Milos ganz und gar unmögliche Reise

I feel bad for a lot of underrated movies, mostly because the people who'd like them the most have probably never heard of them. I argue that Chuck Jones is the most important of the animation directors of the Golden Age of Cartoons, and this is his only full-length feature. If you like his cartoons, you should definitely hunt for this charming adaptation of Norton Juster's charming (if pedantic) novella.

Here's the interesting thing about "Phantom Tollbooth". Neither the book nor the movie strike me as a children's' story. Don't get me wrong, kids will probably like this movie, particularly older kids, but it's more for adults who can get the puns and such. Adult will also probably appreciate the psychedelic artwork from longtime Jones collaborator Maurice Noble. The amoebic Doldrums are a highlight as is the Awful DYNN, a manic crayon scrawl, and the cities of Dictionopolis and Digitopolis; they look like a riot at the Avant-garde Graphic Design class. Adorable and very, VERY sixties.

I believe I saw this one on Cartoon Network a few years back, and I agree that it's a pretty good movie. It displays that language, and logic is an important factor, and this was inspiring for me at the time I saw this (I think it was before I turned 10). The animation was good, and the music was pretty good too. Overall, a nice animated adaption of Juster's great book, and another excellent animated feature from Chuck Jones.

I very much enjoyed Phantom Tollbooth, a rare occurrence of the movie being worthy to the book. With weird music, great writing, and somewhat educational.

The plot of this film is that there's this boy named Milo. He leads a crappy life because he can't make up his mind about anything, when ever he's inside he longs to be out, and whenever he's outside he long's to in (that was from the book). Well one day he find's this strange box. In the box, there's a freaky tollbooth that talks. Then afterwards there's this car that shows up, he gets in the car and goes on his quest for happiness.

Even though it may seem like a acid trip when you see it, as the film goes on, you can tell that there's method to the madness. I would suggest this film to anyone.

Like Chuck Jones' earlier "Gay Purr-ee," this is a good film for those who are looking for something good, if decidedly different, in family entertainment. Mel Blanc, June Foray, Shepard Menken, etc., contribute their usual outstanding voice work (The scenes with Blanc as "Officer Short Shrift," especially, are a howl!), and the visuals, as one would expect from Jones, are consistently outstanding and imaginative.

Not that the film is without its' faults, by any means. The songs, by veterans Paul Vance and Lee Pockriss, range from the clever ("Don't Say There's Nothing to Do in the Doldrums," "Time Is a Gift") to the treacly ("Henceforth and Forthwith"). The moralizing, more pronounced here than it was in the original Norton Juster book, gets to be a bit heavy-handed at times. And, finally, Butch Patrick (Best known as "Eddie Munster" on "The Munsters") plays Milo, the central character, as such a whiney little jerk, at least in the beginning, that it's hard to work up much sympathy for him as the story goes on. Plus, even though he was still short for his age, there was no disguising the fact that he was, in every other way, a fast-maturing fifteen year old, and, thus, just a bit too old for the procedngs.

But, and I have to emphasize this again, don't let you stop you from seeing this movie. The result is more than the sum of its parts, and good, alternative family entertainment is what you get.

I still don't get why so many people who have seen it dislike it so much. I first saw it when it was playing on Cartoon Network. I liked it so much that I had to get it on videotape. Granted, the moralizing was a bit heavy-handed, but all the same, I loved it when I was young and still find it entertaining now.

BTW: Those of you who did not like the movie may want to read the book. It is just as good, maybe better, but has things put better into perspective.