Nacht ohne Zeugen

Check out the top of the Pendulum IMDb page, and you'll see a guy by the name of Stanley Niss, who wrote and produced this movie. He was my father's mother's brother, or great uncle. I recently learned more about my Great Uncle, and I was finally able to dig up my grandma's VHS copy of Pendulum in her condo. Just the fact that they were able to get a movie centered around a rapist rated only PG is enough of an accomplishment, but seeing George Peppard star surprised me even more.

So, I popped it in my 18 inch VHS TV and watched. Well, it's the 60's alright, the music, the sets, the wardrobes, the chain smoking, there's no denying that. But all in all, I liked it as a standard courtroom drama, the actors did well with their roles, and though I'm biased, I liked it well enough, and it kept me excited throughout.

Afterwards, I looked online and searched for some movie reviews, and saw that Roger Ebert himself reviewed upon its release, though he panned it. Gave it one and a half stars, and called my Great Uncle Stanley's script "written ineptly." Oh well. I had a good time, and I have a small piece of my family history in my hands now.

A bit preachy in the Jack Webb style but plot wise it's a good movie to spend 100 minutes watching. Peppard leads the cast. Seberg is hardly present in the movie yet she receives 2nd billing. The supporting cast is good with a few tv familiar faces including Dana Elcar and Isabelle Sanford. The exterior shots are interesting to see as a time capsule of Washington DC in 1968. The Columbia back lot used for many tv shows is used but with an obvious matte painting to hide some of the wide shots that would have shown to much of the studio. The content is mature but it is not a film to be given as many ads say an R rating by the mpaa. It would most likely be rated PG today no more no less. No nudity, no severe language, violent but not terribly unwatchable. It could be on tv today completely uncut. It's definitely not R! Enjoy.

Peppard is ideally cast as inflexibly hard-nosed cop who gets sucked through the looking-glass when indicted for his cheating wife's murder. Charles McGraw and Richard Kiley are both magnificent in the key supporting roles. Dana Elcar and Isabel Sanford also add poignantly amusing support. Director George Schaeffer's pacing and choice of score is perfect for the genre. And, many of the key ironies are even more appropriate today than when the film was made. Very highly recommended.

Just saw this movie again after 39 years. Well-acted period piece. Out-dated by today's standards, but still a decent night at the movies. What really caught my attention was how George Peppard chained smoked throughout this film. The guy burned one in every scene. Aside from that, he did give a creditable performance, but nothing to write home about.

Jean Seberg looked beautiful. She was a rare beauty and very talented as well. She is wasted here, but her brief time on scene does capture your attention.

The supporting cast of veteran actors do a professional job. The only real problem is that the film drags at times and lacks any real action. The ending was typical, but this was 1969, so don't expect too many surprises.

I readily admit that I know very little about Director George Schaefer, who appears to have done more TV film than cinema.

The title PENDULUM comes from the words of a circuit judge reluctant to release on technical grounds proven rapist cum murderer Sanderson (coyly played by Rpbert Lyons, with typical connection to Mom Madeleine Sherwood).

The movie opens with an interesting relationship between police captain Matthews (Peppard) and cheating wife Jean Seberg, looking somewhat plumper than nine years earlier in Jean-Luc Godard's A BOUT DE SOUFFLE but still extremely gorgeous in her 1960s attire, and in her translucent gowns. You know instinctively that her deception will not last and that Sanderson, who Peppard put behind bars, will seek revenge.

That part of the movie is engrossing. The part of Peppard being immediately found guilty by his own copper colleagues, escaping, and using the street phone booth to gain access to Sanderson at his mother's place beggars an excessive amount of suspension of disbelief.

In any event, PENDULUM remains quite watchable. Seberg comes across as a charming cheat, Richard Kiley does well as lawyer Woodrow Wilson King (familiar names, ain't it?), interesting to see Charles McGraw as deputy police chief (up from police detective in the great B picture, NARROW MARGIN, of 1952) and cinematography by Lionel Lindon is quite professionally done. 7/10.