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Von Mann zu Mann

Originaltitel: Da uomo a uomo
  • 1967
  • 16
  • 2 Std.
IMDb-BEWERTUNG
7,0/10
10.266
IHRE BEWERTUNG
Lee Van Cleef in Von Mann zu Mann (1967)
A young gunfighter forms a tenuous alliance with an aging ex-outlaw to track down and eliminate the bandits who killed his family, till the surprising end.
trailer wiedergeben1:22
2 Videos
81 Fotos
Spaghetti WesternDramaWestern

Ein junger Revolverheld plant, die Banditen aufzuspüren und zu eliminieren, die seine Familie getötet haben, und bildet ein schwaches Bündnis mit einem alternden Ex-Geächteten, bis zum überr... Alles lesenEin junger Revolverheld plant, die Banditen aufzuspüren und zu eliminieren, die seine Familie getötet haben, und bildet ein schwaches Bündnis mit einem alternden Ex-Geächteten, bis zum überraschenden Ende.Ein junger Revolverheld plant, die Banditen aufzuspüren und zu eliminieren, die seine Familie getötet haben, und bildet ein schwaches Bündnis mit einem alternden Ex-Geächteten, bis zum überraschenden Ende.

  • Regie
    • Giulio Petroni
  • Drehbuch
    • Luciano Vincenzoni
  • Hauptbesetzung
    • Lee Van Cleef
    • John Phillip Law
    • Mario Brega
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,0/10
    10.266
    IHRE BEWERTUNG
    • Regie
      • Giulio Petroni
    • Drehbuch
      • Luciano Vincenzoni
    • Hauptbesetzung
      • Lee Van Cleef
      • John Phillip Law
      • Mario Brega
    • 95Benutzerrezensionen
    • 38Kritische Rezensionen
    • 38Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos2

    Trailer
    Trailer 1:22
    Trailer
    Death Rides A Horse: Today's A Big Day For You
    Clip 2:35
    Death Rides A Horse: Today's A Big Day For You
    Death Rides A Horse: Today's A Big Day For You
    Clip 2:35
    Death Rides A Horse: Today's A Big Day For You

    Fotos81

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    Topbesetzung50

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    Lee Van Cleef
    Lee Van Cleef
    • Ryan
    John Phillip Law
    John Phillip Law
    • Bill Meceita
    Mario Brega
    Mario Brega
    • One-Eye
    Luigi Pistilli
    Luigi Pistilli
    • Walcott
    Anthony Dawson
    Anthony Dawson
    • Burt 'Four Aces' Cavanaugh
    José Torres
    José Torres
    • Pedro
    • (as Jose Torres)
    Franco Balducci
    • Lyndon City Sheriff
    Bruno Corazzari
    Bruno Corazzari
    • Cavanaugh's Bartender
    Felicita Fanny
    • Martita
    Ignazio Leone
    Ignazio Leone
    • Holly Spring Preacher
    Carlo Pisacane
    Carlo Pisacane
    • Holly Spring Stationmaster
    Angelo Susani
    • Paco
    Guglielmo Spoletini
    Guglielmo Spoletini
    • Manuel
    Vivienne Bocca
    • Bill's Sister
    Walter Giulangeli
    Walter Giulangeli
    • Bill as a Boy
    Elena Hall
    • Bill's Mother
    Mario Mandalari
    • Hotel Worker
    Nazzareno Natale
    • Pedro Henchman
    • (as Natale Nazareno)
    • Regie
      • Giulio Petroni
    • Drehbuch
      • Luciano Vincenzoni
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen95

    7,010.2K
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    Empfohlene Bewertungen

    gorgeousgreekbeauty

    Pass the "HOT SAUCE"

    This is probably one of the better "spaghetti" westerns to come along ... far better than the putrid "Django" series with Italian actor, Franco Nero...

    The scenery chewing Lee van Cleef is perfect as the avenging angel to beautiful blue eyed hunky ingenue, John Phillip Law, who must have captured the hearts of the director of photography with that sweet face of his because there are so many intense closeups of his pretty blue eyes that it dominates half the movie ...

    Nonetheless, the movie is about John's character, Bill, who as a child, witnesses the robbery, rape & murder of his family by Van Cleef and his less than band of merry men .. who subsequently leave Cleef's character to take the blame and force him to 15 years of hard slave labour in a chain gang ... but, after his release he goes on a revenge bend and tracks down his former mates ..

