IMDb-BEWERTUNG
6,6/10
2533
IHRE BEWERTUNG
In dieser romantischen Komödie zwingt ein exzentrisches Mädchen einen widerstrebenden College-Studenten zu einer Affäre. Nominiert für 2 Oscars, darunter für den besten Song "Come Saturday M... Alles lesenIn dieser romantischen Komödie zwingt ein exzentrisches Mädchen einen widerstrebenden College-Studenten zu einer Affäre. Nominiert für 2 Oscars, darunter für den besten Song "Come Saturday Morning".In dieser romantischen Komödie zwingt ein exzentrisches Mädchen einen widerstrebenden College-Studenten zu einer Affäre. Nominiert für 2 Oscars, darunter für den besten Song "Come Saturday Morning".
- Regie
- Drehbuch
- Hauptbesetzung
- Für 2 Oscars nominiert
- 3 Gewinne & 7 Nominierungen insgesamt
Chris Bugbee
- Eddie Roe
- (Nicht genannt)
Sandy Faison
- Nancy Putnam
- (Nicht genannt)
Austin Green
- Pookie's Father
- (Nicht genannt)
Elizabeth Harrower
- Landlady
- (Nicht genannt)
Empfohlene Bewertungen
This movie touches something in all of us that i think Lizzie minnelli brought to the service so well she deserved an Oscar nom in her first performance.Most of us at some point in our lives,often when young have clung to love,or been clung to-to tightly.The result often being the other person at some point feels as though they cant breath they feel suffocated.This creates awkward moments and much introspection as we question what does love truly mean does it mean I have to be with you and know where you are 24 hours a day.Does it mean i let go my friends because you don't seem to like them. I'm a male who gets sad every time I see this movie.All of us have felt loneliness and come across some people who are plagued by it.Lizzie Minnelli ,and Wendell Burton showed the dynamics of young love and all its bittersweet ironies.This movie reminds us of being young and breaking up with someone you at one point cared deeply for.
This film, along with the performances of the two principals, Minnelli and Burton, as well as the soundtrack, evoke a time in everyone's past, at some time or other.
As two drifting college students, they have a chance meeting, become interested in each other, then gradually grow apart. The sets are evocative of New England and upstate New York, beautiful in autumn, beautiful and sad. Reminding us perhaps of past relationships, longing, and wishes that were never fulfilled.
The soundtrack is sentimental, but not overly so, I am not a major fan of Minnelli, but in this film her performance was understated and believable. The film leaves us with a sense of loss and longing, recalling times we were younger, relationships of the past. 8/10.
As two drifting college students, they have a chance meeting, become interested in each other, then gradually grow apart. The sets are evocative of New England and upstate New York, beautiful in autumn, beautiful and sad. Reminding us perhaps of past relationships, longing, and wishes that were never fulfilled.
The soundtrack is sentimental, but not overly so, I am not a major fan of Minnelli, but in this film her performance was understated and believable. The film leaves us with a sense of loss and longing, recalling times we were younger, relationships of the past. 8/10.
