Geschichte einer Nonne

Fred Zinneman's fine, thoughtful and absorbing film succeeds in making inner turmoil palpable thanks in large part to Audrey Hephurn's luminous performance. The nun's habit forces us to concentrate on her face, and Hephurn performs with sustained strength, grace and skill; virtues present in Zinneman's direction as well. Zinneman elicits excellent performances from the entire cast in which Dame Edith Evans and Colleen Dewhurst stand out. Though somewhat long and episodic, The Nun's Story is one of the best films dealing with religious life, and the ending is memorable. Zinneman, who directed The Sundowners(60) A Man for all Seasons(66) Julia(76) and From Here to Eternity(53), maintains an admirably objective tone throughout. Along with Hitchcock's North by Northwest and Billy Wilder's Some Like It Hot, The Nun's Story was the best American film released in 1959, though the Oscar for Best Picture went to Ben Hur.

Perched high atop the list of the finest American movies of the 1950's, Fred Zinnemann's "The Nun's Story" is an intensely beautiful and powerful film about a woman who undergoes a crisis of faith and, through her struggle, learns the importance of finding one's true path in life. Based on the novel by Kathryn Hulme, the film tells the story of Gabrielle van der Mal, a Belgian woman who enters the convent in the 1930's, spends a brief period working as a nurse in the Congo, then leaves the order after years of intense personal struggle with herself and with God. Among American films of its time, "The Nun's Story" stands virtually alone in its ability and willingness to dramatize a conflict taking place in the deepest recesses of a character's mind and soul.

Audrey Hepburn - sans makeup and the kind of fashion-plate wardrobe that had already become the hallmark of her movie career - delivers one of her richest performances as the strong-willed and fiercely independent Sister Luke, whose very psyche is torn asunder by the battle between her own innate, personal pride and a sincere desire to live a life of obedience to the Church and its rules. With everything but her countenance hidden beneath a nun's habit, Ms. Hepburn is forced to draw on her resources as an actress, having to convey the titanic internal conflict taking place within her character almost entirely through facial expressions, vocal intonations and body language. And she proves herself more than equal to the challenge. She is brilliantly complemented by Peter Finch, playing the cynical but humane Dr. Fortunati, a dedicated surgeon who is as concerned about Sister Luke's spiritual health as her physical health. The relationship between the two is handled with a great deal of subtlety and tact, never allowing the obvious romantic attraction between the two attractive people to come too much to the fore. Rounding out the excellent cast are Dean Jagger as Gabrielle's loving and concerned father, Peggy Ashcroft and Mildred Dunnock as two older nuns who help guide Sister Luke along the way, and the incomparable Edith Evans, simply astounding as the Reverend Mother who sees unwavering devotion to God and the Church as the one and only goal of a serious nun.

Among other things, "The Nun's Story" is that rare film dealing with religion and spirituality that doesn't contain a single hokey or sentimental moment, that knows the difference between religion and religiosity, that is respectful without being unduly reverential, and that acknowledges the complexity of the human heart in matters of devotion and faith. It also is not afraid to take its time to set the scene and tell its story, never feeling the need to rush headlong into the next dramatic moment just to keep the movie going. In a perfect blending of form and content, the film is every bit as thoughtful, subtle and contemplative as its subject matter, its mood greatly enhanced by the rich and beautiful Franz Waxman score that underlines the seriousness of the work.

In addition to all its other fine virtues, "The Nun's Story" features one of the greatest final scenes and closing shots in motion picture history, a masterpiece of precision and understatement that demonstrates the kind of taste Zinnemman always displayed as a director. The movie is made up of small, beautifully observed moments that, when put together, provide a powerful glimpse into the heart and life of a fascinating, caring individual who wants to do great things in the world but who realizes that the path she has chosen is not the one that will ultimately lead her to her rightful destiny.

On every level of film-making, this is truly one of the greats.

I was amazed how a long, fairly slow film like this could capture and keep my attention all the way through.....but it did. This is really a quality film, as those who have seen it for years, will attest. It's so well done, in all phases, that when the two-and-a-half hours are up, you just marvel and what you've witnessed.

Anyone who has tried to live a perfect life, to please God and never offend Him with sins of any nature, knows it is impossible. It is a noble pursuit, but an exercise in futility that can lead to utter frustration. That is the dilemma we witness here in this film through the life of a well-meaning and sweet-as-can-be Belgian lady: "Gabrielle van der Mal" who is renamed "Sister Luke" after completing her training as a nun in the 1930s. Audrey Hepburn is superb as this woman, who has the greatest of spiritual intentions and a heart not only for God but to be a great nurse and follow in her father's footsteps, a famous physician in his country.

Can't she be both? The answer, of course, is "yes," but that's not the answer she receives periodically at the convent, or interprets because she's so tough on herself, and it causes great inner conflict.

Hepburn doesn't have tons of dialog in here and doesn't require it. The different looks on her face during this long story, especially when there is disappointment, are priceless. They are so subtle, but so telling. I am one who would vote for this film as Audrey's best performance, which is saying a lot.

