Borsalino

At that time,Jean-Paul Belmondo and Alain Delon who had been top of status as an actor in France. They seemed to enjoy performing light touch gang star movie. Jean Paul and Alain argued who's name should be up or down. I thought it doesn't matter for them. About 28 later they co-worked with "Half A Chance(1998)",they fight fighting over the same woman and became partner...it reminded me of this movie. Also fashion coordinate and soundtrack were great.

Jacques Deray, who directed gangster genre movies almost exclusively, has achieved his most popular success (in America) with this movie. It was a stroke to combine the two leading men in roles which were cut out for each of them. Credit for this must go (in part, at least) to Alain Delon, who produced the movie. The very catchy, and hummable music for this movie was by the prolific composer, Claude Bolling, who collaborated with Deray on other films.

My only carping criticism is the length of the movie. I feel that about 15 minutes could have been trimmed in order to keep it moving.

This may not be the best of Jacques Deray's nine collaborations with Alain Delon but it is certainly the most commercially successful. Delon maintained that Deray was the director with whom he had the greatest affinity which is praise indeed considering his sterling work for such luminaries as Visconti, Melville, Verneuil and Clément!

Based upon Scammano's novel 'Bandits at Marseilles' about real life gangsters Carbone and Spirito whose names have naturally been changed, this is essentially a vehicle for Delon and Jean-Paul Belmondo who are both at the height of their popularity and in their physical prime. The pairing proved to be a masterstroke as both actors possess charisma in spades whilst Delon's measured coolness is balanced by Belmondo's easy-going amiability.

Set in 1930's Marseilles this has excellent period detail, a catchy if somewhat repetitious theme by Claude Bolling, female interest in the shape of elegant Francoise Christophe, mysterious Corinne Marchand and delectable Catherine Rouvel and as a bonus we have the always good value Michel Bouquet as a shady lawyer.

Plenty of mucho-macho posturing of course and corpses galore with a shootout set in an abattoir that will have assorted veggies and vegans foaming at the mouth. The imaginative ways in which various low-lifes are bumped off anticipate 'The Godfather' although Deray's film lacks the psychological depth of Coppola's masterpiece. Deray was also said to be influenced by Melville but lacks that director's Existentialist feel. What is certain is that Deray made his mark in the thriller genre which he considered to be 'spectacle of the higher order.'

"Borsalino" is one of the all-time fun French gangster films. I saw it in a cinema in Paris when I studied there eons ago, but just try to find the DVD or videotape! I guess they're trying to increase its rarity value by foisting a much inferior film, Borsalino & Company, on Delon and Belmondo fans. Well, this is the genuine article, more Marseille than the real city, perhaps 70 years or so ago, so just enjoy the great dialogue and scenarios IF YOU EVER MANAGE TO GET YOUR HANDS ON THIS TAPE OR (BETTER) DVD, NOT DUBBED but with subtitles s'il vous plaît. The soundtrack by Claude Bolling (sporadically available on CD) is the perfect accompaniment, and the combination of the French cinema's two most popular young actors made this an all time favorite in France. In the final analysis, style certainly triumphs over substance, and you'll never forget you are seeing Delon and Belmondo. This film has stuck in my mind all these years, and I think you'll be just as impressed as I was... bonne chance!

I liked this film and became a Belmondo and Delon fan because of it. The story fosters traditional friendship values : Loyalty , affection , and it underwrites pursuit of dreams.

All production values are a little over dramatic , which worked for me given the slightly hammy machismo of the stars. These guys looked like they really are friends off-screen and maybe had a lot of fun making the film. They are a couple of real characters and it shows through. They're better at playing themselves than at acting

Interesting sepia stills for credit backgrounds which predate Butch Cassidy's use of them as nostalgia evocation.

Somewhat typical of foreign films of the period , the continuity was sometimes uneven . But that wasn't particularly disruptive because of the un-complex story line.