Three

Based on an Irwin Shaw story, this film revolves around college pals Sam Waterston and Robie Porter on their summer trip through Europe. In their travels they meet Charlotte Rampling, who they invite to come with them, but on condition she pays her own way. Also, the guys have a pact that they will not let her come between their friendship. From landmarks to landscapes on their trek, we see them laugh, reminisce, and contemplate their own lives. We see chapels and beaches, as their summer comes to life. "Three" is a very natural, relaxing, and, I don't think I've described a film this way before, sexy. The exotic locales made me think of "A Little Romance" with Laurence Olivier." This is the sort of film that stays with you in a very haunting sort of way. Its stillness and romanticism is of an another era, a yesteryear. But it's also very real. You'd swear they weren't acting at all. A very interesting turn of events transpires, as their trip comes to an end, the kind of ending that makes you want to see it again. It makes you wonder if you've actually been paying attention. Its aloofness, a feeling it's short of reaching keeps you interested in the three lives. I had never seen Robie Porter in a film before this. He looks like a cross between George Segal and Dennis Quaid. For a very mature and memorable trip through Europe, take time with these "Three" as they learn about themselves, while taking in a little of the world.

Story of two college buddys who are touring through Europe and meet a beautiful woman and of course they both vie for her affections. She of course likes both of them! The sites are beautiful and actually are important to the story. The scenery and Charlotte Rampling are both beautiful and mysterious and Sam Waterston has a difficult time accepting both for what they are. I guess this is the moral dilemma that the characters must ponder! Lots of shots of the characters doing nothing! Extetended scenes of them eating, drinking and just walking and looking around. The pace of the film is very slow and it seems deliberate. The director seems to want us to feel what its like to be consumed by the scenery and elements. I guess its effective, but I'm not sure how interesting it is.

This film wears well since the story is an age old one. So nice to see the young Sam Waterston and Charlotte Rampling in very picturesque european locations.What happened to Robie Porter? Two male friends in Europe meet a beautiful English girl who then travels with them on their summer tour (many young Americans did this in the sixties in Europe) One, Sam Waterston, is an idealist about love, falling for Rampling, but keeping a promise to his friend that everything has to be kept platonic for the three to survive as a group. Rampling needs the attractive company but also wants a physical relationship which Porter, at the end, gives to her. Waterston realises the magic of the threesome is broken and gives up the the romantic thoughts of studying in Paris and breaks away to return home. Thoughtful and well told, more through subtle actions than words.

Young Americans Bert (Robie Porter) and Taylor (Sam Waterston) buy an old Puegeot to drive across southern Europe. They encounter various female travelers. Marty (Charlotte Rampling) joins them and puts them to the test.

I don't know much about director James Salter. He seems more of a writer and this is his only directing credit. The sense of bored youth is all over this movie. The girls almost don't have the strength to lift their arms. The people live so slowly that they almost travel back in time. It's a more amateurish production. It does have the great Waterston and the great Rampling in their youth. These are beautiful people in their 20's. Rampling is especially adapt at playing beautiful, young, bored, and yet mentally alert. There are moments which struck me as funny. It's not a movie of action thrills but the old world charms do have its own particular thrills. Let's watch them lie around some more.

I became aware of this one fairly recently via a thread on the “Criterion Forum”, where several people were asking about it; I happened to recollect that the film was turning up regularly on Cable TV and, so, made it a point to check it out the next time it was on!

Well, it emerges as nothing really special: a ménage-a'-trois romance on the lines of JULES AND JIM (1962), filmed in a fragmentary but not unattractive style. The script makes the occasional perceptive comment about its central theme (especially through the contribution of Sam Waterston as the shy prospective lawyer) but, given that the three friends/lovers agree on the fickle nature of the relationship beforehand, the romantic element isn’t particularly stressed – so that there’s little character growth and, consequently, none of the potential jealousy and heartache inherent in such a situation!

Frankly, the film is more valuable as a travelogue: the narrative (based on a story by Irwin Shaw!) denotes the adventures of a couple of vacationing American students in Europe – with Florence (Italy’s art mecca), provincial France and Spain for backdrops – falling under the spell of a sophisticated but free-spirited girl of British and French descent (played by Charlotte Rampling). Along the way, however, the two boys meet and hitch up with a number of other girls – one of these is Gillian Hills, whom I recently watched perform the notorious-but-now-very-mild nude scenes in Michelangelo Antonioni’s BLOWUP (1966); the film also boasts a pleasant score by Laurence Rosenthal.

Apparently, James Salter (whose only directorial effort this proved to be) is a highly respected author but I’d never heard of him personally; looking at his filmography on the IMDb, I notice that I’d already watched a film he scripted – Sidney Lumet’s THE APPOINTMENT (1969) – and I’ve got another one in my “To Watch” pile (recorded off Italian TV) that was based on a novel he wrote – the aviation drama THE HUNTERS (1958), starring Robert Mitchum!