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This unusual giallo starring Dagmar Lassander (Hatchet for the Honeymoon- The House by the Cemetery) and Susan Scott (Death Walks at Midnight- Emanuelle and the Last Cannibals) is one of the best of the genre! The movie follows a middle age married woman (Minou) who is almost raped by a psycho inform her that her husband is a murderer. The madman blackmails Minou into sleeping with him. A few days later she receives a letter with photos of her and the blackmailer in bed together! The movie is unusual to the giallo as it doesn't have violent murders or explicit nudity. Instead, director Luciano Ercoli (Death Walks on High Heels- Death Walks at Midnight) give us an interesting story, a lot of style, wonderful Ennio Morricone score, and great acting by the four leads in a film that will keep you interested till the end .

Very recommended if you are into the wonderful world of giallo. 9/10.

If you like Giallo films because they are all blood, nudity, style and senselessness this one will probably disappoint you. Not that a little more of any of those elements might make this better than it is. This is very well done and though the story doesn't actually involve murder as much as extortion it is consistently interesting and involving. The recent DVD from Blue Underground is a spotless near perfect way to see it since a big screen is probably too much to ask. Unfortunately.

Screenwriter Gastaldi always comes up with interesting plots and this one holds together on the strength of the plotting for most of its run. The motivations of the wife at the start are a little fuzzy but this becomes clear later. It is too bad the casting of the two leads occasionally makes things confusing, in the dark they look too much alike. Both the lead women look great and act well and the dubbing into English isn't too bad. A solid low budget film (though you'd never know) well produced on all levels with stark/striking photography.

The dull Minou (Dagmar Lassander) is spending a couple of days in her house nearby the beach. When she goes to a restaurant to have dinner, she is harassed by a stranger (Simon Andreu) riding a motorcycle that tells that her husband has killed a business investor. Minou calls her husband Pier (Pier Paolo Capponi) and they return home. Pier is a businessman near bankruptcy and former lover of Minou's best friend Dominique (Susan Scott). Soon Minou receives a phone call of the stranger that tells that he has a tape of Pier killing an investor. He proposes to trade the tape for kinky sex with her, and Minou accepts the proposal to protect Pier. But soon she learns that she was victim of a scheme and Pier did not kill the investor. Further, the stranger now has photos of their sex and blackmails her, and she confides everything to Dominique. What will they do?

"Le foto proibite di una signora per bene", a.k.a. "The Forbidden Photos of a Lady Above Suspicion", is a flawed and erotic thriller with a great plot point in the end. The actresses are extremely sexy and gorgeous, and the erotic tension is kept along the story. However, their characters are silly and shallow. The story has many flaws to misguide the viewer, but the final twist is unexpected. My vote is seven.

Title (Brazil): "Fotos Proibidas" ("Forbidden Photos")

THE FORBIDDEN PHOTOS OF A LADY ABOVE SUSPICION (Luciano Ercoli - Italy/Spain 1970).

Luciano Ercoli can be called many things. He might not be the most innovative director, but he definitely is the king of fashion, with all the women dressed up in some truly outrageous '70s outfits. His muse Nieves Navarro in particular parades through the film in some truly skimpy outfits, resulting in unintentional campyness. When talking camp, watch the dancing scene in the club in the beginning of the film with Dagmar Lassander. In God's heaven, this is one tacky dancing scene we're watching. All the men are in suits, the women are outrageously dressed, the music is a hallucinate boggle of easy-listening tunes James Last wouldn't even dare to come up with and the way they dance (how do you even dance to this kind of music?) is truly a perfect showcase of tacky '70s euro-nonsense. Guilty. Case closed. Still, it's a complete riot when watching it now and that's probably why I enjoy these films so much.

In all his three Gialli, FORBIDDEN PHOTOS, DEATH WALKS ON HIGH HEELS and DEATH WALKS AT MIDNIGHT, Ercoli presents his story from a female perspective, but they are presented as utterly helpless when dealing with the various male perpetrators and chauvinist male detectives surrounding them. Even husbands or boyfriends, or any male capable of help turns out to be just as malevolent as all the blackmailers, wife-beaters and murderers. Nudity level and body count are low, but as a mystery it's actually much more effective than most Gialli, stylishly filmed, well acted and permeated with intrigue, blackmail and fetishistic violence, supported by a groovy Ennio Morricone score. Although graphic violence is restricted to a minimum, Dagmar Lassander has to undergo quite the ordeal with a mire of sedatives, alcohol and sleazy sex and strange conversations with the assertive bisexual figure of Nieves Navarro. She repeatedly keeps hearing from all male characters: "Get undressed!"

Just imagine this film, which was extremely obscure and hardly ever seen until its DVD-release in June 2006, sold almost 638,000 tickets in Spain alone according to the IMDb, probably largely due to the appeal of Spanish-born Nieves Navarro (over 2 million admissions in Europe is my guess). Blue Underground presents the film without an Italian audiotrack, but - surprise, surprise - the English dubbing is actually quite good now, which is always a major bonus.

Camera Obscura --- 7/10

Ever after giallo writer Ernesto Gastaldi teams up with producer-director Luciano Ercoli for this Forbidden Photos... Set in 1970, this early giallo is nicely shot in Techniscope. No murders, just plain old blackmail story and some shy eroticism. Sultry Dagmar Lassander is at her best and Susan Scott is also fab as the devious friend.

The plot is totally implausible but the suspense works til the end...

It's always surprising to see in these 70's gialli how the women look incredibly sexy and how the men are all ugly...projections of the writers/directors fantasies, maybe? Anyhoo... not boring at all, funny at some point -check out the dresses and the hats, it's a blast!-, not necessary but worth a look.