Die Schlacht von Marathon

Giant Of Marathon is a cut above the peplum films of the Italian cinema, being directed by Jacques Tourneur. The film concerns the activities of one Phillipides, played by Steve Reeves who goes running around all of Greece as an ancient Paul Revere arousing the populace with the sum and substance cry of 'The Persians Are Coming'. Indeed they were.

The ancient histories beginning with Herodotus tell of the athlete/runner who brought news of the Greek victory and then promptly died as his body gave out. Here Tourneur opted for a happy ending, but the film is still good with some very nicely staged battle scenes.

Phillipides was probably the first celebrity athlete in the history of the world. As the winner of one of those original Olympic games he was a sports celebrity figure back in those ancient times. And because of that he's the guy sent on a diplomatic mission to Sparta to get those rival city states working together to beat back the Persians.

Of course Phillipides does just that, but Athens is facing some problems from what would later be called fifth columnists in the city. Phillipides has to deal with them as well.

Steve Reeves as athlete is not shown as a runner, he's shown heaving a discus which would be more in line with the kind of a support his upper body would be an asset for. In fact as a runner all that weight on top would be quite the liability. But he sure looked good.

Giant Of Marathon would not be considered a great film in most quarters. But it is Citizen Kane next to some of the peplum films I've been viewing lately.

Giant of Marathon was made during a very busy 1959 for Steve Reeves, as he completed "Hercules Unchained", "The Great White Warrior", and "Goliath and the Barbarians" while also making Giant of Marathon. Steve Reeves was by far the king of these so called "sword and sandal" epics churning out of Italy during the late 50s and early 60s...and why not? Reeves had a muscle bulging physique second to none and was by far the best looking of the muscle guys who made these Hercules type films in Italy. The story concerns the city of Athens and all of Greece being invaded by sea and land by the traitor Darius and his Persian army. Reeves is the hero of the olimpic games and a hero to all of Greece. As such a duo of traitors tries to convince him to team up with the Persians and attempt to lure him with wicked women and seduction. Along the way a very lovely Mylene Demengeot, a 1960s Angelina Jolie look alike with the big lips becomes his love interest. Plenty of action on land and sea and a good wresting match with Reeves and a blubber gut wrestler who feels insulted by Reeves. Check out the underwater scenes with Reeve's greeks planting long speared boulders in the water to sink Persian ships. This is a typical Reeves muscleman epic. Just watching the lovely Demengeot throughout is fun for the male audience. Reeves basically single handedly wipes out the persians and the traitors and wins his love interest in the end. Good fun for the Saturday afternoon crowd and Reeves fans in general.

The story is set in 490 BC, during Medic Wars between Greeks and Persians .The Battle of Marathon was a watershed in the Greco-Persian wars, showing the Greeks that the Persians could be beaten; the eventual Greek triumph in these wars can be seen to begin at Marathon. Since the following two hundred years saw the rise of the Classical Greek civilization, which has been enduringly influential in western society, the Battle of Marathon is often seen as a pivotal moment in European history .The defeat at Marathon barely touched the vast resources of the Persian empire, yet for the Greeks it was an enormously significant victory. It was the first time the Greeks had beaten the Persians, and showed them that the Persians were not invincible, and that resistance, rather than subjugation, was possible. The battle was a defining moment for the young Athenian democracy, showing what might be achieved through unity and self-belief; indeed, the battle effectively marks the start of a 'golden age' for Athens. The film is inspired on facts but most events developed are fictitious . Having brought home to Athens the Olympic victor's laurel crown, Philippides (Steve Reeves) is proclaimed leader of the Athenian Sacred Guard , which is expected to defend the city-state of Athens, a year after the chasing of the tyrant Hippias. Athenian followers of Hippias ( uncredited Gerard Herter ) led by Theocrites ( Sergio Fantoni ) conspire and scheme a coup d'etat and a fiendish treason . Meantime , Philippides' heart is already taken by a young girl named Andromeda (a gorgeous Mylene Demongeot ), daughter of Creuso (Ivo Garrani) , one of the various conspirators. Everything personal is likely to be put on hold when the break news that the Persian King of kings Darius's ( Daniele Vargas) vast army is marching on Greece, hoping its internal division will make its conquest a walk-over. Hearless Theocrites reproaches Miltiades to hold back the sacred guard to defend the Pallas Atenea temple after a likely defeat, and proposes instead to negotiate terms with Darius, but is told an alliance with Sparta could save the Hellenic nation. At the same time, Athens's greatest runner, Pheidippides (or Philippides in some accounts by historian Herodotus) had been sent to Sparta to request that the Spartan army ( on of them results to be Sergio Ciani , or Alan Steel , another hunk man like Reeves) march to the aid of Athens. Philippides makes the trail and survives an ambush on his journey ; he goes back with Sparta's engagement during the Persian attack in far greater numbers on Militiades valiant troops. Charis (Daniela Rocca as the matronly sacrificial love interest) , left for dead after overhearing Darius's orders, reaches the camp to tell that the Persian fleet, now led by traitor Theocrites, is heading for Piraeus to take Athens. Miltiades (Albert Lupo) sends Philippides ahead to hold out with the sacred guard until his hopefully victorious Greek troops arrive . Under the guidance of Miltiades, the Athenian general with the greatest experience of fighting the Persians, the Athenian army marched quickly to block the two exits from the plain of Marathon, and prevent the Persians moving inland. Of course , the hero Philippides defeats Darius the Persian at the Battle of Marathon .