This is one of the few films I've seen in which every shot represents the theme and overall feeling of the film. No matter whether Minnelli's Pookie and Burton's Jerry are together as a couple, in a crowd, or completely alone, a sense of loneliness pervades the situation. To achieve this Pakula uses several long shots of the characters, or, during the party scene, he has Pookie and Jerry on separate levels of the staircase, staring up or down at each other from a distance. From the very first shot we see this, with Pookie and her father walking to a bench and then sitting there waiting, in an extremely long take that spans the entire opening credits. In representing the awkwardness of a first sexual experience, another extremely long take is used, in which Jerry disrobes Pookie, take off each piece of clothing one by one, hanging them up in the closet or folding them properly, then doing the same for himself, and within this the loneliness is established in Pookie's great enthusiasm to "get in the sack" and Jerry's calculated attempts at making the experience romantic, which are completely unromantic. Even McIntire's small role as Charlie plays an important part in the representation of the loneliness, as he assumes that Jerry is a virgin, like he is, thinking he confide this is in Jerry because they have it in common, which they don't. Minnelli's acting in this excellent, probably on the same par as her role in Bob Fosse's "Cabaret." This is also one of the few films I have actually not just felt sad about, but actually did cry at. I believe this is a very well-made film, and it deserves a higher rating than it has on here. The subjects it deals with are not trivial in the least, they are an important part of life, and the ending is perfect in proving this. It is very realistic in the psychological portrayal of its characters, which is a very difficult thing to pull off. I have not read the book, but I am sure the characters are established just as well in this film adaptation. Although it is a sad film to watch, Pakula hooks us right away with Pookie's outrageous personality, and although, like Jerry, we feel she is annoying person, even if she is friendly, we cannot stop listening to her and watching her, and when she is not in a scene we feel something is lacking. So, rather quickly, we begin to enjoy her character and what it brings to the film, just as Jerry begins to enjoy her company and she helps him learn to enjoy his life and be more outgoing, even though, in the end, this works against Pookie. I feel this film has been highly overlooked, and I definitely recommend it, even with the sad ending it brings. By the end of the film I had fallen in love with Pookie, and this is what makes it such a strong film.
This story of a strange girl falling in love with a boy who at first resists, then embraces her is a wonderful movie. Pookie Adams is unlike any character in any other movie I have seen. She is truly desperate for love and when she finds it she ruins it by holding on too tightly. This movie is heart- breaking because there is no way for the teenage lovers to find a happy ending. A sweet, touching look at first love that is not to be missed.
I saw it in 1992 (well past puppy love age) and wrote in my diary:
A heavenly movie! What a visual and aural delight! The plot didn't matter much (love of shy college boy and girl). But then, no good movie puts plot above everything else. Good movies have great atmospheres. They are pleasing to the eye, as well as the ear. This one was blissfully free from cliches, melodrama, formulas, phony excitement. It was pure warmth, charm, prettiness, spontaneity. There were almost no close-ups. The scenery was breathtaking, the pacing calm and gentle. There were whispers! Whispering is so charming, so intimate. Liza Minelli was never better. This film gave me a great boost, making me feel connected with fellow humans.
A heavenly movie! What a visual and aural delight! The plot didn't matter much (love of shy college boy and girl). But then, no good movie puts plot above everything else. Good movies have great atmospheres. They are pleasing to the eye, as well as the ear. This one was blissfully free from cliches, melodrama, formulas, phony excitement. It was pure warmth, charm, prettiness, spontaneity. There were almost no close-ups. The scenery was breathtaking, the pacing calm and gentle. There were whispers! Whispering is so charming, so intimate. Liza Minelli was never better. This film gave me a great boost, making me feel connected with fellow humans.
Wusstest du schon
- WissenswertesAfter winning the part of Pookie Adams, Liza Minnelli had a copy of the script sent over to her mother, Judy Garland, who read it and thought the part of this troubled, friendless girl would be an unattractive role for her daughter. Minnelli says she became defensive and argued that Pookie was a great role for any actress, but that Garland was personally concerned Minnelli identified too closely with Pookie.
- PatzerWhen they are walking by the cows he's telling her about all the stuff he read in her letters and she's wearing a short skirt with a pink blouse. Then they show them from the back in a far away shot as they walking away from the cows and their clothing has changed to the ones they were wearing when they were flying the kite.
- Zitate
'Pookie' Adams: Some people guzzle God like He was a keg of beer.
- SoundtracksCome Saturday Morning
Lyric Dory Previn Music Fred Karlin
Performed by The Sandpipers
A & M Records Recording Artists
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- The Sterile Cuckoo
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- Bruttoertrag in den USA und Kanada
- 13.982.357 $
- Laufzeit1 Stunde 47 Minuten
- Sound-Mix
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- 1.85 : 1
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