Im Visier des Falken

"Figures in a Landscape" is definitely one of the weirdest and most unclassifiable movies I've encountered lately, and at the same time it's pretty difficult to explain why that is. Some movies are weird because they increasingly overpower the viewer with substantial twists and/or stylistic gimmicks, but still they constantly uphold the impression there's some kind of deeper meaning or hidden structure behind it. The films of David Lynch are like that, for example. Other movies, and "Figures in a Landscape" is definitely one of them, are weird because they never at one point feature abrupt story twists and never even seem to want to achieve a deeper meaning. Kind of like the 'what you see is what you get principle' and don't even bother asking background information. Based on Barry England's novel - that probably only very few people have read - "Figures in a Landscape" revolves on two escaped convicts nervously running across a desolate area. Pretty much like the title implies, they are, in fact, simply figures in a landscape. We're never explained where exactly the events take place (South America? East Asia?) or what crimes the two committed in the first place. They must have been quite serious, however, as MacConnachie and Ansell quickly find themselves besieged by a menacing black helicopter and later also by army patrols on foot. The helicopter plays a devastating mental and physical game with them, as it appears to be omnipresent and in absolutely no hurry to pick them up. This is the type of film where there are no characters to root for. You won't develop any sympathy for the fugitives as they commit some truly vile acts along their way and you can't really support the guys inside the helicopter, neither, as their faces aren't even properly shown. "Figures in a Landscape" is a brooding, moody and mildly unsettling film that doesn't always makes sense and doesn't bother to involve the viewer. But, if you manage to put all the unanswered questions aside from you, this also might turn out one extremely enchanting viewing experience. Every shot, every inch of the landscape seems precisely measured and re-considered at least a dozen times before featuring in the film. The choreography is simply wonderful and the filming locations – apparently Spanish – are almost continuously breathtaking. The performances of Robert Shaw and Malcolm McDowell couldn't be more apt and Joseph Losey's direction is very surefooted. After seeing only this and the even more unique "These are the Doomed", I'm more than anxious to check out Losey's further repertoire.

FIGURES IN A LANDSCAPE is interesting for a lot of reasons: it was directed by Joseph Losey,it stars a very young Malcolm McDowell and it boasts a script by co-star Robert Shaw.

The set-up is very existential: 2 men are pursued by a mysterious black helicopter over a rough, desert terrain. We never learn the reasons for any of this or even where it is taking place.The atmosphere of dread is kept at a high level thru-out.

Everything about the film is as stripped to the basics as the title suggests. The men are never given much more than the briefest of backgrounds. But it is precisely this quality of mystery that gives the film its main points of interest. I would certainly like to be able to see it on a larger screen. The helicopter photography is very impressive and the shots of the two figures traversing the inhospitable terrain are striking.

Robert Shaw gives a ferocious performance. Malcolm McDowell's part requires him to be more subdued but he is capable and provides the film's main sympathetic character.

I spent quite a few pennies to get my hands on this film as it was consigned to oblivion after its brief cinematic release some 35 years ago, and it was money well spent. They certainly don't make them like this anymore. From the off you're thrown into this situation with Shaw and McDowell as two convicts on the run and being pursued by a menacing black helicopter through hostile, mountainous terrain. The aerial cinematography is breathtaking at times, more real than anything you see on the silver screen today, and quite frightening too. The chase becomes personal, with one character hell-bent on destroying the enemy and the other just wanting to escape. It's compellingly brilliant - beautifully shot, in most parts, and well acted. There are some lengthy sequences which the majority of todays directors, and actors, would struggle to pull off without CGI. It does have flaws, most films do, but there are enough positives here and it's a shame it ended up as another of those 'lost' films. Okay we don't find out where they are, although it was shot in Spain, or what crimes they have committed, so what? It's a bloody good film, though I can't help but think, what a film it could have been.

Figures in a Landscape is the most peculiar film I've ever seen. I've seen a lot of peculiar films (The Keep, The Island, A Zed and Two Noughts, Eye of the Devil, etc.) but this one beats them all in terms of its curious nature.

It has almost no plot. What little plot there is details the efforts of two escaped convicts to evade a menacing black helicopter as they flee through the rugged landscape of some un-named South American country. Did they really commit a crime at all? Why does the chopper pilot want to catch them? Who are they? All these questions, so obvious and central to all the other films of this type, are left unasked and unanswered. This is purely a chase for the sake of a chase movie. Everything is left unexplained, and the immediate action is the only thing that is concentrated upon.

Given the existentialist angle that the film adopts, it is little surprise that it is unpopular.Many people feel cheated by the lack of explanation. I have a soft spot for the film, because it lets me decide for myself what is going on and what has gone before. I feel that Robert Shaw's performance is commanding, and the aerial photography is outstanding. However, I'm not saying that this is some kind of overlooked classic; nor even that it is an excellent film. It's just a wrongly panned film that has enough interesting features within its running time to make it commendable to anyone who has yet to see it.

This movie takes what was a difficult novel to start with (by Barry England) and turns it into a rather odd tale of two men on the run. Robert Shaw wrote the screenplay and stars in this, and as usual is excellent as the tough and slightly unhinged Mac, with Malcolm McDowell in slightly overshadowed support as Ansell. You never really find out why they are running or who from (their pursuers are constantly referred to just as 'them'); but at times the action turns bloody and violent, at other times it is more reflective and quiet.

Joseph Losey's direction gives us the sense of two people lost in an expanse of nothing, which makes the scenes with the helicopter chasing them across country even more powerful. It is just hard to care about these two, without any back story to speak of or any sense of just what or who they are. An ok film and worth watching, but slightly frustrating.