This Sword and Sandals movie contains adventures , thrills , a love story and hokey historic events dealing with the time of the Medic Wars in which Persian armies sweep the Ancient world , being defeated in Marathon . The picture is well starred by the bouncing Steve Reeves as the famous war-time messenger of the Battle of Marathon named Pheidippides.In 1957, Reeves went to Italy and played the lead character in Pietro Francisci's Hercules, a very low-budget epic based loosely on the tales of Jason and the Argonauts, though inserting Hercules into the lead role .From 1959 through 1964, Reeves went on to appear in a string of sword and sandal movies shot on relatively small budgets, and although he is best known for his portrayal of the Greek hero Hercules, he played the character only twice: in the 1957 film and its 1959 sequel Hercules Unchained (released in the US in 1960). He played a number of other characters on screen, including Sir Edward Bulwer-Lytton's Glaucus of Pompeii; Goliath ; Tatar hero Hadji Murad; Romulus, the legendary founder of Rome (opposite Gordon Scott as his twin brother Remus); pirate and self-proclaimed governor of Jamaica, Captain Henry Morgan; and Karim, the Thief of Baghdad. Twice he played Aeneas of Troy and twice he played Emilio Salgari's Malaysian hero, Sandokan.

Screen-written by Ennio De Concini who wrote lots of Peplum , Giallo and Spaghetti Western . This film is colorfully photographed by the great Mario Bava who little time after launched his career as as a cult terror filmmaker . Atmospheric and evocative musical score by Robert Nicolisi . The Giant of Marathon (Italian: La Battaglia di Maratona) was regularly directed by Jacques Tourneur and Mario Bava (Bava had to step in to complete the film) and in Italy signed it Bruno Vailati who actually was the producer .

What immediately catches the eye about THE GIANT OF MARATHON is the fact that it stars the one and only Steve Reeves, and is co-directed by none other than Jacques Tourneur and Mario Bava! Bava would go on to direct HERCULES IN THE HAUNTED WORLD, arguably, the best of the many Hercules movies.

Reeves is larger than life as Phillipides, who, after watching two oily wrestlers batter each other, must take one of them on. He makes quick work of the bloated behemoth. Lusted after by the beautiful Karis (Daniela Rocco), Phil is actually drawn to the lovely Andromeda (Mylene Demongeot), who is sworn to marry the treacherous Teocrito (Sergio Fantoni).

Meanwhile, Phil's Greeks are at war with Persia, putting a crimp in his love life. Can he get the Spartans to join forces with Athens to defeat the Persians? And, what about Phil and Andromeda? Will these two kids ever get together?

One of the more sophisticated films of its type, it contains far less cheeeze than most such productions. It also puts more energy toward the historically-based plot, characters, sets, etc., instead of focusing on one sweaty fight after another. The battles are actually huge in scope, unlike the constrained, horseback slugfests in other, lesser movies.

Don't worry, Phillipides does get a chance to start an avalanche, complete with tumbling, sofa-sized boulders! He also helps his comrades set an ingenious trap for the Persian fleet! The ensuing battle at sea is quite impressive.

Highly recommended for lovers of the genre...

This is the ultimate tribute to Steve Reeve's phenomenal male beauty, captured in all its glory at the peak of his powers in l959. "Giant of Marathon" is given an exhilarating beginning with the powerful music score of Roberto Nicolosi, whose symphonic theme, underscores a nearly naked Reeves in brief scenes that showcase his power in the beginning of this vastly entertaining swords and sandals saga. When he swims towards the camera and comes up for air, the music swells and we see a rare glimpse of Reeves laughing. In another snippet, he's shown wrestling with another athlete and both are clad in very brief white loin clothes. It's sexual connotations is definitely there but Reeves looks so god-like you can't imagine him doing anything so earthy as coupling with another handsome jock. Throughout the running time, Reeves magnificent torso and charisma are given the star treatment, especially in the final portion where he and his warriors swim underwater to sabotage the enemy. In their flimsy briefs, this proves to be a beefcake bonanza, featuring not only Reeves but numerous handsome Italian extras. Mario Bava and Jacques Tourneur directed this classic adventure tale with Bava also responsible for the outstanding photography. From this film, he was launched into his legendary series of horror classics, creating such classics as "Kill, Baby, Kill," "Black Sabbath" and others. Reeves is beardless in this adventure and it adds to his boyish charm. At the beginning, he is crowned with a wreath of olive leaves and wearing only his loin cloth, his incredible torso is displayed in all its glory. If you're a Steve Reeves fan--which I definitely am--you might also explore the series of muscle man moveis made by Reeves American cohort, Lou Degni, re-named Mark Forest from the Bronx and a Mr. America winner. His physique is also stunning with a handsome face and acting ability to go with it. "Giant of Marathon" should be restored to its full technicolor glory. Even more than "Hercules Unchained," this is the Steve Reeves movie that fully exploits his extraordinary beauty.