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Von Mann zu Mann

Originaltitel: Da uomo a uomo
  • 1967
  • 16
  • 2 Std.
IMDb-BEWERTUNG
7,0/10
10.267
IHRE BEWERTUNG
Lee Van Cleef in Von Mann zu Mann (1967)
A young gunfighter forms a tenuous alliance with an aging ex-outlaw to track down and eliminate the bandits who killed his family, till the surprising end.
trailer wiedergeben1:22
2 Videos
81 Fotos
Spaghetti WesternDramaWestern

Ein junger Revolverheld plant, die Banditen aufzuspüren und zu eliminieren, die seine Familie getötet haben, und bildet ein schwaches Bündnis mit einem alternden Ex-Geächteten, bis zum überr... Alles lesenEin junger Revolverheld plant, die Banditen aufzuspüren und zu eliminieren, die seine Familie getötet haben, und bildet ein schwaches Bündnis mit einem alternden Ex-Geächteten, bis zum überraschenden Ende.Ein junger Revolverheld plant, die Banditen aufzuspüren und zu eliminieren, die seine Familie getötet haben, und bildet ein schwaches Bündnis mit einem alternden Ex-Geächteten, bis zum überraschenden Ende.

  • Regie
    • Giulio Petroni
  • Drehbuch
    • Luciano Vincenzoni
  • Hauptbesetzung
    • Lee Van Cleef
    • John Phillip Law
    • Mario Brega
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,0/10
    10.267
    IHRE BEWERTUNG
    • Regie
      • Giulio Petroni
    • Drehbuch
      • Luciano Vincenzoni
    • Hauptbesetzung
      • Lee Van Cleef
      • John Phillip Law
      • Mario Brega
    • 95Benutzerrezensionen
    • 38Kritische Rezensionen
    • 38Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos2

    Trailer
    Trailer 1:22
    Trailer
    Death Rides A Horse: Today's A Big Day For You
    Clip 2:35
    Death Rides A Horse: Today's A Big Day For You
    Death Rides A Horse: Today's A Big Day For You
    Clip 2:35
    Death Rides A Horse: Today's A Big Day For You

    Fotos81

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    Topbesetzung50

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    Lee Van Cleef
    Lee Van Cleef
    • Ryan
    John Phillip Law
    John Phillip Law
    • Bill Meceita
    Mario Brega
    Mario Brega
    • One-Eye
    Luigi Pistilli
    Luigi Pistilli
    • Walcott
    Anthony Dawson
    Anthony Dawson
    • Burt 'Four Aces' Cavanaugh
    José Torres
    José Torres
    • Pedro
    • (as Jose Torres)
    Franco Balducci
    • Lyndon City Sheriff
    Bruno Corazzari
    Bruno Corazzari
    • Cavanaugh's Bartender
    Felicita Fanny
    • Martita
    Ignazio Leone
    Ignazio Leone
    • Holly Spring Preacher
    Carlo Pisacane
    Carlo Pisacane
    • Holly Spring Stationmaster
    Angelo Susani
    • Paco
    Guglielmo Spoletini
    Guglielmo Spoletini
    • Manuel
    Vivienne Bocca
    • Bill's Sister
    Walter Giulangeli
    Walter Giulangeli
    • Bill as a Boy
    Elena Hall
    • Bill's Mother
    Mario Mandalari
    • Hotel Worker
    Nazzareno Natale
    • Pedro Henchman
    • (as Natale Nazareno)
    • Regie
      • Giulio Petroni
    • Drehbuch
      • Luciano Vincenzoni
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen95

    7,010.2K
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    Empfohlene Bewertungen

    edd-6

    The expressive eyes make dialog practically unnecessary.

    On a remote Firebase in Vietnam, we received a 16mm movie each day by helicopter. We typically watched about 3:00AM in our small fire direction center (FDC). "Death Rides a Horse" was delivered at least 15 times in 10 months. We were moved by the expressive eyes and dramatic stares throughout the movie. After several viewings, we'd decided to leave the sound off and provide our own dialog. This movie was a great tension buster in the middle of undesired action. Thank you Lee VanCleef!
    7TBJCSKCNRRQTreviews

