems to be the only drink that Grandpa will offer him.) It's willing to go to some dark places along the way, and there is also some fairly graphic violence when characters get shot. It all culminates in a well-executed vehicle chase.

The excellent cast features Betty Marsden ("Carry On Camping"), Joseph Furst ("Diamonds Are Forever"), and David Lodge ("The Return of the Pink Panther") as well, although it is Jeffries, as the crusty, witty "old" man (he was in his mid-forties at the time), that tends to steal the show. Knowing the difference between fantasies and outright lies, it is Grandpa that is first to start lending some credence to Ziggy's story.

All in all, a good film that kick-started the filmmaking career of John Hough, whose 70s classics include "Twins of Evil", "Dirty Mary Crazy Larry" (working with George again), "The Legend of Hell House", and the two Disney "Witch Mountain" features. Actor-turned-filmmaker Forbes was also the unbilled executive producer; Jonathan Demme was the music coordinator, and Gary Sherman (director of "Death Line", "Dead & Buried", "Vice Squad", and "Poltergeist III") designed the opening titles.

Seven out of 10.