Die Nacht der unheimlichen Bestien

I saw THE KILLER SHREWS the first time on TV. Late every Saturday night, the local TV station played a horror film. We were alerted by a fellow junior-high student who saw the film in another city and his "word of mouth" was to run around the hallways at school pretending he was a shrew; so when it was on TV we all stayed home to watch and see what made our friend so crazily enthusiastic.

For the time it was original in concept as no one had seen "monster shrews" before. The shrews, looking like a bunch of German Shepards dressed up for a Halloween party, have large, saber tooth tiger-like teeth ... they're coming to get ya and eat you alive! Also, one of the main characters is played by Ken Curtis a.k.a. "Festus" from the TV Series "Gunsmoke". We found this a novelty after we read THE KILLER SHREWS was filmed entirely on location in Texas!

I have to make it a point to add THE KILLER SHREWS to my film library as a campy, low-budget, 50's monster movie!

I got this movie from the 100 pack at Wal Mart. once I found out who was in it I just had to jump right in,, James Best.. Sheriff Roscoe P. Coltrain. apparently on an island somewhere, overpopulation has become a real problem, and these Giant Killer Shrews are taking over the population and the island. just imagine yourself on an island like that where you are being over run by these huge gigantic shrews, I thought James Best did a wonderful job in this.. he was very funny, and his acting was also pretty good,, I guess back in the late 50's you could say that the undertone to this movie was a warning about overpopulation and what it will mean in the future if we as humans try to take over a certain land mass or area... very decent film from the 50's that isn't Oscar material, but not bad either,, I would recommend it even if I never heard of James Best.

Having seen any number of bad movies, I can state that this is significantly better than most of them, and even better in part than movies not considered bad at all. However, in those aspects in which this movie is bad it is not merely bad, it is awful.

We have the usual formula of two-fisted hero (James Best), damsel in distress (Swedish Ingrid Goude), the damsel's mad-scientist father (non-Swedish Baruch Lumet), and the villain (Ken Curtis). The formula in this case is less clichéd than usual. The hero is fairly articulate and the mad scientist is actually quite urbane, tossing off his creation of hundreds of giant, poisonous, man-eating shrews with the line "unusual experiments lead to unusual results". The dialog is competently written and the acting is above par (with the exception of the Swedish eye-candy, who is at least good eye candy).

The general concept is compact and dramatically efficient: a group of people are trapped first by a hurricane and then by an outside menace in a stronghold which gets less and less strong as time, ammunition and group cohesion all grow short.

However the execution is at times illogical. One problem is that the stronghold is made out of...adobe. On a rainswept island crawling with usable timber? The thrilling conclusion is also somewhat implausible.

The main reason for the film's abysmal reputation is the legendary and quite obvious use of ordinary dogs in bathmats to play the part of giant shrews. I suppose this just has to be overlooked.

As a sidelight, it is interesting to see Dukes of Hazard sheriff James Best tall and handsome as the hero, and it is apparent that producer/villain Ken Curtis labored long and hard in the trenches before gaining fame as Festus.

The Killer Shrews is a low budget B horror movie from 1959. Are there problems with it? Does it seem simple and not as scary as modern horror films? Yes and yes, I just said it was a low budget B movie from 1959. Don't expect too much. Considering this, I've watched this movie several times over the years and find it to be a fun, suspenseful, and entertaining movie. I also believe it to be under rated and well worth viewing. Being under rated, it also is very reasonably priced. You just have to sit back, relax and enjoy it. This type of movie however could not stand up to a close examination. If it's taken too seriously or is put under a microscope, it just won't be able to stand the inspection.

"The Killer Shrews" is not so much a disaster as a by-product of its era, now dated and comical with audiences quite comfortable to enjoy such fodder in that context. With the passage of time, "The Killer Shrews" has achieved some measure of cult status. It's not as bad (technically) as its reputation anticipates; Kellogg's storyline is standard formula (experiments with a growth hormone result in mutated shrews that terrorise the inhabitants of a remote island, isolated by a hurricane), the acting is competent (particularly Best and Curtis), and the special effects are unintentionally funny.

In point of fact, the shrews are ably played by small dogs, fitted with rodent suits, but still move and act like, small dogs. Watching the 'pack' gallop up to the compound in which the stricken sailors and scientists are holed up, and seeing them claw and gnaw at the timber and stucco as their tails wag in anticipation no doubt of meaty-bites on the other side, is always unintentionally hilarious. One can only imagine how Ken Curtis felt as he was being licked and nuzzled by the 'voracious shrews', who apparently need to eat their body weight every day just to survive.

Functional dialogue is delivered well by Best and Curtis, but there's no mistaking former Miss Sweden Ingrid Goude's lack of thespian skills as she inanely affects shock, fear and general anxiety throughout the often tense proceedings. There's also a lot of time spent standing around a well stocked bar, nimbly throwing down martinis as the onslaught amasses outside. Aside from professionals Best and Curtis, Lumet isn't bad as the chief scientist and father to Goude, lamenting the unintended consequences of his ground-breaking research. The climax is novel and was subsequently used by Irwin Allen in a scene from "The Swarm". Camp, low budget entertainment that overcomes its limitations and deserves the minor cult status it carries today.