Der Killer von Wien

The Strange Vice of Mrs Wardh was the first giallo movie I saw and I remember thinking the main actress Edwige Fenech was beautiful beyond words. Saw it again recently on Tubi and unlike a lot of movies where over time my earlier opinion changes this time my opinion actually elevated in my admiration for her. She is mesmerizing and this movie has great atmosphere.

THE STRANGE VICE OF MRS. WARDH (Sergio Martino - Italy/Spain 1970).

A bit of an essential Giallo entry, Martino's first thriller, although I personally prefer his fourth giallo YOUR VICE IS A LOCKED ROOM AND ONLY I HAVE THE KEY (1972), also starring Edwige Fenech, which has the pleasant setting of a country-estate and is even more lurid, over-the-top and slightly less predictable than this one.

This was Fenech's first starring role for producer (and lover) Luciano Martino and the rest of the cast soon became Martino-regulars, playing very similar roles in his later films: Edwige Fenech as calculating victim, George Hilton as the ever-conniving smoothie and evil-looking Ivan Rassimov as the malicious outsider who would become one of the regular bad guys in Italian genre cinema. Fenech plays the kind of character here that would become her trademark, a sexually liberated, glamorous and utterly shallow fashionista. She plays Julie Wardh, the restless wife of an official at the American embassy in Vienna and an investment broker (either one of these, or both, quite an unusual combination of professions!) who is disturbed by reports about a sex killer. She is convinced she is being stalked by Jean (Rassimov), a sadistic ex-lover, and, worse still, suspects that he may the killer. We also learn, through numerous flashbacks, that they had quite a kinky and sadomasochistic relationship. In the meantime a killer, a blonde woman is slashed to death while taking a shower. This doesn't stop Julie from a little fawning with George (a suave George Hilton), the cousin of her attractive friend Carol. Unsurprisingly, she's the next target of the razor-killer who terrorizes her in an underground car park and even all the way into Spain, where she thought she was save.

Many of Martino's films feel a bit over-polished to me. I recently watched a whole bunch of his films, including his crime thriller THE VIOLENT PROFESSIONALS (1973) as well as Fulci's DON'T TORTURE A DUCKLING (1972), which easily is superior to this one, but very raw, even somewhat shabby and unpolished in comparison with Martino's carefully stylized productions. Certainly a handsome production with substantial doses of sexual perversion and misogynistic violence and enough twists and turns to make for an entertaining thriller. And one has to give it to him, Martino has a real knack in framing some impressive shots, such as the glass-breaking scene in one of Fenech's flashbacks. The plot is fairly straight-forward, not needlessly over-complicated and by giallo-standards, the number of oddball characters and bizarre suspects is limited, but the ending is incredibly far-fetched and even hints at the super-natural. Where did that suddenly came from, Gastaldi? Logic and common sense is best left home when watching this one, but - unless you're on medication - you're probably gonna need a couple of drinks to fully appreciate this pleasantly lurid masochistic puzzle.

Camera Obscura --- 7/10

Sergio Martino's "Lo Strano vizio della Signora Wardh" (1970) is a welcome addition to the list of giallos that had remained long unseen for me. Martino has done some of the most interesting of the 70's exploitation cinema (like "Torso" and "Mountain of the Cannibal God") and also an interesting spaghetti western "Mannaja." The giallo hasn't as hard-to-follow and confusing plot as it could have, there are not too many characters which makes their efforts and plot turns easy to follow. The story is simple and involves strange murders closely related to beautiful Wardh lady. There are some masterfully constructed mystery / giallo segments that look no less ambitious than those of Dario Argento. I mean mostly the garage scene and the "gas" scene near the end. These build the suspense well and involve the audience much better than some of the more gore-oriented works of the genre. Martino's film has also some stylish and violent murders but fortunately he didn't concentrate only on them. The locations are simply stunning, and the end twist is surprising and certainly original in my opinion. I think this is among the best of the giallo genre, on the same level with Mario Bava's "Blood and Black Lace", the films by Argento and Tonino Valerii's "My Dear Killer", for example, to name just a few.

Mrs. Julie Wardh (Edwige Fenech) returns to Vienna with her husband Neil Wardh (Alberto de Mendoza), who is an investor in Wall Street. Julie and Neil have been married for one year but they do not love each other. Julie has a trauma from her former boyfriend Jean (Ivan Rassimov), who was a sadistic man. While Neil has meetings in Austria, Julie spends he vacation with her friend Carol Brandt (Cristina Airoldi). They go to a party where Carol introduces her handsome cousin George Corro (George Hilton), who has just inherited a fortune with her. When Julie sees Jean in the party, she decides to leave the place. Soon Julie, who is neglected by Neil, has a love affair with George. Meanwhile a serial-killer that kills women with a razor blade is terrifying Vienna and the inspector (Carlo Alighiero) has no lead to follow. When Julie is blackmailed because of her love affair with George, she suspects Jean might be the blackmailer. Carol decides to go to the meeting with the blackmailer and is killed. Julie believes that Jean might be the wanted killer and decides to leave Vienna and Neil to go to Spain. Will she be safe and loved?

"Lo strano vizio della Signora Wardh" is a suspenseful erotic giallo directed by Sergio Martino in the beginning of his career. The plot is tense and there are many suspects that might be the serial-killer. The conclusion surprises the viewers that will never guess who might be the killer. My vote is seven.

Title (Brazil): "O Estranho Vício da Senhora Ward" ("The Strange Vice of Mrs. Ward")

Note: On 05 Jun 2020 I saw this film again.

The Strange Vice of Mrs. Wardh has just about everything a Giallo fan could ask for. All of the necessary ingredients are here: brutal murders, bizarre sex scenes, plot twists, interesting camera work, a nice score, and Edwige Fenech. - Brutal Murders: The killer uses a razor to slash his victims' throats to ribbons resulting in plenty of blood flow. - Bizarre Sex: I don't' know about you but beating the crap out of your partner prior to engaging in sex seems pretty bizarre to me. - Plot Twists: Just when you're sure you finally gotten a handle on the plot and solved the mystery, The Strange Vice of Mrs. Wardh gives you yet another twist to wrap your mind around. - Interesting Camera Work: The Strange Vice of Mrs. Wardh is a great looking film with unusual camera angle and lens choices. Visually, it's very pleasing. - A Nice Score: Even though composer Nora Orlandi's main theme is repeated throughout the film, I never get tired of hearing it. It's a hauntingly beautiful piece that helps set the mood of the film very well. - Edwige Fenech: The Queen of the Giallo.

The plot involves a crazed killer with an eye for women is on the loose. Julie Wardh (Edwige Fenech) is very much afraid because of the direct threats she has received from the killer. She's also convinced the killer is an ex-boyfriend. When the real killer is himself killed, that should put an end to Julie's fears. But it doesn't. The threats against Julie's life continue. I readily admit that there are plot holes big enough to drive a truck through and lapses in logic the size of the Grand Canyon, but that hardly matters when you're having this much fun with a movie. Blemishes and all, The Strange Vice of Mrs. Wardh is a great example of the genre and one of the reasons I keep seeking out these hard to find Italian gems.