    He manages to meet up with Bill and at first the two spare off at each other like a snake & mongoose, but, they come to trust each other from a distance, in as much, as busting each other out of jail, to ultimately team up to take down the motley gang ....

    Along the way, there are a lot of stringy musical interludes teamed up with intense facial closeup shots to show either grief or fear or anger .. which closely resemble as the same expression, but this movie is still one of the best tried and true and the surprise ending left me jumping out of my seat wanting to fast forward to the end just to see how Law & Cleef finally gel..

    I would highly recommend this film as pure cinematic genius counseled with fine acting and great supporting characters .. Pedro and Paco are so bad they're good ..

    Fans of John Phillip Law will not be disappointed, well, maybe by his monotone panned John Wayne vocal impression, but his pretty face and great body in those pants of his, paired with the gun belt, will make you wish that time crept slowly ... so you could stare at him a little while longer..

    Lee Van Cleef shirtless or stripped to his waist is twice the bonus ..

    This film is a gem .. highly recommended .. 8/10 all the way :-)
    Infofreak

    Lee Van Cleef shines in this underrated revenge thriller. One of the better non-Leone spaghetti westerns.

    It's hard not to think of Sergio Leone when watching 'Death Rides A Horse', and not just because Leone is the king of spaghetti westerns. The connections are even closer than that. Lee Van Cleef ("Angel Eyes" in 'The Good, The Bad and The Ugly') co-stars, and the supporting cast includes Mario Brega and Luigi Pistilli, both familiar faces from Leone's Dollars trilogy. Plus it was written by Luciano Vincenzoni and scored by Morricone. Giulio Petroni however is the director instead of Leone. Maybe that's why it isn't as impressive as one might expect. Even so it's an underrated revenge thriller, and Van Cleef gives an excellent performance. He plays Ryan, an ex-con wanting some payback from a group of outlaws who double crossed him. John Phillip Law ('Diabolik') is Bill, a young guy obsessed with avenging the rape and murder of his mother and the slaying of his father and sister. Pretty soon Bill crosses paths with Ryan and comes to realize that they after the same men. The two form an uneasy relationship which in many ways is that of a surrogate father and son. 'Death Rides A Horse' may not be quite as great as Leone but it's still very good, and one of the better spaghetti westerns. It's particularly recommended to fans of Lee Van Cleef, who is just wonderful to watch.
    7Bunuel1976

    DEATH RIDES A HORSE (Giulio Petroni, 1967) ***

    This is one of the most legendary Spaghetti Western titles (also because, until recently, it was so difficult to watch in decent form having fallen into the Public Domain), a fine revenge drama well handled by former documentarist Petroni (this was his first genre effort) - though it's somewhat overlong and slowly-paced to boot!

    Once again, we have the tension-filled relationship between two unlikely characters - one the experienced and betrayed ex-con Lee Van Cleef and the other the brash and hate-filled youth John Philip Law - both gunning after the same gang seeking revenge. They're not exactly allies but when one hasn't preceded the other and their paths cross, they tend to help each other out (though it's more often Van Cleef who has to watch over the still-green Law); in one memorable and oft re-used scene, the latter is interred up to his neck and left to the mercy of insects, vultures and the scorching desert sun! The villains include Euro-Cult favorite Luigi Pistilli (his role here was basically replicated for Sergio Corbucci's THE GREAT SILENCE [1968]) and veteran British actor Anthony Dawson.

    The twist at the end - also one which has seen much service, particularly in recent thrillers - is very effective, threatening to dissolve the growing friendship between the two men (Van Cleef has actually come to consider Law as the son he never had!) and which compels them to a face-off (with surprising results). Ennio Morricone's odd and mostly vocal score was actually utilized by Quentin Tarantino for his KILL BILL (2003/4) saga.

    I had first watched this via a PD-release and this re-acquaintance came by way of a VHS recording off Cable TV, still in an English-dubbed (though, at least, featuring the leads' own voices) pan-and-scan version; I was aware that the film had been issued on R2 DVD by MGM, though I wasn't sure if the Italian track was included. Still, in spite of the lowly price, the utter lack of extras has dissuaded me from a purchase - given that it's yet to receive an official release on R1 and it may very well turn up in a SE from Italy (the director's subsequent film, TEPEPA [1968; reviewed below], received the deluxe 2-Disc treatment, with Petroni himself contributing an intermittent Audio Commentary!)...
    7Ramon_Rojo

    Powerful

    From the stark opening, director Giulio Petroni lets us know that he is going to take us on an interesting ride. The sequence for which we watch through Bill's eyes as his family is brutalized and murdered is one of the most disturbing ten minutes ever put on film.