Enjoyable as well colorful picture about a dedicated religious nurse who attempts to cure troubled people in the Belgian Congo . The melancholy tale from the Kathryn Hulme book dealing with a young missionary working as a nurse during WWII and based on the novel of the same name, that told the story of the real-life "Sister Luke," Marie-Louise Habets . Gabriella (enticing Audrey Hepburn ,the character was suggested for Ingrid Bergman but Bergman herself said she was too old for the role and instead proposed Audrey) is the daughter of an important doctor (Dean Jagger) who leaves the convent as Sister Luke . The movie has opening credits play out over street scenes of Bruges , at over 1,500 years old , one of the oldest cities in Belgium, and at one time, the most important commercial city in the world . In 1939, while the Nazi regime subjugates European Nations Graciella travels to the Belgian Congo , her assignment in the Congo is at a European hospital under the atheist eye of a doctor called Fortunai (Peter Finch). Slowly , Gabriella or Sister Luke heals ills , helps injured villagers and usually prays . But the Nazis rise to power and invade her homeland . Then , she returns Belgium , there questions her religious vocation and her moralizing comes back to haunt her .

Director Fred Zinneman struck a correct balance of fine pace and sensitivity in the mesmerizing tale of a young Belgian girl who becomes a religious missionary and is sent to the Belgian Congo to work at a hospital . Finely starred by a luminous Audrey Hepburn as a dedicated nun who subsequently comes to question her vocation , as she is struggling to reconcile her free spirit and philanthropic wishes with the religious rigors ; Hepburn chalked up another hit in this long but always interesting flick based on Kathryn Hulme's novel , being rightly adapted by screenwriter Robert Anderson . Spectacular settings and well staged scenes , in fact , members of the Rome Opera ballet corps were hired to play some of the nuns, and complex convent rituals were literally choreographed for them . This agreeable flick packs an exciting screenplay , thought-provoking drama , fine interpretations and intelligent filmmaking . It's surprising that the movie didn't achieve any of the six Academy Award for which it was nominated ; however , it won NY Film Critics to best actress and director and British Academy gave prizes to best actress and support cast . Casting is frankly well . Good acting by Audrey Hepburn as a beautiful missionary nurse who gains the trust of the locals , not only providing medical care but dealing with African people ; this was one of Audrey Hepburn's favorite of her films and it was also one of her most financially successful . Excellent Peter Finch as a good surgeon , he doesn't quite hit it off with Gabriella at first but soon starts to develop deep affections for her . Furthermore , a nice support cast formed by notorious secondaries such as Edith Evans , Peggy Ashcroft , Dean Jagger ,Beatrice Straight ,Rosalie Crutchley , Ruth White , Barbara O'Neil , Lionel Jeffries , Colleen Dewhurst and Niall MacGinnis , among others . ¨Nun's story¨ consolidated a sub-genre about nuns or religious people in far countries , going on ¨Heaven knows , Mr Allison¨ by John Huston with Robert Mitchum Deborah Kerr , ¨The Sins of Rachel Cade¨ also produced by Henry Blanke and directed by Gordon Douglas with Angie Dickinson , Roger Moore and Peter Finch , too , and ¨A Nun at the Crossroads¨ with Rosanna Schiaffino and John Richardson , among others.

Appropriate as well as sensitive musical score by the classic Franz Waxman . Glamorous and evocative cinematography by Franz Planer , though mostly filmed on real African exteriors , in fact , the film was shot on location in Rome, Bruges, Stanleyville and a real leper colony in the Congo . The motion picture well produced by Henry Blanke was stunningly directed by Fred Zinneman. This is one of various and pleasant works , some major and minor successes of his long career as a filmmaker . He was a Hollywood veteran director, directing early movies and a long career until the 80s . With ¨The nun's story¨ Zinnemann chalked another major hit in this overlong but always absorbing tale . After acquiring the rights to Kathryn Hulme's bestselling novel, Fred Zinnemann found that no one in Hollywood had any enthusiasm towards turning it into a film, citing it as being devoid of action , but all that changed when Audrey Hepburn expressed a desire to take the lead role . Rating : 8 , Above average , well worth seeing .

... and yet I found this fascinating.

Gabrielle van der Mal enters a convent in Belgium with the lukewarm approval of her surgeon dad. She is a trained nurse and has a heart for nursing, specifically in the Congo, which was a colony of Belgium's at the time. The film follows her through her first year and a half in the convent until she takes her final vows, the trials and tribulations she faces there, and her delay in finally being assigned to the Congo as a nurse.

This is a great film that doubles as a good documentary on what is involved in becoming a nun, so much so that I'd say that Gabrielle really didn't so much want to be a nun as she figured this was the only path to getting to serve in the Congo as a nurse - a primitive place with a great need for medical professionals of all kinds.

When Gabrielle finally does get to the Congo and has served as OR nurse to the agnostic Dr. Fortunati, she is panicked when the day comes that she is ordered to return to Belgium. Gabrielle isn't so much someone who sees herself as a rebel within the church - this is the tradition that she grew up in and she seems fine with it - as much as she sees everyday life in the convent as boring and tiresome, especially after several years of being a nurse in the Congo and being so very helpful.

Neither does she have a huge problem with forgiveness. In Africa a native beats another nun to death for no other reason than a witch doctor told the man that if he killed a white woman that the ghost of his dead wife would stop haunting him. In spite of the pointlessness of the murder, in spite of the fact that she knew the murdered nun, Gabrielle has sympathy and forgiveness in her heart for the killer. But then she returns to Europe and the Nazis invade and quickly take over Belgium. When they kill her father while he is tending to some refugees, Gabrielle realizes her heart is not big enough to forgive such systemic cruelty. At that point she must make a choice.

This film is based upon a novel written by Kathryn Hulme, the partner of Gabrielle van der Mal for over thirty years, until Hulme's death in 1981. Perhaps it was because the author was so close to Gabrielle that the main character is so well examined.