IMDb-BEWERTUNG
6,3/10
7654
IHRE BEWERTUNG
Ein Callgirl aus Manhattan hat eine tragische Affäre mit einem reichen verheirateten Mann.Ein Callgirl aus Manhattan hat eine tragische Affäre mit einem reichen verheirateten Mann.Ein Callgirl aus Manhattan hat eine tragische Affäre mit einem reichen verheirateten Mann.
- 1 Oscar gewonnen
- 1 Gewinn & 6 Nominierungen insgesamt
Tom Ahearne
- Tom the Bartender
- (Nicht genannt)
John Armstrong
- Doorman
- (Nicht genannt)
Dan Bergin
- Elevator Man
- (Nicht genannt)
Joseph Boley
- Messenger
- (Nicht genannt)
Don Burns
- Photographer
- (Nicht genannt)
Whitfield Connor
- Anderson
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesDame Elizabeth Taylor and her husband, Mike Todd, had planned for Die Katze auf dem heißen Blechdach (1958) to be her final movie, as she intended to retire from the screen. Todd had made a verbal agreement about this with MGM, but after his death, MGM forced Taylor to make this movie in order to fulfill the terms of her studio contract. As a result, Taylor refused to speak to director Daniel Mann for the entire production and hated this movie.
- PatzerA crew member's arm is visible in the mirror when Liggett stands before it and is supposedly alone.
- Zitate
Tom, the Bartender: Without her this place is dead. She's like catnip to every cat in town.
- VerbindungenEdited into Voskovec & Werich - paralelní osudy (2012)
Ausgewählte Rezension
Two beautiful unhappy people from opposite ends of Eisenhower era America are drawn together by an obsessive love that ends in tragic consequences. Elizabeth Taylor won a Best Actress Oscar (after much better performances in earlier pictures such as `Cat On A Hot Tin Roof') for her portrayal of (shock!) call-girl Gloria Wandrous. Laurence Harvey plays the john, Weston Liggett, trapped in a stale marriage with his stoic wife Emily (Dina Merrill, perfect as a blue-blooded blonde heiress).
Complementing the moody performances of Liz and Laurence Harvey are an excellent Eddie Fisher as Gloria's long-suffering best friend and greatest admirer Steve, Mildred Dunnock as poor Mrs. Wandrous, in complete denial of her daughter's easy virtue, Betty Field as nosy neighbor Mrs. Fanny Barber, and many others including Kay Medford as tragicomic motel matron, Happy.
Lurking behind the scenes of `Butterfield 8' are some very grown up issues (particularly for its day) about infidelity, high class prostitution, childhood sexual abuse, and the meaning of true commitment. The dialogue by John Michael Hayes (`Peyton Place,' `To Catch A Thief,' and `Rear Window", among many credits) and Charles Schnee, is punchy and quick, and the movie glows with luscious cinematography from Hollywood veteran Joseph Ruttenberg, who got an Academy Award nomination for his efforts (he had previously won four Oscars dating back to 1938).
Although somewhat dated, it remains a thoughtful film (if you pay attention) and a visual treat for any Liz fan. Worth watching!
Complementing the moody performances of Liz and Laurence Harvey are an excellent Eddie Fisher as Gloria's long-suffering best friend and greatest admirer Steve, Mildred Dunnock as poor Mrs. Wandrous, in complete denial of her daughter's easy virtue, Betty Field as nosy neighbor Mrs. Fanny Barber, and many others including Kay Medford as tragicomic motel matron, Happy.
Lurking behind the scenes of `Butterfield 8' are some very grown up issues (particularly for its day) about infidelity, high class prostitution, childhood sexual abuse, and the meaning of true commitment. The dialogue by John Michael Hayes (`Peyton Place,' `To Catch A Thief,' and `Rear Window", among many credits) and Charles Schnee, is punchy and quick, and the movie glows with luscious cinematography from Hollywood veteran Joseph Ruttenberg, who got an Academy Award nomination for his efforts (he had previously won four Oscars dating back to 1938).
Although somewhat dated, it remains a thoughtful film (if you pay attention) and a visual treat for any Liz fan. Worth watching!
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Una venus en visón
- Drehorte
- Tappan Zee Bridge, Tarrytown, New York, USA(when Gloria flees Liggett at the end)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 2.800.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 8.722 $
- Laufzeit1 Stunde 49 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1
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