Zeit zu leben und Zeit zu sterben

While not liking every film Douglas Sirk did (my recent viewing of 'Magnificent Obsession' for example really underwhelmed me, sorry to anybody who disagrees and they undoubtedly exist), he was an interesting director and one of the most interesting when it came to melodramas which he specialised in. His melodramas are not for all tastes definitely, with some working much better than others, but at his best (i.e. 'Imitation of Life') his films were brilliant.

'A Time to Love and a Time to Die', a title that some people are going to love and others are going to hate (even if it is an over-the-top one it is generally a poetic one in my view and pretty much sums up what the film is about), may not be one of Sirk's best. Having said that, while it is not perfect by any stretch, it is one of his most interesting with the subject matter for example and also one of his most underrated and deserving of more credit than it does.

It isn't without problems in my view. It does run a little too long and it makes the film occasionally drawn out, the romance occasionally slows things down a bit. Some of the dialogue is rather soapy and could have had more punch, at least it is not as unintentionally camp or as sentiment-heavy as some of Sirk's other films.

Did feel generally that debuting John Gavin, once you try to get over the fact that he is not remotely believable as a German, didn't do too badly a job, but inexperience does show initially where he doesn't always look comfortable.

Mostly he plays his role with authority and pathos and Liselotte Pulver is both fetching and affecting as his love interest. Their chemistry is charming. Keenan Wynn and Charles Regnier are memorable in support, the whole cast in fact give everything they've got and make characters that sound on paper cliched and potentially sketchy interesting and certainly more plausible than those in other Sirk films, the conflict having tension too. 'A Time to Love and a Time to Die' looks great and is especially lavishly and not too glossily shot. Miklos Rozsa's score is sweeping and haunting.

Sirk's direction has the sensitivity and passion that was missing in 'Magnificent Obsession' and the war scenes are staged very powerfully without being cluttered. While the script is not perfect it is sincere on the whole and as said it is not camp and sentimental. Furthermore, 'A Time to Love and a Time to Die' is an emotionally powerful film without being manipulative or over-sentimentalised, the war scenes are harrowing and poignant. The ending is shocking and really did appreciate that it didn't go the too pat route like other Sirk films did.

Overall, interesting and powerful film that deserves more credit than it does. 7/10

...in this time of generalizations and terminally low attention spans (not to say inexistent historical memory) people who have been the hollywoodesque cartoonish image of all 1930/40s Germans to be goose-stepping-order-barking-black-uniformed-ss-genocidal-murders could have their insight skills sharpened a bit more by this movie directed by Detlef Sierck (his real name). Actually lots of people in the 3rd Reich must have felt like Sierck himself, who obviously loved his fatherland but hated the Nazis and the way they tried to rape and pervert the very idea of the 'german nation' to their twisted ends...and those who were not lucky enough to expatriate like he did would have lived like the protagonists of this drama, suffering through an unwanted war having to witness both the cruelty of the regime AND the devastations from the war that the regime forced upon its people (the political prisoners forced to clear rubble from the air raids is a TELLING scene indeed!). The only thing that upset me a bit was the censorship forced on the filmmaker which in several scenes has to resort to silly 'visual tricks' to 'avoid' showing swastikas (a tube blocking our sight over the Military Police gorget in one of the first scenes, the queer angle at which a NSDAP member crosses our p.o.v. in the restaurant scene so we can't see the front of his armband)....now think a bit...if a catastrophe strikes and leaves this movie the ONLY proof of semi-historical value regarding WW2 the historians of the future will be oblivious of the centrepiece of nazi imagery...how STUPID is that???

Down with censorship I say, either sexual, political, intellectual et al...

It is a lush rendition set In 1944, a company of German soldiers on the Russian front are numbed by the massacres and violence of a bloody war , there Private Ernst Graeber (John Gavin) is given a furlough and he goes back home in Germany, as he finds his home bombed , then hopelessly looking for his parents, but also meets a beautiful girl called Elizabeth Kruse (Lilo Pulver) with whom he falls in love . Both of them attempt to survive from a world full of slaughter , ambition and hatred . The are happily joined, only to be separated when he is forced to return to the Russian front. Born out of the blazing passions of war! The great love story of World War II by the author of "All Quiet on the Western Front"...There Was Nothing Else in the World Now...But Them! No shame, no law, only love and each other...and the thunder of their pounding hearts...

