Mord nach Art des Hauses

I saw this on release (at age 17 or 18) and it reminded me of NOTHING. A year later, SOMETHING FOR EVERYONE reminded me of this cool, sinister and hilarious dark comedy from the British Isles. Vanessa Howard (don't know much about her) is prime psycho, post-nubile, upbeat girl and the rest of her family - Sonny, Mumsy, Nanny and all their unwilling and baffled friends make for a tasty stew of late 60's/early 70's pseudo-art..I believe.

A 7 out of 10. Best performance = Vanessa Howard. This film is tough to find on VHS and I don't think it's on DVD, but seek it out if you like clean black humor from England, with teasing, death, witty dialogue and a cast that's born for the task.

about three years ago, my friend gave me a VHS which contained three films. One of them being "GIRLY". I was board one day so I threw it in My VCR, I watched the first two movies which were not too bad, but when girly came on I was really hooked. I actually rewound the picture and watched it a second time. I still remember soldier in the beginning of the movie. He is my favorite character. near the start of the picture, it's hilarious when girly gives him the flask and he takes it without question. Another one of my favorite parts of the movie is when girly sings the siamese national anthem. Anyway, Girly definitely is one of the best movies ever made. I would definitely rate it 10/10.

Girly (Vanessa Howard), a fetching but evil-minded schoolgirl, shares a dark hobby with her oddball household: she lures unsuspecting men to their mansion on the outskirts of London, then engages them in "games" that inevitably end in their deaths. The horrific family project runs smoothly until Girly brings home a new friend (Michael Bryant) who's operating under his own set of rules. Soon, he turns the entire household upside-down.

Allegedly, "the film is a dark and playful allegory of the breakdown of the nuclear family of the 1950s as a result of the free love movement of the 1960s." How exactly this critique came about is unknown to me. I guess I didn't see any such thing in the story, but I did not personally ask the writer what his motivation was.

The film was admirably handled, lead by director Freddie Francis, known for his work with Amicus and Hammer. If you're going to make a memorable British horror film, these are the studios you want and the man you want to do it.

What I found interesting was the unusual use of sexual seduction: is the woman an adult or a child? Clearly, she is in her early twenties. But her mindset is that of a child. Are her seductions of a woman or a child? This ambiguity makes what could be simple a risqué sexual liaison into a potential taboo.

Absolutely under-appreciated and unknown film that deserves a Renaissance. Please, please, please do yourself a favor and rent this from Netflix.

Understated British psychodrama with no effects to speak of, just lots of creepy dialogue, tension and madness - not even any nudity and only implied sex, very little at that. Twisted little tale of a mad little "family" that will engross, humour, disgust and terrify you. Mmmm .... yummy.

If you like your comedy with a decidedly quirky bent, then this is a film for you.

Vanessa Howard is splendid as Girly, an obvious twenty-something that dresses and acts like a twelve year old schoolgirl.

She lives with her brother, and mother, and nanny, and they are all certifiably bat-shite crazy.

They two "children" lure homeless and hippies to the old crumbling mansion where they play "games." They must unquestionably participate or they are "sent to the angels," if you get my drift.

The new friend (Michael Bryant) plots to turn the four of them against each other until he can find a way to escape.

Director Freddie Francis won two Oscars for cinematography (Glory, Sons and Lovers) after directing many horror movies.