Stukas über London

From the director of the original 'Inglorious Bastards', this war film contrives rather cheekily to transpose the English-speaking Germans behind enemy lines from the Ardennes Offensive to the aftermath of Dunkirk; while there's plenty of dramatic spectacle on what was doubtless a fraction of the sort of budget Tarantino later had to play with.

WWII Italian/Spanish epic , this time about British airmen who prevented threatened Nazi invasion. Action,suspense and entertainment with an unit of Nazis (Francisco Rabal , Luigi Pistilli , among others) infiltrated on England . It commences at Dunkirk when a German band infiltrates British lines and unites the evacuation to Great Britain for the aim of conducting covert missions . As the Battle of Britain starts the Germans focus on attempting the sabotage new Allied Radar installations .A British Captain (Frederick Stafford ) tries to track down the Germans aided by a sergeant (Renzo Palmer) and under direct orders of a British Air Marshal (Van Johnson). It is 1940, and the diabolical mind of Adolf Hitler is planning to bomb England into submission to his warped dreams of a 'Fortress Europe'. Standing between Britain's freedom and Hitler's terrifying plans is the R.A.F - dedicated pilots who took to the skies in the face of overwhelming odds. The German Luftwaffe's planes outnumber the R.A.F's by more than 2 to 1 - 650 planes of the R.A.F. vs. 2,500 of the Luftwaffe! These odds , however, do not deplete the determination of the R.A.F. to stop Hitler, and as the Luftwaffe launches wave after wave of Heinkel 111 bombers against British cities, the R.A.F. responds, under the political leadership of Winton Churchill . Squadron Leaders lead the newest pilots of the R.A.F. into dogfighting with the Luftwaffe's experienced veterans, with the aim of driving Hitler's forces away from Dover's white cliffs for good .

This European co-production between Italy/Spain/France contains noisy action , wartime intrigue, explosions, shootouts, bombing and is quite amusing . But it's also a historical reenactment of the air war in the early days of WWII for control of the skies over Britain as a subject matter that deals with a vital period of world history as the new Luftwaffe and the Royal Air Force determine whether or not an invasion can take place . Well-made war-action/thriller/adventure/ Eurotrash film , is a standout in its genre : The Spaghetti-Italian warlike. This exciting movie gets lots of action, spectacular scenes , displays several extras and tanks, in fact, the production wishes thanks the British Ministry of defense and the Army general staff for their collaboration in making this film. Relentless plot twists ,in spite of some flaws ,the warlike action keep you breathless , thanks to suspense and acceptable widescreen aerial sequences , which will suffer on small television. Great aerial photography with nice special effects aerial unit by Emilio Ruiz Del Rio. Fine cinematography by Alejandro Ulloa of ¨Horror Express¨ and atmospheric score by Francesco De Massi. Rough,elegant Francisco Rabal is good as the group leader of the motley pack ,he along with Luigi Pistilli leads the misfit group of Nazis from behind enemy lines . Remainder casting has such a terrific plethora formed by several European actors , as French : Frederick Stafford ,Jacques Berthier ; Spanish : Teresa Gimpera , Luis Davila ,Eduardo Fajardo ; Italian : Luigi Pistilli , Ida Galli and Renzo Palmer , furthermore special appearance by Van Johnson as Air Marshall Taylor. The film takes part from American classic movies referred to Commandos genre ,just like :¨ Dirty dozen¨, ¨Kelly's heroes¨ and ¨Where the eagles dare¨ but especially of ¨ Battle of England¨ by Guy Hamilton . The picture is professionally directed by Enzo Girolami Castellari who made another good war film: ¨Inglorious bastards¨. He had a lot of hit-smash in the action cinema and Spaghetti as ¨Keoma¨ and ¨Go kill and come back¨, in fact the film is an Italian Western developed on the WWII. The pic will appeal to Eurocult fans and Italian-Spaniard production enthusiasts.

