The Wild Bunch - Sie kannten kein Gesetz

An incredible performance by Bill Holden is the high point of this sensational, landmark film. Holden made a whole career out of laid-back, easy-going, what-the-hell sort of characters but here, at his zenith, he departs from type and plays a character so mean and so embittered that in some ways he even out-Bronsons Bronson himself.

The Wild Bunch is a group of disillusioned outlaws who are out of time and they know it. When Sykes says that they've got one of those things (a car) up north that can fly, they gloomily accept that this new-fangled 20th Century is not for them.

It is a movie all about values and about a man's loyalty to his companions. Holden brilliantly declares that if you cannot stand by a man who rides with you, you are like some kind of animal. In the end, that is all these hunted men have: their loyalty to each other.

And so they band together for one last walk to try and rescue their doomed Mexican comrade. The bloodbath that follows is an eloquent summary of their lives. They who live by the gun.....

Superb performances by Holden in particular and also by O'Brien, Ryan, Borgnine, Oates and Johnson. Peckinpah's finest hour. Definitely ten out of ten.

1913, nine men who came too late and stayed too long . This is the story about some men making their last stand . At the beginning , the wild bunch holds up a bank of Texas , but it goes wrong . The misfit group is formed by Dutch (Ernest Borgnine) , the Gorch brothers (Ben Johnson, Warren Oates) , Angel (Jaime Sanchez) , Sykes (Edmond O'Brien) and commanded by Pike (William Holden) . After that , they go to Mexican territory , being pursued by Thorton (Robert Ryan) and his ragtag band (Peckinpah's usual : Strother Martin and L. Q. Jones) . At the ending the Wild Bunch makes their last stand against a cruel Mexican general (Emilio Fernandez).

This excellent Western packs lots of action , shootouts, and explosive violence . Taut excitement throughout , beautifully photographed and spectacular bloodletting filmed in slow moving . Rich in texture and including intelligent screenplay full of incredibly lyrics scenes by Peckinpah and Roy Sickner , also producer . Vibrant as well as brilliant all-star-cast displays exceptional performances . Holden and Ryan are perfect as the older gunfighters with their own ethic codes . Furthermore , good secondaries as Bo Hopkins , Albert Dekker , L.Q Jones and Strother Martin gives one of the best performances . Colorful cinematography filmed in Mexico by Lucien Ballard in Technicolor and Panavision . Spectacular and sensitive musical score by Jerry Fielding , including Mexican popular song titled 'Golondrina' that is emotively sung when the bunch comes out of the Mexican village . The motion picture was stunningly directed by Sam Peckinpah , creating a true classic . Restored and reissued various times with diverse running . The Wild Bunch is a real must see for fans of the genre .

Outlaws led by Pike Bishop on the Mexican/U.S. frontier face not only the passing of time, but bounty hunters (led by former partner of Pike, Deke Thornton) and the Mexican army as well.

In 1969 Sam Peckinpah picked up the torch that Arthur Penn lit with 1967's "Bonnie & Clyde", and literally poured gasoline on it to impact on cinema to the point that the shock wave is still being felt today. The death of the "Motion Picture Production Code" in 1967 ushered in a new era for cinema goers, it was a time for brave and intelligent directors to step up to the plate to deliver stark and emotive thunder, and with "The Wild Bunch", director Sam Peckinpah achieved this by the shed load.

The Wild Bunch doesn't set out to be liked, it is a harsh eye opening perception of the Western genre, this is the other side of the coin to the millions of Westerns that whoop and holler as the hero gets the girl and rides off into the sunset. Peckinpah's piece is thematically harsh and sad for the protagonists, for these are men out of their time, this is a despicable group of men, driven by greed and cynicism, they think of nothing to selling arms to a vile amoral army across the border.

The film opens with a glorious credit sequence as we witness "The Bunch" riding into town, the picture freeze frames in black & white for each credit offering, from here on in we know that we are to witness something different, and yes, something very special. The film is book-ended by ferocious bloody carnage, and sandwiched in the middle is an equally brilliant train robbery and a slow-mo bridge destruction of high quality. Yet the impact of these sequences are only enhanced because the quality of the writing is so good (Walon Green and Roy N. Sickner alongside Peckinpah).

There's no pointless discussions or scene filling explanations of the obvious. Each passage, in each segment, is thought through to gain credibility for the shattering and bloody climax. There is of course one massive and intriguing question that hangs over the film - just how did Peckinpah make such low moral men appear as heroes, as the "four outlaws of the apocalypse" stroll into town, their fate to them already known?. Well I'm not here to tell you that because you need to witness the film in its entirety for yourself. But it's merely one cheeky point of note in a truly majestic piece of work. A film that even today stands up as one of the greatest American films ever made. 10/10

In The Wild Bunch we follow the story of a group of professional thieves, which in the opening scene already made me quite excited, a detail, a western movie however with pistols showing the transition from the 19th century to the 20th century in the pre-first world war period and the Mexican Revolution.

Despite being a movie about thieves, the story conveys the message of loyalty to his friends, in the first scene a boy is left behind to die and later it is discovered that he was the grandson of a gang member, which makes Pike very sad. Obviously the characters are thieves and among them in most cases there is no such loyalty, however, the group formed by Pike, T. C, Sykes, Dutch, Tector Gorch, Lyle Gorch, Angel and Coffer, these eight are different, they are loyal among themselves and everyone there would give their lives for each other, obviously they don't agree on everything and there are moments of conflict which is very good.

What I didn't like about the movie is that it doesn't delve so deeply into one of the main themes that is the hunt for ex-con Thorton to the gang, in addition to a Flashback and lines showing that before he was part of the gang and that he misses it. For me it wasn't enough to show how close he and Pike were.

A good film, it is not a masterpiece like others of the genre, but it is still current and manages to have a lot of fun.

Peckinpah has a rep and this is the film which provided most of it. I had the privilege of actually seeing this on the big screen once, in the late seventies. As the beginning credits end, Pike (Holden) tells his bunch "If they move, Kill 'em!" Then Peckinpah's credit appears. A woman seated behind me gasped, whispering "oh, no..." Oh, my. It sounded like the lady didn't know she'd wandered into a Peckinpah film and she knew what she was in for. When you enter Peckinpah-land, you need to be prepared. There are no punches pulled, no sidestepping the unpleasant aspects of life. Peckinpah's characters are tough men; I mean, really tough, not phony-Hollywood tough. In this case, they are coarsened by what seems to be years on the trail, blasted by the sun, snapped at by rattlesnakes, and harassed by bandits. And at this point, they've pretty much had it.

Not that they're complaining, mind you. They've lived their lives how they saw fit, this bunch, and they make no apologies for any of it. I believe the actual year is around 1913, just before World War I begins. Most of the action takes place in Mexico, where the Bunch becomes involved with a local general (Fernandez) with the usual delusions of grandeur. If you go by the name of the character Angel, the general can be viewed as a version of the devil. That would make the Bunch avenging angels at the end. But heroes? No, not at all. They have their own code, they know instinctively they're stronger together than on each own, but they reason this concept out also - Peckinpah wants to make sure it's clear these are not unthinking savages. They're just men, who've reached a point in history where they must make a crucial turn. History, it seems, has no real use for them anymore. It's quite simple - they either fade slowly or go out quickly. In a film such as this, with its now insurmountable rep, you tend to wait for those big set pieces, especially the climactic battle. Wait for it, wait for it... here it is. Bam! - you're in Peckinpah territory. You're a part of history.