Was weiß Mama von Liebe?

This is my favorite comedy. Rex Harrison plays a man in London remarried to a strikingly lovely Kay Kendall. His daughter comes to live with them from America, played by Sandra Dee. She is just the right age for a "Coming Out Party", so her step-mom Kay Kendall sets about to get her ready and invite all the eligible bachelors.John Saxons plays a young man named David. Sandra meets John Saxon and likes him immediately. But a friend of Kay Kendall's Angela Lansbury who also has a daughter coming out, tells her what a terrible person John Saxon is. Angela Lansbury's own daughter likes the palace guard David.Sandra cannot stand him. John Saxon is as always the handsomest man in the movie with his smoldering good looks. He is a drummer who plays at these coming out parties.Sandra likes David ( John Saxon ) but there is another David who is one of the Palace guards.This other David looks like and acts like Edgar Bergen's dummy Mortimer Snerd. He is the classic bore. With two young men with the same name you can just imagine all the fun of mistaken identity and misunderstandings. Rex Harrison and Kay Kendall are so hilarious as they go from party to party night after night, till they are not quite sure who's party they are at or why they are there. A laugh a minute. It all makes for loads of fun and laughs. Between going to all the parties Rex and Kay have to keep their eye on Sandra, which makes for more fun then I can relate. Sandra likes Saxon and sneaks out to see him. A wonderfully hilarious comedy~ Don't miss this movie. You will be glad you saw it. Go buy it because you are going to want to see it over and over again. I think I will slip my copy in the VCR now and enjoy this movie too. Enjoy!

I saw this film with my family at Radio City Music Hall in 1958, the year of the film's release and it took the house down. The entire audience burst into applause at the film's conclusion. What simple days those were. Alas, I miss the great days of movies so much I haven't been in a movie theater in 30 years. Thirty years ago people were nice. Not any more. People in movie theaters are just as rude as they are everywhere else. To escape in such a simple delight as this film is all I can do these days aside from my daily solitude which I refer to as ZEN and which occupies most of my time. But occasionally along comes a delightful film like this and I am flooded with happy memories of my youth when everything came up roses. I have such fond memories of Kay Kendall not just in this film but also in Les Girls which was just as marvelous. She was a treasure, taken much too soon.

I love this film... So does my wife, we love it together. love love love. Rex Harison is very dry, with always brilliant delivery a little Henry Higgins'esquire on occasion but funnier in my opinion this time round. Kay Kendall's Sheila is astonishing and full of wonder for her snobbery, competitive instincts and neurosis. She makes me hoot.

The foolish David Fenner is infuriatingly silly yet gold to watch.

The music captures the feel of the 50's beautifully, with an almost Cliff Richard like quality... Actually my wife is disputing that comment, it's much more American than Cliff in her opinion. It's jazzy. jazz jazz jazz. Big band. It makes me want to dance every time I see it. One of my favourite quotes from Sheila whilst dancing... "mmmmm, this song drives me out of my mind"

You can watch this film over and over, we have been for the last 15 years and it doesn't get old at all. Watch it with different friends and they will love you for it. That's what we do. love love love.

I can't add much to what has already been said of this delightful movie. But nobody has mentioned the costumes. It's astonishing to note that Balmain created the dresses for both Kay Kendall and Angela Lansbury. Nearly 50 years later, Kendall still looks ravishingly current in her haute couture day and evening wear. The magnificent red dress she wears in the first party scene is a perfect example and she had the stunning figure to enhance these wonderful costumes. Angela, who had a nifty figure herself, is a more full-figured woman. She's also playing a nasty bitch in this film, and her costumes reflect this aspect of her personality. Instead of looking chic, she looks dowdy.

Sandra Dee's costumes were created by MGM's Helen Rose. I didn't care for any of her daytime wear which was very much a product of the 50s, but it is with gowns that Rose's talent shines, and there's a lovely blue gown with tiny blue bows in the final scenes of this movie that you really notice, and Dee wears the dress like the prom queen she was.

Rex Harrison could wear stylish men's clothing with panache, and he does so here too.

I love this sophisticated movie, which I only discovered a few years ago. And the interior sets are equally beautiful.

I am not sure why this film isn't more famous, as it was a very entertaining romantic-comedy. Considering that it was directed by Vincente Minelli and stars Rex Harrison, it can't help but be good. It's apparently good enough that the film was remade just a few years ago as WHAT A GIRL WANTS.

As the film begins, the cream of British society is readying itself for a long string of debutante balls--just as Rex Harrison's daughter from a previous marriage arrives from America (Sandra Dee). His new wife (played by his real-life wife, Kay Kendell) is having a disagreeable conversation with an annoying friend (Angela Lansbury) about these society dances when she feels compelled to announce that her step-daughter will be introduced to society at the next ball--even though the girl and her father have no interest in these stuffy affairs. But to please the step-mom, they go through with it. Unfortunately, Kay is pretty snobby and tries to arrange a marriage with an in-bred idiot and Sandra. At the same time, Kay is horrified that Sandra is falling for a lowly drummer with a lousy reputation (John Saxon). How all this is worked out to everyone's satisfaction is pretty funny and quite romantic. I think most of this is due to good writing and the nice gentle nature of the film. In fact, the longer I watched it, the more I liked it and found myself really being pulled into the story. It's a very good and often overlooked film--pity, as it really should be more widely seen.