    They came in the window. It wasn't to wish me pleasant dreams

    They came in the window. It wasn't to wish me pleasant dreams After thieves steal $200,000 awkwardly expositioned by one of the keepers, they attack a home, kill the husband and... I don't know, it may be inferred that there is suggested rape of the wife and daughter, but if so, they're the fastest guns in the state(see what I did there?), so more likely, they're just messing up their clothes some. Anyway, fifteen years later, the surviving boy wants revenge, and so does the bad-ass Lee Van Cleef who was framed and has been in jail for stealing the cash. Other than that the subtitles are hilarious(they write *everything* - including almost the entirety of the credits, as they're on the screen - and the punctuation is lazy), this is a pretty dependable 114 minutes of spaghetti Western. Gunslinging, card games, a saloon with doors that swing open, a sense of honor and even hot chicks. In best Leone style we have close-ups(and the great faces that make these work), build-up, genuine tension and a nice climax. The coolness is also very much present, and the dialog is good and well-delivered, and some of it clever. This is filmed and edited well, with occasional odd framing. The humor has strong moments. This has really solid acting for all involved. The DVD comes with a trailer for other works from the period. I recommend this to fans of the genre. 7/10
    7Bunuel1976

    DEATH RIDES A HORSE (Giulio Petroni, 1967) ***

    This is one of the most legendary Spaghetti Western titles (also because, until recently, it was so difficult to watch in decent form having fallen into the Public Domain), a fine revenge drama well handled by former documentarist Petroni (this was his first genre effort) - though it's somewhat overlong and slowly-paced to boot!

    Once again, we have the tension-filled relationship between two unlikely characters - one the experienced and betrayed ex-con Lee Van Cleef and the other the brash and hate-filled youth John Philip Law - both gunning after the same gang seeking revenge. They're not exactly allies but when one hasn't preceded the other and their paths cross, they tend to help each other out (though it's more often Van Cleef who has to watch over the still-green Law); in one memorable and oft re-used scene, the latter is interred up to his neck and left to the mercy of insects, vultures and the scorching desert sun! The villains include Euro-Cult favorite Luigi Pistilli (his role here was basically replicated for Sergio Corbucci's THE GREAT SILENCE [1968]) and veteran British actor Anthony Dawson.

    The twist at the end - also one which has seen much service, particularly in recent thrillers - is very effective, threatening to dissolve the growing friendship between the two men (Van Cleef has actually come to consider Law as the son he never had!) and which compels them to a face-off (with surprising results). Ennio Morricone's odd and mostly vocal score was actually utilized by Quentin Tarantino for his KILL BILL (2003/4) saga.

    I had first watched this via a PD-release and this re-acquaintance came by way of a VHS recording off Cable TV, still in an English-dubbed (though, at least, featuring the leads' own voices) pan-and-scan version; I was aware that the film had been issued on R2 DVD by MGM, though I wasn't sure if the Italian track was included. Still, in spite of the lowly price, the utter lack of extras has dissuaded me from a purchase - given that it's yet to receive an official release on R1 and it may very well turn up in a SE from Italy (the director's subsequent film, TEPEPA [1968; reviewed below], received the deluxe 2-Disc treatment, with Petroni himself contributing an intermittent Audio Commentary!)...
    7ma-cortes

    A vendetta western with two sensational main actors : Van Cleef and Law and shot in Almeria, of course.

    This is a revenge movie, a Spaghetti Western with full of thrills, shootous and follows the wake of Sergio Leone . It starts with impressive scenes , death all a beloved family by a killer gang , there only escapes a little boy. Some years later, the survivor named Bill (John Philip Law) seeks vengeance . Meanwhile , a convict (Lee Van Cleef) goes out of prison where he was for fifteen years and he also wishes revenge and reckoning. Mysterious gunman Ryan acts as protector of the young gunfighter and vice versa , Bill also saves him when Ryan is falsely accused of bank robbing. Duo starring undergoing a strange relation of comradeship and paternal-filial feeling .

    ¨Da Uomo a Uomo¨ that was subsequently retitled "Death Rides a Horse" is a "man to man" story; being one of the best spaghetti western of the film history in connection Sergio Leone's universe by intervention of writer Luciano Vincenzoni and musical score by Ennio Morricone, both of them are habitual Leone's collaborators , and artificers of 'Trilogy of dollars' : ¨A fistful of dollars¨ , ¨A few dollars more¨ and ¨The Good , Ugly and Bad¨; besides , other Leone flicks as ¨Duck you, sucker¨ and ¨Once upon a time in the West¨. Duo protagonists are frankly magnificent. A serious and smooth-talking Lee Van Cleef as an experienced gunman and cool John Philip Law as a brave young , though impulsive and revenger ; at the same time (1967) he starred various hits , such as : ¨Diabolik¨ by Mario Bava , ¨Barbarella¨ by Roger Vadim, ¨Red Baron¨ by Roger Corman, among others . Furthermore, there appear other usual secondaries from Spaghetti , such as Luigi Pistilli , Mario Brega , Jose Torres , Romano Puppo, Bruno Corazzari, Ignazio Leone, Guglielmo Spoletini or William Bogart and special acting by Anthony Dawson (no confusion with Italian director Anthony M. Dawson-Margheriti), famous strangler of Grace Kelly in Hitchcock's ¨Dial M for murder¨. The film displays adequate cinematography by cameraman Carlo Carlini and powerful soundtrack by the great Ennio Morricone. The motion picture whose original title was "Duel in the Wind¨ or "Da Uomo a Uomo" was well directed by Giulio Petroni, author of another excellent S. W. titled ¨Tepepa¨ (with Orson Welles and Tomas Milian) and two minor Italian Westerns, such as : ¨Night of serpent (with Luke Askew, Luigi Pistilli) ¨ and ¨A sky full of stars for a roof (with Giuliano Gemma, Mario Adorf)¨.