This is an odd case of casting, as the very American actor, Van Johnson, plays a British officer! However, despite this, the film looks very good for an Italian-made WWII film--sort of like a 'spaghetti' war film. For example, the Dunkirk scene was quite nice and had a pretty expansive look--with a relatively large cast and lots of ships. And SOME of the airplanes were done well (such as the fake He-111 cockpits--VERY nice). Unfortunately, the rest of the planes in the film are an odd lot--probably because the original models weren't available to the Italian film company. The German fighters were often American T-6s or even British Spitfires and the Spitfires were sometimes some odd plane (I assume Italian) that looks a bit like it but whose cockpit and undercarriage look more like that of the German Bf-109. To make it even more confusing, the exact same plane was often used interchangeably by BOTH sides in the film. And, at one point a British fighter plane becomes a Lysander observation plane. Clearly the film's attention to these sort of details was pretty poor...at best. And, late in the film the planes are CLEARLY cheap models. It's best to just close your eyes or so get a snack during these scenes because even if you don't care about these details, it still will confuse you.

The plot itself is rather clever. At Dunkirk, a group of Germans who speak English well are chosen to assume the identities of dead British soldiers. Then, when the British army is rescued, these agents can then infiltrate the country and eventually attack the Brit's most important secret weapon--their radar.

The bulk of the film is executed reasonably well (not always great--but not bad) and it's obvious they spend some money on the film. However, there were a few problems. The punching sounds in the fight scenes sounded EXACTLY like the punching sounds from a kung fu film! There also was a scene involving the killing of a German female agent and it was silly and WAY overdone--and completely unnecessary. All together, the film was very uneven but the good still far outweighed the bad. I would really love to see this film re-done--with a tighter script and more consistent special effects.

Using the chaos of the Dunkirk evacuation as a cover, several German agents take on the identities of English soldiers in order to gain access to England and take out the radar installations. One Captain aware of the ruse has to track the men down and stop them before the Germans can bomb England into surrendering.

Good, if a bit long, spy story set in London. there are several action set pieces that are quite good, though they suffer a great deal in pan and scan because of the use of multiple images. (Oh how this film cries out for a good letterbox edition.) This is the sort of film that grabs you from the first couple of moments and then drags you along at its conclusion. I really liked this and probably should have rated it higher than 6 but I think the viewing experience was really hindered by a lack of widescreen.

Worth searching out, especially if you can find a wide screen copy.

This is a surprisingly elaborate war film which tackles the same events as the big-budgeted BATTLE OF Britain (1969), but from an entirely different perspective - the infiltration of German spies into London prior to the Luftwaffe's aerial attack in order to destroy the RAF's infallible radar system, and British Captain Frederick Stafford's efforts to root them out in time.

While the generally slick presentation belies the modest funds that were obviously available, the overall achievement is still hurt by too much concession to elements particular to lowbrow film-making and especially some grating comic relief (culminating in a brawl between British and French soldiers) provided by Renzo Palmer - but there's also a baffling over-emphasis on the heroics of a French air ace (who's not even a major character!), as well as obviously choreographed stuntwork...not to mention the fact that every revelation in unmasking the Nazi plot is left to the ingenuity of one man, which makes one wonder just what would have become of Great Britain if Stafford hadn't been there!! Besides, even if I was watching the film in Italian, the fact that none of the cast is British or German is inescapable - which certainly doesn't award it any marks for authenticity!

Castellari's often flashy direction doesn't work either: shooting from odd angles (through a bullet hole in a helmet, through a pair of clasped hands or through a loudspeaker!) and utilizing distracting editorial techniques, such as his playful use of the split-screen - which is partially lost anyway, given that the aspect ratio on the print I watched has been changed from the original 2.35:1 to 1.85:1! The action-packed film (with a couple of romances thrown in for good measure) is enjoyable in itself but, even if flawed, BATTLE OF Britain is clearly superior (the familiar Euro-Cult faces here are no match for the roster of Britsh stars which populate that film!) - though they did engage the services of Bunuel regular Francisco Rabal (as a conscientious German) and American Van Johnson(!) as the British RAF officer in charge of the country's defense (who, in the final decisive action, takes to the skies himself to repel the invading Nazi forces).