IMDb-BEWERTUNG
6,6/10
2189
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA young naive American and a cynical older British diplomat disagree over politics in 1952 Vietnam and over a beautiful young native girl.A young naive American and a cynical older British diplomat disagree over politics in 1952 Vietnam and over a beautiful young native girl.A young naive American and a cynical older British diplomat disagree over politics in 1952 Vietnam and over a beautiful young native girl.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
Georges Bréhat
- French Colonel
- (as Georges Brehat)
Vo Doan Chau
- Cao-Dai Commandant
- (Nicht genannt)
Le Van Le
- Cao-Dai Pope's Deputy
- (Nicht genannt)
Cho Cha Lung
- Hotel Waiter
- (Nicht genannt)
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The Quiet American has a lot to live up to, because it is adapted from possibly the best book that Graham Greene ever wrote. However, it is a very well made and literate film which manages to make a reasonable stab at living up to the forbidding reputation of its source material.
Audie Murphy gives a career-best performance as the title character, an American living in Vietnam during the French incursion into the country. He believes that he can make a difference by providing funding for arms, but his political and economic beliefs often lead to death and destruction. A British journalist named Fowler (Michael Redgrave) befriends him, but soon their friendship is damaged when the young American has an affair with Fowler's Vietnamese mistress. In the end, Fowler ponders whether to betray the American to his enemies as an act of revenge for what the American has done to his love-life.
The film is powerful, absorbing and well-acted. It perhaps could be criticised for the extraordinarily high amount of dialogue (it's one of those films where if you stop listening for 30 seconds, you'll lose the plot) but that is probably the only true weakness. The themes of betrayal, colonialism, and the wisdom of interfering in the affairs of other nations, are handled thought-provokingly, and the moral dilemma facing the characters at the end are emotionally shattering. Redgrave gives a great performance, conveying the pain of his dilemma with aching conviction.
Audie Murphy gives a career-best performance as the title character, an American living in Vietnam during the French incursion into the country. He believes that he can make a difference by providing funding for arms, but his political and economic beliefs often lead to death and destruction. A British journalist named Fowler (Michael Redgrave) befriends him, but soon their friendship is damaged when the young American has an affair with Fowler's Vietnamese mistress. In the end, Fowler ponders whether to betray the American to his enemies as an act of revenge for what the American has done to his love-life.
The film is powerful, absorbing and well-acted. It perhaps could be criticised for the extraordinarily high amount of dialogue (it's one of those films where if you stop listening for 30 seconds, you'll lose the plot) but that is probably the only true weakness. The themes of betrayal, colonialism, and the wisdom of interfering in the affairs of other nations, are handled thought-provokingly, and the moral dilemma facing the characters at the end are emotionally shattering. Redgrave gives a great performance, conveying the pain of his dilemma with aching conviction.
Audie Murphy is wooden in his portrayal of the American and, in a twist to the novel, is the hero of the piece. Not quite what Greene had in mind but relevant to events in the USA during the McCarthy era when this film was made (1958).
Phuong has not been given the importance she demands in the novel. The way in which she is 'colonised' by first Fowler and then the American (Pyle in the novel, but not named in this film) is a comment on the way in which the foreign landscape is depicted and also on how the country has been colonised. Despite this she is also manipulative.
However, having said some negative things about this production of The Quiet American, it is a MUST view for the portrayal of tensions in the cold war era and the USA's twist to events as they unfold. Remember that Audie Murphy and Joseph L. Mankiewicz testified for HUAC against their fellow actors and colleagues at the height of McCarthyism.
This film is totally relevant to events unfolding today and for all those interested in the effects of colonialism and the rise of the Vietnam War. What is interesting about this film is the different take on events portrayed in Greene's superb novel, unfortunately, some of which were omitted or subverted in the 1958 film.
This film should be followed by the Philip Noyce version of The Quiet American (2001) with Michael Caine as Thomas Fowler and Brendan Fraser as Pyle (the American in the Mankiewicz version). There is a good opportunity to contrast and compare the two versions which are very different, given that the Noyce Quiet American is closer to the novel.
I would also recommend for light relief that viewers watch the Mash Season 2 TV series in which we see Colonel Flag of the CIA raising a few loud laughs.
Phuong has not been given the importance she demands in the novel. The way in which she is 'colonised' by first Fowler and then the American (Pyle in the novel, but not named in this film) is a comment on the way in which the foreign landscape is depicted and also on how the country has been colonised. Despite this she is also manipulative.