    This is the masterpiece of a peculiar sub-genre dealing with master-disciple gunmen relationship, Spaghetti's ordinary plot, such as : ¨Day of anger (by Tonino Valeri)¨ with Van Cleef-Giuliano Gemma ; ¨Bandidos (Massimo Dallamano)¨ with Enrico Mª Salerno-Venantino Venantini , and ¨Allómbra di Colt (Giovanni Grimaldi)¨ with Conrado San Martin-Stephen Forsyth. Rating : Better than average Spaghetti, the film will appeal to Lee Van Cleef fans. It is essential and indispensable to see it for Spaghetti Western enthusiasts, being considered worldwide one of the best, usually being among the first on the lists that are usually made.
    7Ramon_Rojo

    Powerful

    From the stark opening, director Giulio Petroni lets us know that he is going to take us on an interesting ride. The sequence for which we watch through Bill's eyes as his family is brutalized and murdered is one of the most disturbing ten minutes ever put on film.

    Even more stunning is the sequence for which there is jump cut from Bill as a child after the carnage to Bill as an adult, as a living killing machine. It plays like a version of THE TERMINATOR if it was set in the 19th Century American West.

    What progresses from there is a very interesting revenge film, loosely patterned like POINT BLANK (1967) where Bill is the wild card in the middle of Ryan's quest for vengeance.(Watch both films....Van Cleef and Marvin's characters function the same way...."All I want is $15,000...nothing more, nothing less...)

    What I found the most interesting is the way Petroni chose to photograph the three sections of the film. They are all visually distinct and this change seems to map the character's journey through out the film, that being Bill's progression from a traumatized child to a hate-filled adult on the road to hell.

    My only complaint is the quality of the prints.

    I hope MGM manages to track down a decent negative and have this film restored.

    It deserves it.

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    • Wissenswertes
      The original title of the film was "Duel in the Wind." Lee Van Cleef came up with the Italian title while discussing the movie with John Phillip Law, who saw the film as a "man to man" story. Van Cleef remarked, "Why don't they call it 'From Man to Man'?" The Italian producers liked how it sounded in Italian ("Da Uomo a Uomo") so much they used it. Then the film was subsequently retitled "Death Rides a Horse" in English-speaking markets, which Law said he never liked.
    • Patzer
      When Bill swaps out one pistol for another during his target practice early in the film, the sound of the gun against the wooden table is noticeably delayed (only playing while he's holstering his next gun).
    • Zitate

      Ryan: If you're going to follow somebody, youngster, do a better job of it. This world is full of nervous characters. They'd shoot you in the back first, and then introduce themselves.

    • Alternative Versionen
      Some versions, including the Japanese DVD release from SPO, are missing a single shot of a person being stabbed (in the opening sequence), cut by the censors on the film's first English language release in the 1960s. Subsequent DVD releases from MGM in Europe contain the uncut version, with the shot of the stabbing included in the film.
    • Verbindungen
      Featured in The Swinging Lust World of John Phillip Law (2007)
    • Soundtracks
      Death Rides A Horse
      Composed by Maurizio Graf (as Attansio) and Ennio Morricone

      Performed by Cantori Moderni Di Alessandroni

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    Details

    Ändern
    • Erscheinungsdatum
      • 8. März 1968 (Westdeutschland)
    • Herkunftsland
      • Italien
    • Sprachen
      • Italienisch
      • Spanisch
    • Auch bekannt als
      • La muerte viaja a caballo
    • Drehorte
      • La Calahorra, Granada, Andalucía, Spanien(Train scenes)
    • Produktionsfirmen
      • Produzione Esecutiva Cinematografica (PEC)
      • Sancro International Film
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    Technische Daten

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    • Laufzeit
      2 Stunden
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 2.35 : 1

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