This Douglas Sirk's penultimate masterpiece turns to be an interesting and thought-provoking film showing the human side of the enemy , including romance , emotion , thrills , and hardships and horror of an unfinished war, giving a sympathetic treatment of Germans opposited to Hitler' policies. It rests on a sad simmetry between the scenes at the Russian front and the central section in the bombed home-town . An affectionate love story with uncommon compassionate portrayal of Germans that takes place when a long awaited furlough comes through a good soldier : John Gavin and arriving in his half-ruined town he falls in love for a lovely girl : Lilo Pulver who results to be daughter of a political prisoner . This doomed and tragic romance exists non in spite of war, but because of it. This is one of few American films which portray World War II on the German side and the main roles were the German enemy. Based on a novel by prestigious author Erich Maria Remarque , published in 1954, who also wrote other successful war novels such as All Quiet on the Western Front by Lewis Milestone and The Arch of Triumph that were equally adapted ; in addition , playing himself a brief appearance . Starring John Gavin, credited to his real name Dana J. Hutton, gives a wooden acting in his film debut , while Lilo Pulver is better than him thanks to her sympathy , and attractive face . Good support cast , such as : Jock Mahoney , Don DeFore , Keenan Wynn , KlausvKinski, Thayer David , Barbara Rütting, among others.

It contains a colorful and superb cinematography in Technicolor by Russell Metty, though a perfect remastering being extremely necessary . Being shot on location in Germany. Sensitive and enjoyable musical score by Miklos Rozsa . The motion picture was well directed by Douglas Sirk . He was a fundamental filmmaker who gave prestigious movies , usually collaborating with similar technicians as cameraman Russell Metty , Production Designer Alexander Golitzen , Producer Ross Hunter and writer George Zuckerman . Sirk directed a lot of classic melodramas such as : Never say goobye , Interlude , Summerstorm , The first legion , The lady pays off , Tarnished Angels , A time to love a time to die , Magnificent obsession , All that heaven allows , Written in the Wind . But he also directed other genres as WWII : Mystery submarine , Hitler's madmen ; Thrillers and Film Noir : Shockproof , Thunder on the hill , A scandal in Paris , Lured ; Historical : Attila with Jack Palance ; Adventures : Thunderbolt and Lightfoot with Hudson and Barbara Rush ; and even a Western : Taza . Rating : 7/10 , better than average . Worthwhile watching.

I can recommend this war film. Despite distracting weaknesses in production quality, the power of the material carries the viewer along very effectively. The scenario is the dying days of World War II from the perspective of a German soldier. This represents unusual material for Hollywood, and romantic leading man John Gavin is odd casting as the hero. Although his flashes of American pearly whites are incongruous, he and indeed all the actors do quite well in their parts although hampered by the forced pace of the direction and the artificial quality of the sound recording. Clearly overdubbed, the dialogue has the quality of a read- through in an indoor studio, despite most of the action being out-of-doors. The cinematography is quite good and the sets impressive as the soldier Ernst moves from the horrors of the Russian front to the heavily-bombed hometown where he returns on leave. Trying to find what has become of his parents, he receives little sympathy from his countrymen and women, who are deadened (or maddened) by the bombardment from the skies they are experiencing. Officialdom is represented by a range of repulsive types, underlining the moral ambiguity the hero is struggling with after his experiences on the front. Where in all this horror is anything worth living for? The answer comes in his developing relationship with the winsome Elizabeth, portrayed by a delightful actress whose name is not familiar to me. What hopes of happiness in the maelstrom of the times? A poignant moment comes when the couple fantasize where they would like to go for a honeymoon, only to reflect that as Germans they would be hated just about everywhere. I found this a memorable film.

This film complements "The Downfall" in putting a human face on the Germans who fought during WWII and the suffering of the people of Dresden during the allied bombing, but it beat the "Downfall" by 47 years!! The problem is that Sirk is a highly underrated director because he shot mostly "melodramas" in the 1950's America, starring the likes of Rock Hudson and Jane Wyman (who was Ronald Reagan's wife at the time!!), so his German films are not even known in America. This is one of them. It's an important film that speaks for the simple people, the common people of Germany, who also suffered on the German side. And the writing credits are not bad, including Erich Maria Remarque who wrote "All Quiet on the Western Front." This film and "The Downfall" should be seen along with "The Fog of War" in which Robert McNamara, who was Secretary of Defense during the Kennedy and Johnson administrations and the Vietnam War, confesses that if the Germans and the Japanese had won the war, he and his superiors would have been tried for war crimes for ordering the fire bombing of both Dresden and Tokyo during the war. War is hell and everyone --bar none-- on all sides has committed atrocities. McNamara, at 87, has the courage to admit that: "Sometimes you have to do evil to do good," as he put it. "The victor writes history..." he added. Films like "A Time to Love and a Time to Die" and "The Downfall" add a bit of revisionary touch to the cracks in that history...