Pulver und Blei

Passable western looks like movie-backlot goods, but does feature a very fine performance by young Barbara Hershey (in only her second picture), and also by Hershey's future-squeeze David Carradine, in this melodramatic story of a new preacher in a tumbleweed town who is eventually forced into taking on the bad guys. Glenn Ford has the lead and he's solid as usual (Ford never really disappoints, but rarely did he try anything new; even as the heavy in "3:10 To Yuma" he was in fine form and yet unsurprising). Admirers of Hershey should take a look, she's really terrific. ** from ****

(1969) Heaven With A Gun WESTERN

Glenn Ford plays as a professional gunfighter, Jim Killian stopping by to a town with no sheriff, or judge for that matter, intending to open a church and to be a pastor. Forced by the hand to settle a dispute between sheep and cattle men, leading to some unfortunate circumstances.

I like Glen Ford Westerns but this film does not do anything for me. It is another one those films where the good guy does not do anything until it is too late, causing deaths of some characters I cared about. The movie also stars a rather young David Carradine and Barbara Hershey as the lonely Native American, Leloopa.

A late 60's western about ruthless cattle ranchers and their ranch hands who terrorize helpless sheep ranchers, with the action alternating between the range, the ranch, and the town, itself with a thriving saloon/brothel where a lot of the action is centered. Into this arrives an ex gunfighter turned preacher played by Glenn Ford who wants to bring peace. The script nearly does the film in, although the story and late 60's permissiveness keep one watching. As well, even though the screenplay verges on being ridiculous, the acting by Ford, John Anderson (as the ruthless big cattle rancher with a sadistic son played by David Carridine) and some other parts (J.D. Cannon chews some serious scenery as hired gun Mace) elevate the entertainment quotient, and the film's ending doesn't make one feel remorse about watching this.

Solid acting (Noah Beery Jr, John Anderson, Glenn Ford, Barbara Hershey, and David Carradine) is compromised by formulaic direction and a script that zig-zags, forgets, remembers, and improvises, but the action occasionally rises, and the preacher-gunman conflict keeps things on track just enough to keep one watching till the end.

From the distance of 2010, 60s cultural interest is raised by the film's brief, gratuitous, and confusing nudity, as well as Barbara Hershey's hippie depiction of a half-Hopi girl, but the biggest surprise may be that this otherwise predictable western was produced as late as 1969. Except for those 60s flashes, I could imagine my parents and their siblings enjoying something similar in 1955, while I would have wished for a hero less earnest and boring than Ford.

Among the film's skewed lines, the oddest may be that the sheep-herder side of the range war is first identified with American Indians but is then shifted to a polygamous Mormon. I'd like to go back to 1969 and be 18 again, but no wonder I felt confused.

What you have here is a western made late in the period of Westerns. For us of that era, we see the similar. Beery, Anderson, Griffith, Bryant are western mainstays. Especially Anderson. They came from the late 30s. We KNOW they're acting level. They don't even need scripts. In this movie they are bringing the next generation up, like David Carradine who is not his father John, but does ok. These actors and actresses, especially Carolyn, a favorite from the noirs are known characters. Even Glenn still wears his brown corduroy jacket that he wore in Evil Gun on 1958. And he wears on Cades County etc. Its his character. The acting in these artists is always good. Its THEM. What is bad is the late 1960s silent directing coming into the 70s where blood and gore gets more prevalent, like in Gene Hackman. Thats when westerns became awful. This Glenn Ford movie is one of the last of the era. I could see it over and over. Oh and the plot, it is one of seven pulled for a western story, dealing with land rights. It looks to me some commentels are judging by today's movies for comparison. Like even mentioning Eastwood..come on. This story isn't in Eastwood's generation. But if you want to see Clint in Sheep watch the Rawhide episode where he becomes a sheep man.