Der rote Schatten

I recall seeing this film as a child in 1960. My mother was quite angry at dad for taking us to a movie that was "definitely not for children". This is a grim story of a doctor fleeing some botched plastic surgeries. He takes over a backwoods circus and populates it with beautiful, yet disfigured female performers whom he restores to beauty and rescues from lives of prostitution and rejection. Of course, once the circus becomes successful, the ladies no longer feel like putting up with, or putting out for him, so he devises elaborate circus "accidents" to deal with their ingratitude.

The song "Look For A Star" permeates the movie at various times. At first, it's almost unnoticeable, a seemingly lame early sixties pop tune. However, as the movie progresses it takes on a sinister, disturbing aspect and circulates the brain long after it is over.

The film is well acted and truly suspenseful. A must for those who like their sex and violence done in a literate, intelligent manner.

Anton Diffring plays the definitive psycho-narcissist, using all those around him as pawns for his personal pleasures and goals. I saw this film on it's initial theatrical release in 1960. (As a young boy of 10,I recall,I was pleasantly shocked at seeing the scantily clad female circus performers!) And I now own the film on laserdisc. The suspense still holds up well, and though the violence is not as explicit as you find in today's horror films, it is still on the gruesome side. Call me sentimental, but I like the theme song that is sung during the performance of the circus's female headliner ("Look for a Star"). It is typical early 60's love song ala Frankie Avalon, but it is a pretty song inserted within all the gruesome murder and violence around it. Very effective if you think about it. My rating: 8 out of 10 stars.

One of the best horror films of the 1960s is this entry with its interesting mix of suspense, sex and mysterious deaths that has the benefit of real circus settings and fine work by Anton Diffring as the outlaw plastic surgeon. Diffring is the erudite but flawed medical genius whose past is littered with botched operations but continues his work behind the prop of a circus staffed with female performers whose faces he has restored in exchange for fealty and silence. Diffring gives the film its pulse as the resourceful and controlling renegade who keeps his flawed females on a very short leash. The film moves along at a good pace with no filler or wasted scenes. Donald Pleasance, erstwhile owner of the circus, is among the good supporting cast that includes the buxom ladies who are at great risk under Diffring's watchful, evil eye.

Remember that this is a horror film of British origin, not American, and as such if you're looking for a typical film of the genre, this is not one of them. British horror films tend to give more attention to the psychological aspects of horror and short shrift to the physical aspects. If you realize this, you should really enjoy this one.

The story revolves around a German plastic surgeon who, in 1947, botches a job badly and has to leave England to escape the notoriety. Fortunately a horrible car accident and near brush with death makes almost everyone convinced of the doctor's death and makes his escape easy. In France he runs across a young girl who was scarred in the war. He repairs her face and in turn inherits the father's circus when the father is mauled by a dancing bear. And I'm not talking about the parts that are a hoot yet.

Now for the discrete charm and campiness of it all. The doctor decides that, along with a name change and a new face for himself, running a circus will be a great front for continuing his plastic surgery practice and experiments. He seems to have no trouble finding scarred female criminals - they practically fall into his lap - and once repairing them he not only has no trouble bedding them, all of the doctor's girls have a talent for walking the high-wire, eating fire, lion taming, etc. - talents that befit a circus. Not a clumsy or shy one or one who would rather be an accountant in the lot.

The doctor does resent it though whenever one wants to leave. Every time one of them announces a desire to leave or an engagement they die a horrible "accidental" death in the ring during what was supposed to be - and tragically is - their last performance. In spite of the bodies piling up, the authorities allow the circus to remain open, and stranger yet - the girls keep TELLING the doctor whenever they want to leave! As for me, after the third freak accident, I'd be packing my things in the middle of the night and disappearing if I had any desire to change careers.

However, without these confrontational and agile girls there would be no story, so it's an understandable plot device. Don't think I'm disrespecting this film - it is great entertainment, just not horror in the conventional sense. And that hammy yet hummable little tune "Reach for a Star" that gets played during every performance is pure 60's British cinema.

Trying to emulate the success of Hammer Films, Anglo-Amalgamated made a series of gruesome contemporary horror shockers around 1959/60 (others included "Peeping Tom" & "Horrors of the Black Museum").

This cheerfully lurid shocker exploits the mixed emotions we feel when watching circus performers - the idea of something going terribly wrong is horrible, yet exciting. But crude as the concept is, cast and crew play it for all it's got : Anton Diffring is excellent in the lead role and Sidney Hayers' direction is slick and effective.

The all-stops-out climax is great stuff and there's an effective final scene. The frequently-heard background song, "Reach For A Star", is corny but you won't be able to shake it out of your head!