However, having said some negative things about this production of The Quiet American, it is a MUST view for the portrayal of tensions in the cold war era and the USA's twist to events as they unfold. Remember that Audie Murphy and Joseph L. Mankiewicz testified for HUAC against their fellow actors and colleagues at the height of McCarthyism.
This film is totally relevant to events unfolding today and for all those interested in the effects of colonialism and the rise of the Vietnam War. What is interesting about this film is the different take on events portrayed in Greene's superb novel, unfortunately, some of which were omitted or subverted in the 1958 film.
This film should be followed by the Philip Noyce version of The Quiet American (2001) with Michael Caine as Thomas Fowler and Brendan Fraser as Pyle (the American in the Mankiewicz version). There is a good opportunity to contrast and compare the two versions which are very different, given that the Noyce Quiet American is closer to the novel.
I would also recommend for light relief that viewers watch the Mash Season 2 TV series in which we see Colonel Flag of the CIA raising a few loud laughs.
Graham Greene drew upon his experience as a war reporter in French Indochina to write his novel on which this film is based. He was severely criticised to put it mildly for supposed anti-Americanism in the character of Alden Pyle, an undercover CIA agent. Following the Hollywood blacklistings, 'politics' dictated that Joseph L. Mankiewicz's version should show this 'quiet American' as a character motivated by altruism rather than by a political agenda. However the notion that America is a beacon of morality is no less laughable now than it was then. On the films release Mankiewicz was in turn attacked by Europeans for betraying the books intentions and making it pro-American. Graham Greene of course disowned the film entirely.
In this the American, who has no name, is played by Audie Murphy, far from being a great actor but whose wholesome persona suits the way the part is written and whose sterling War record would presumably improve the films box office potential.
As Phuong, the Vietnamese girl loved by both the American and Fowler the journalist, Mankiewicz cast Georgia Moll, an Italian. Her casting has raised a few eyebrows and would now be considered by the PC brigade to be decidedly 'non-inclusive'. She is however both touching and appealing in the role. Mention must be made of Claude Dauphin as Inspector Vigo whose scenes with Fowler are splendid. Fowler is played by Michael Redgrave and it is his sensitive and powerful performance that carries the day and provides the films driving force.
Mankiewicz himself was disappointed with the finished product and it fared badly.
The remake directed by Philip Noyce with Michael Caine as Fowler is more faithful to the novel but I don't think that makes it a better film. Let's face it, Mankiewicz at his worst is in a different class to Noyce and Caine at his best is no match for Redgrave!
10yostwl
Graham Greene did not have a comfortable vision of the world--or at least of the activities of human beings in the world. While very few movies do justice to books on which they are based, the Quiet American is a chilling forewarning of what the United States would be letting itself in for in the years to come. Murphy, always an appealing figure on the screen but not noted for truly great acting depth and breadth, is ideal for this understated role. A very well done thriller which addresses racism, colonialism, various "economic"isms, all the while focusing on the individual human impacts of high level decision-making. Are we just pawns, forced into just following orders, or do we have the responsibility to take action on the side of what we know to be right, in spite of the personal cost?
I loved the Graham Greene novel. I admit I picked it up secretly from my father's library when I was 15. It stayed with me. I knew about the existence of this 1958 version written and directed by Joseph L Mankiewicz but I had never seen it until now, thank you TCM. I had seen the 2002 with a terrific Michael Caine but the film - a more faithful version of Greene's novel according to the critics and it may be true but the 2002 version left me pleased but unmoved while the 1958 version is much more unsettling, in spite of some hard to understand choices by the filmmakers. Audie Murphy plays the quiet American, and he is, very quiet. Good looking a real life American war hero but he is not an actor and here he is sharing the frame with Michael Redgrave. Michael Redgrave! The other oddity is the casting of Italian Actress Giorgia Moll as the Vietnamese girl-in-the-middle. She's lovely but I repeat, she's Italian. No, the power force here is Michael Redgrave, A marvelous, fearless performance and that alone makes The Quiet American an absolute must.
Wusstest du schon
- WissenswertesThe first Hollywood movie made in Vietnam.
- Zitate
Inspector Vigot: You know that it is a mistake to say that communism is appealing to the mentally advanced. I think it is only true when the mentally advanced are also emotionally retarded.
- VerbindungenFeatured in Dangerous Edge: A Life of Graham Greene (2013)
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- The Quiet American
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- Saigon, Vietnam(city exteriors / relgious ceremonies / outdoor market)
- Produktionsfirma
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By what name was Vier Pfeifen Opium (1958) officially released in India in English?
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