Angela Barrows, eine erfahrene Wirtschaftsanalytikerin aus den USA, versucht, die Tweedfabrik des verstorbenen MacPherson zu modernisieren, und erschüttert damit das Fundament eines Unterneh... Alles lesenAngela Barrows, eine erfahrene Wirtschaftsanalytikerin aus den USA, versucht, die Tweedfabrik des verstorbenen MacPherson zu modernisieren, und erschüttert damit das Fundament eines Unternehmens, das nur Männern vorbehalten ist.Angela Barrows, eine erfahrene Wirtschaftsanalytikerin aus den USA, versucht, die Tweedfabrik des verstorbenen MacPherson zu modernisieren, und erschüttert damit das Fundament eines Unternehmens, das nur Männern vorbehalten ist.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
- Irwin Hoffman
- (as Donald Pleasance)
- Jock Munro
- (as Norman Macowan)
- 'C.J.'
- (as Macdonald Parke)
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In this comedy the plot could easily just involve a man coming into a company because the battle is less one of male versus female and more a matter of old school versus new school where, much I'm Alright Jack, Sellers leads the defence against such action. Looking at it this way the film is much more interesting because it keeps it relevant (nobody likes change) whereas the idea of working for a female boss is no longer the crazy modern idea that it may have once been. The film uses this story reasonably well and produced a few chuckles from me while managing to maintain a consistent amusing tone. The lack of really sharp jokes or big laughs is a bit of a problem though, and it would have been better if the commentary had been sharper and some of the comic sequences had had more laughs but the overall tone is quite nice.
The main reason it is quite funny is the subtle playing of Sellers who is gently amusing and sets the tone well for the material; perhaps not one of his most famous creations but he is enjoyable nonetheless. He is well supported by Morley, who plays the blundering boss with enthusiasm and adds to the comedy. Cummings is quite good and brings out well the manipulative nature of some women turning on femininity and tears when it suits them; she does this well without being cruel to her sex I thought. The support is mainly good and includes a brief appearance from Donald Pleasence but really the film belongs to Sellers in his quiet role along with Morley and Cummings.
Overall this is not a great film mainly because it lacks a sharp intelligent edge that it could have had and not replacing that with enough broad laughs to do the job. The cast really help and the material is good enough to be roundly amusing and it is worth a look because it is a pleasing little film even if it isn't anything that special or memorable.
His murder attempt is perfectly timed comedy, and Sellers at his best. Expect sexism throughout this, based on a James Thurber story and it was 1960 after alll. Films of the 50's and early 60's often strike me as cringe-worthy when it comes to portrayal of women during that bridge period in film history when women are still not liberated but are now treated as overt sex objects. Overall, this is all about Sellers, but Cummings and Morley are in top form as well. There are clever well written characters with a slight eye-roll ending, but still recommended.
I had a laugh watching this film, as I can see what many Brits see when they see Americans playing Brits....clumsy accents and overdoing it a bit when it came to British actors pretending to be Americans (in particular, Ms. Cummings and Donald Pleasence). This doesn't really harm the film...but it is funny seeing how Americans are portrayed. I am not sure if some 21st century viewers will laugh at Cummings' character, however, as she could be interpreted (possibly) as an anti-feminist character....a lady who wants to take over the male-dominated industry. I didn't take it this way...more that this particular woman was obnoxious and awful!
Overall, this is a cute little comedy and one of Peter Sellers' most forgotten roles. He's lovely as the 60-something employee and plays him with great subtlety (he is no Dr. Strangelove!). Cute and enjoyable...and well worth seeing.
Wusstest du schon
- WissenswertesContrary to an earlier post, the clerk at MacPherson's is clearly referred to several times in the dialogue and also in the end credits as Meekie not Mitty. Meekies have been resident in Scotland since the 19th century.
- Zitate
Andrew Darling: You're a gremlin, that's what she said.
Macleod: Who says?
Andrew Darling: Mrs blathering Barrows. You should hear what she's going to do with the house of MacPherson. Here... what's a gremlin?
Macleod: You'd better go and see Mr Roberts. Come on.
Andrew Darling: Ah, Robbie... he's a gremlin.
Robertson: Will you please stop calling me a gremlin?
- VerbindungenFeatured in The Unknown Peter Sellers (2000)
- SoundtracksAll Things Bright and Beautiful
(uncredited)
Lyrics by Cecil F. Alexander and music by William H. Monk
Sung by a choir on the television in Mrs Barrows' apartment
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Mister Miller ist kein Killer
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 133.060 £ (geschätzt)
- Laufzeit1 Stunde 24 Minuten
- Farbe
- Seitenverhältnis
- 1.66 : 1