Füge eine Handlung in deiner Sprache hinzuAfter discovering her late husband's swinger's pad, a widow uses the apartment to explore her own sexuality, while searching for a man who can reciprocate her passions.After discovering her late husband's swinger's pad, a widow uses the apartment to explore her own sexuality, while searching for a man who can reciprocate her passions.After discovering her late husband's swinger's pad, a widow uses the apartment to explore her own sexuality, while searching for a man who can reciprocate her passions.
- Regie
- Drehbuch
- Hauptbesetzung
Gigi Proietti
- Sandro Maldini
- (as Luigi Proietti)
Fabienne Dali
- Claudia
- (as Fabienne Dalì)
Silvana Bacci
- Dominatrix
- (Nicht genannt)
Mario Erpichini
- Franco
- (Nicht genannt)
Empfohlene Bewertungen
Lord, this sucked. There's a particular sort of sexual revolution flick from the 60s that manages to confuse sexual assault with sexual liberation. This film is an example. I lost track of how many times women are slapped, hit, whipped, or spanked in the film. And then there are all the times that women in the film fantasize about being slapped, hit, whipped or spanked (you know they want it, right?). Sometimes it is ostensibly part of safe fetish play-acting. Other times it plainly isn't, but you will wait in vain to see the heroine report to authorities that she has just been raped. Instead we get to hear her being lectured by her rapist about her inability to "let go".
Every scene of this film reeks of misogyny (speaking as a straight, white, married man in his late 30's, not a teenage lesbian women's studies major with a chip on her shoulder, lest you get the wrong idea).
Perhaps the one good thing about this film is that it provides a stark reminder of just how bad things really were for women only a few short decades ago.
Every scene of this film reeks of misogyny (speaking as a straight, white, married man in his late 30's, not a teenage lesbian women's studies major with a chip on her shoulder, lest you get the wrong idea).
Perhaps the one good thing about this film is that it provides a stark reminder of just how bad things really were for women only a few short decades ago.
Very cute and erotic movie made in 1969! ;-) I found it on Netflix and was intrigued. The movie has all the stylish glamour of the 60s with lots of sex!
Young widow uses dead husband's bachelor apt for sexual exploration. She sleeps around and ends up falling in love.
Lots of a nakedness and laughs! I'd recommend it!
Young widow uses dead husband's bachelor apt for sexual exploration. She sleeps around and ends up falling in love.
Lots of a nakedness and laughs! I'd recommend it!
If you can suspend your judgement a bit, and not hold this film/story to current-day "morality", this film can be a very enjoyable experience. Watching Catherine Spaak explore and develop her personality and desires is fascinating, and Jean Louis Tritignan's love for her is evident. Interesting that the director cast two french lead actors for an italian film - I wonder why that is. The sets are gorgeous and interesting, the cinematography by Alfio Contini is splendid.
There is a region B (Europe) bluray version available, and it is such high quality that this could have been filmed in the past few years.
Also available is a remastered 2022 version of the soundtrack by Armando Trovajoli at bandcamp - search for "bandcamp La Matriarca soundtrack".
It's many versions of the same theme tune "l'amore dice ciao", and is a lovely atmosphere album. I wonder if any other films have used the same single song to provide the soundtrack for the whole film.
There is a region B (Europe) bluray version available, and it is such high quality that this could have been filmed in the past few years.
Also available is a remastered 2022 version of the soundtrack by Armando Trovajoli at bandcamp - search for "bandcamp La Matriarca soundtrack".
It's many versions of the same theme tune "l'amore dice ciao", and is a lovely atmosphere album. I wonder if any other films have used the same single song to provide the soundtrack for the whole film.
I only really watched this for catherine spaak and im glad i did. It was sexy and catherine was so gorgeous but the plotline was a bit to daft for me. A widower finds out her husband was a sex pervert and sets out to engage in multipe acts of outrageous sexual adventures herself. I couldnt shake off the feeling that i was just watching a female Confessions of a Window Cleaner film. And thats not good. I would have given this a 7 despite that but then i watched the ending and it was rubbish. Absoulte tosh. So its a 6/10.