    Even more stunning is the sequence for which there is jump cut from Bill as a child after the carnage to Bill as an adult, as a living killing machine. It plays like a version of THE TERMINATOR if it was set in the 19th Century American West.

    What progresses from there is a very interesting revenge film, loosely patterned like POINT BLANK (1967) where Bill is the wild card in the middle of Ryan's quest for vengeance.(Watch both films....Van Cleef and Marvin's characters function the same way...."All I want is $15,000...nothing more, nothing less...)

    What I found the most interesting is the way Petroni chose to photograph the three sections of the film. They are all visually distinct and this change seems to map the character's journey through out the film, that being Bill's progression from a traumatized child to a hate-filled adult on the road to hell.

    My only complaint is the quality of the prints.

    I hope MGM manages to track down a decent negative and have this film restored.

    It deserves it.
    7BA_Harrison

    Saddle up for some spaghetti-flavoured revenge.

    Fifteen years after the brutal massacre of his family by vicious outlaws, Bill (John Phillip Law) is finally ready for revenge, having perfected his gun-slinging skills; however, the young man finds himself facing competition from recently released criminal Ryan (Lee Van Cleef), who is also gunning for the murderous gang.

    Death Rides a Horse marks my very first foray into the spaghetti western genre outside of the relative safety of Sergio Leone's better known movies, and while it's not quite on a par with the Leone classics, the film is still a solidly entertaining adventure that certainly can't be accused of not trying…

    Between the film's brutal, rain-lashed opening massacre and its wind-swept gun-fight finalé, Death Rides A Horse delivers almost all the elements one might reasonably expect from the genre: a dashing, gun-slinging hero hell-bent on revenge, a grizzled ex-convict with a score to settle, loathsome villains, wonderful widescreen cinematography, a jail-break, a lynch-mob, fist fights, whisky drinking, poker playing, lots of rapid-zoom close-ups of eyes, a cool Ennio Morricone score, a village of scared Mexicans, and just a little gallows humour.

    Where the film suffers somewhat is with its rather pedestrian plot, that offers too few genuine surprises, and which, at almost two hours, resorts to padding out the action by having the lead characters take it in turns to put themselves in mortal danger, only for one to be saved by the other. This nonsense takes some swallowing, but director Giulio Petroni's stylish handling, some gritty violence, and a fine performance from Van Cleef ensure that the film never drags.

    While this might not be a top-tier spaghetti western, it's impressed me enough to make me want to check out further non-Leone movies.

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    Handlung

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    • Wissenswertes
      The original title of the film was "Duel in the Wind." Lee Van Cleef came up with the Italian title while discussing the movie with John Phillip Law, who saw the film as a "man to man" story. Van Cleef remarked, "Why don't they call it 'From Man to Man'?" The Italian producers liked how it sounded in Italian ("Da Uomo a Uomo") so much they used it. Then the film was subsequently retitled "Death Rides a Horse" in English-speaking markets, which Law said he never liked.
    • Patzer
      When Bill swaps out one pistol for another during his target practice early in the film, the sound of the gun against the wooden table is noticeably delayed (only playing while he's holstering his next gun).
    • Zitate

      Ryan: If you're going to follow somebody, youngster, do a better job of it. This world is full of nervous characters. They'd shoot you in the back first, and then introduce themselves.

    • Alternative Versionen
      Some versions, including the Japanese DVD release from SPO, are missing a single shot of a person being stabbed (in the opening sequence), cut by the censors on the film's first English language release in the 1960s. Subsequent DVD releases from MGM in Europe contain the uncut version, with the shot of the stabbing included in the film.
    • Verbindungen
      Featured in The Swinging Lust World of John Phillip Law (2007)
    • Soundtracks
      Death Rides A Horse
      Composed by Maurizio Graf (as Attansio) and Ennio Morricone

      Performed by Cantori Moderni Di Alessandroni

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    Details

    Ändern
    • Erscheinungsdatum
      • 8. März 1968 (Westdeutschland)
    • Herkunftsland
      • Italien
    • Sprachen
      • Italienisch
      • Spanisch
    • Auch bekannt als
      • La muerte viaja a caballo
    • Drehorte
      • La Calahorra, Granada, Andalucía, Spanien(Train scenes)
    • Produktionsfirmen
      • Produzione Esecutiva Cinematografica (PEC)
      • Sancro International Film
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    Technische Daten

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    • Laufzeit
      2 Stunden
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 2.35 : 1

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