Der schweigende Stern

What's wrong with this picture? This movie is neither highly regarded by critics nor IMDB voters. Yet, it contains some striking visuals; thoughtful comments on the "human" condition; an attractive, multiracial, coed international cast (daring for the time); and a pretty good storyline, to boot.

Excavators at the site of the 1906 mystery explosion in Tunguska, Siberia, discover evidence that the explosion was the destruction of an alien spaceship. Evidence includes a "memory spool." Scientist determine the alien spaceship came from the planet Venus, and cryptographers and linguists begin to translate the memory spool.

Before translation can be completed, an international crew is assembled and an enormous nuclear powered spaceship constructed (a stunningly beautiful piece of matte work) for a flight to Venus. The ship begins its voyage before the on-board linguist makes a startling announcement. The memory spool contains plans for a Venusian invasion of earth!

The ship lands on a eerie, vapor-cloaked Venus (Striking art direction; just how did they do those strange, microbe-like vapors?). The crew discovers, a burned out, uninhabitable planet. The Venusians, apparently attempting an invasion to escape either overcrowding or an impending nuclear war, have destroyed themselves, leaving only the shadows of their disintegrated bodies. Further exploration discovers a strange, living amoeba-like organism and a damaged, super-gravity beam weapon aimed toward earth. Many members of the crew are lost, and the ship is eventually deflected back to earth by the accidental discharge of the gravity beam.

The movie IS choppy, without a doubt because the American distributor, Crown International, cut the film by over one half hour. I'd certainly LOVE to see the excised footage; however, since the film is East German, I doubt if a complete print still exists. Besides, we Americans are having enough trouble finding obscure fifties and sixties from ENGLISH-speaking countries, including our own.

European history always fascinated me nearly as much as early science fiction. This film stood out to me one day when I decided to watch a film, but couldn't quite decide on which one to watch. I was pleasantly surprised by an interesting plot and very nice effects for such a film. This was a rare as well, as the film is dubbed in different languages, and Polish is not an easy language to dub. I would say this film is definitely worth a watch on a rainy day. I wouldn't call it a Classic, but I would say go for it.

FIRST SPACESHIP ON VENUS (aka "The Silent Star") was a collaborative effort between film studios in East Germany and Poland and picked up by Crown-International Pictures for a 1962 US release. Far ahead of its time FSOV delivers the pacifist message in no uncertain terms. An international crew lands on the planet Venus to discover that a war has completely destroyed its inhabitants. Venusian landscapes are surrealistic and wonderous to behold and the spaceship itself gets my vote as the coolest cinematic craft of all time. The late Japanese/French actress and model Yoko Tani leads the cast and is fetching to look at and enjoy. Englewood Entertainment once again has delivered a flawless print of this film and is available in VHS or on DVD and is letterboxed at proper aspect ratio. The film is a bit slow even at its 78 minutes (originally it ran at 130 minutes!) This critic would love to see the uncut version someday. Superior sci-fi from the Eastern Bloc!

Recently shown at the Viennale Filmfestival, this movie (one of only five East German sci-fi films) was spoken of rather than of a trashy museal antique stuffed with communist ideology. I had thought it would be about the quality of Plan 9 from Outer Space, so I was surprised to discover that First Spaceship on Venus is not at all trashy! A lot of money seems to have been invested in the design of the mysterious landscape on venus and the spacecraft. The technical effects look highly professional!

As regards ideology, one can't make out more than a slightly pathetic call for peace in the world (which is perfectly agreeable, really) and a casual remark on how well Soviet astronomy is developed. The crew of the spaceship, though, includes an American and a Japanese as well, so it is openly international.

The moment the spacecraft starts, however, the science-fiction story stands in the foreground. It was written by Stanislaw Lem and is therefore quite interesting, shocking and full of suspense - another aspect I wouldn't have expected to get in a film like that. Of course, the acting is stiff, dialogues are reduced to a necessary minimum and the romantic element in the plot is too weak to be convincing. Probably, the screenwriters have removed most of the depth of Lem's original novel. Nevertheless, the whole film manages to evoke Kubrickesque feelings at times (note that it was made before 2001: A Space Odyssey!) and serves as an interesting historical document but also as good sci-fi fun on a Sunday afternoon.

The amazing imaginative fiction author Stanislaw Lem wrote this visually stunning East German space exploration film with a dated but still thoughtful message. The Sets of Der Schweigende Stern are detailed and beautiful - giving the film an amazingly alien feel. The cinematography varies from excellent to mediocre, and the visual effects are cleverly done - relying on actual props and set devices as opposed to split screen and blue or green screen trick photography. Lem's plot is poignant and well-paced, but, unfortunately, most of the acting in this film is a bit difficult to watch. Finally, the overuse of voice-over narration in the early part of the film detracts from its otherwise good artistic and technical merit.

The story begins with the discovery that, in 1908, an extraterrestrial space vehicle crash landed on earth. An electronic recording from the ship is recovered and linguists set about trying to decode its message. An international team of scientists, astronauts and engineers who are scheduled to undertake a manned flight to Mars are then diverted to Venus to make contact with the Venusians. On the way, they decipher the electronic "cosmic document" and learn that the Venusians were planning to attack the earth using nuclear warheads. To venture further in the plot would involve spoilers.

This is a film full of mysteries, and a film of its time - near the height if the cold war. A powerful point concerning the proliferation of nuclear arms is well made in this film, though it is perhaps the only truly predictable aspect of the plot. Lem's plot heavy brand of highly imaginative science fiction is very dense reading and often carries similar ethical messages, but rarely translates well into visual media. This is a worthy effort, maintaining the slightly wild and surreal feel of Lem's aesthetics and yet driving forward the film's plot at an entertaining pace.

Recommended for Lem fans, serious sci-fi film fans, and those interested in the connection between film and the social history of ideas. Unfortunately for Der Schweigende Stern, the average movie fan won't be able to handle this one.