PS Do all italian films have such dubbing problems? Its an italian film, everyone is speaking italian, but i swear every character looked like they were dubbed and out of synch. Its weird.
PS Do all italian films have such dubbing problems? Its an italian film, everyone is speaking italian, but i swear every character looked like they were dubbed and out of synch. Its weird.
This is a charming, saucy and insanely amusing little film, featuring Catherine Spaak and assorted body doubles in such generous amounts of body, only a hater of physical beauty won't be charmed. Possibly to death.
Note; whatever you do, buy the VHS. Not only is the DVD a bust no pun, please, but many of Ms. Spaak's more revealing and best, (and I MEAN revealing) moments, have been edited out. (Le recul, le chéri de Catherine ?) These included a nice shot for posterity, of Cat's um, posterior as well as a well full-frontal surprise this delectable Belgian hottie plays on a school teacher. Not to mention that color separation and poor film stock issues are actually exacerbated on the DVD. There is really nothing to recommend it- except that most won't watch VHS any more. (The DVD does have a few cute outtakes, but my God, we're talking a gorgeous woman, like no other, who plays horsie at great length in the film; surely THAT footage should have been the source of any outtakes.)
The film and its incessantly catchy theme commenced and we find our girl Spaak at her husband's funeral. Far from remorseful, Spaak's 'Mimi' says of his death, she feels 'nothing.' But soon, SOON, dear viewer, she'll feel SOMETHING and in a big way and often!
While as fluffy as a Roman Cloud in May, this movie is cited for having a few underlying themes of the 'eat drink and be merry for tomorrow ,' as well as 'know thy woman or else' type. Perhaps, perhaps not. Doesn't matter. The film is hysterical and very much like the music of the Smiths if anyone else tried this stuff, it would be a disaster; in their capable hands, a delight. Even if Rome has few clouds of any kind in May
Freed from a husband for whom sexually, Mimi never responded, she proceeds to go on a tear, of if memory serves, 8 count em' eight, men in a row, not to mention an apparent orgy where God knows what the score may have been.
It happens that Spaak's deceased had a play pen in Rome, a hideaway where the latter took his gals, including Spaak's best friend. Spaak learns of this piede e terre through her attorney whom she then beds. She then goes through the roll call: dentist, tennis pro, john, (a guy who thinks she's a prostitute) sadist, (truly regrettable, but very much of the times and a reminder one hopes, of what's NOT acceptable any longer), plumber, (not just 'any plumber' but in fact, her maid's husband) and finally, doctor. Not to mention whatever is going on in the orgy scene, which is actually another film; the orgy occurs in a movie that Catherine plays to the doctor to try and dissuade him from proposing marriage.
Nothing doing. This doctor is no fool. He hangs in there and is not put off by her scandalous behavior. Even excites him within the context of, 'family life.'
Amusingly, from the earliest scenes, Mimi is shown boning up on various abnormal sexuality tomes. One of which suggests that Aristotle became aroused through the act of playing horse, or as translated from Italian, 'Ride a cock horse.' Therein lies the films resolution. Owing to a sprained ankle recently suffered, Mimi asks the doctor to carry her. A few unforgettable scenes later and the two are saying how boring their wedding was and Spaak proceeds to ride her new beau into a boundless matrimonial bliss. Obviously, this cat catered to her thing, which of course resolved all her long-held inhibitions, etc. You get it.
With this flick, Ridley Scott directed a wonderful, charming witty and above all, genuinely hilarious film, if very much, of its time. Me thinks Catherine Spaak's role could not have been performed by any other, as it is her ability as a comedienne and of course her incredible (and highly unusual) beauty - and other bits - that make this so special. Why, that gal Spaak has more 'it' than the top leading ladies of today, rolled together! As to WHY Ridley Scott used such terrible film stock, you'd have to ask him.
A MUST SEE for laughs and when you just need a shot of pure unadulterated sexuality, the real deal, not some creature from a West Hollywood surgeon who left some poor girl's best parts on the cutting room floor.
Summer 2004 *Also know as La Matriarca.
Note; whatever you do, buy the VHS. Not only is the DVD a bust no pun, please, but many of Ms. Spaak's more revealing and best, (and I MEAN revealing) moments, have been edited out. (Le recul, le chéri de Catherine ?) These included a nice shot for posterity, of Cat's um, posterior as well as a well full-frontal surprise this delectable Belgian hottie plays on a school teacher. Not to mention that color separation and poor film stock issues are actually exacerbated on the DVD. There is really nothing to recommend it- except that most won't watch VHS any more. (The DVD does have a few cute outtakes, but my God, we're talking a gorgeous woman, like no other, who plays horsie at great length in the film; surely THAT footage should have been the source of any outtakes.)
The film and its incessantly catchy theme commenced and we find our girl Spaak at her husband's funeral. Far from remorseful, Spaak's 'Mimi' says of his death, she feels 'nothing.' But soon, SOON, dear viewer, she'll feel SOMETHING and in a big way and often!
While as fluffy as a Roman Cloud in May, this movie is cited for having a few underlying themes of the 'eat drink and be merry for tomorrow ,' as well as 'know thy woman or else' type. Perhaps, perhaps not. Doesn't matter. The film is hysterical and very much like the music of the Smiths if anyone else tried this stuff, it would be a disaster; in their capable hands, a delight. Even if Rome has few clouds of any kind in May
Freed from a husband for whom sexually, Mimi never responded, she proceeds to go on a tear, of if memory serves, 8 count em' eight, men in a row, not to mention an apparent orgy where God knows what the score may have been.
It happens that Spaak's deceased had a play pen in Rome, a hideaway where the latter took his gals, including Spaak's best friend. Spaak learns of this piede e terre through her attorney whom she then beds. She then goes through the roll call: dentist, tennis pro, john, (a guy who thinks she's a prostitute) sadist, (truly regrettable, but very much of the times and a reminder one hopes, of what's NOT acceptable any longer), plumber, (not just 'any plumber' but in fact, her maid's husband) and finally, doctor. Not to mention whatever is going on in the orgy scene, which is actually another film; the orgy occurs in a movie that Catherine plays to the doctor to try and dissuade him from proposing marriage.
Nothing doing. This doctor is no fool. He hangs in there and is not put off by her scandalous behavior. Even excites him within the context of, 'family life.'
Amusingly, from the earliest scenes, Mimi is shown boning up on various abnormal sexuality tomes. One of which suggests that Aristotle became aroused through the act of playing horse, or as translated from Italian, 'Ride a cock horse.' Therein lies the films resolution. Owing to a sprained ankle recently suffered, Mimi asks the doctor to carry her. A few unforgettable scenes later and the two are saying how boring their wedding was and Spaak proceeds to ride her new beau into a boundless matrimonial bliss. Obviously, this cat catered to her thing, which of course resolved all her long-held inhibitions, etc. You get it.
With this flick, Ridley Scott directed a wonderful, charming witty and above all, genuinely hilarious film, if very much, of its time. Me thinks Catherine Spaak's role could not have been performed by any other, as it is her ability as a comedienne and of course her incredible (and highly unusual) beauty - and other bits - that make this so special. Why, that gal Spaak has more 'it' than the top leading ladies of today, rolled together! As to WHY Ridley Scott used such terrible film stock, you'd have to ask him.
A MUST SEE for laughs and when you just need a shot of pure unadulterated sexuality, the real deal, not some creature from a West Hollywood surgeon who left some poor girl's best parts on the cutting room floor.
Summer 2004 *Also know as La Matriarca.
WUSSTEST DU SCHON:
- WissenswertesItalian censorship visa #52632 dated 14 November 1968.
- VerbindungenReferenced in Video Nasties: Moral Panic, Censorship & Videotape (2010)
- SoundtracksL'amore dice 'Ciao'
(Appears in the Italian version)
Written by Giancarlo Guardabassi (as Guardabassi) and Armando Trovajoli (as Trovaioli)
Sung by Andee Silver
Released on JOKER 7020
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