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Du côté de la côte (1958)

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Du côté de la côte

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  • Récitant: Eden exist. It is a dawn. Eden exists, it is an island.
  • Récitante: Heaven was a beach and a pine cone. But the nostalgia of Eden is a garden. It is no longer the Côte d'Azur, but a transplanted garden. It is the idea of a garden with flowers, grass and columns.
  • [last lines]
  • Récitante: This fake Eden is not for us... no more than the real Eden. And worst of all, summer comes to an end.
  • Récitant: They never bother remembering the plants' names. They'd rather the plants remember theirs. They write their name, or the name of a beloved, hoping she'll appear.
  • [first lines]
  • Récitant: A rugged shoreline, and azure...
  • Récitante: Azure, azure, azure...
  • Récitant: ... constitute the Côte d'Azur, the French Riviera. The English lent their name to landmarks here. The Promenade des Anglais...
  • Récitante: Nice.
  • Récitant: ... the Hôtel des Anglais...
  • Récitante: Menton.
  • Récitant: ... the Eglise anglaise, or the English Church... and the Pharmacie anglaise, or British Pharmacy.
  • Récitant: Our subject is the crowd: The tourists, the curious, the emigrants, the amateurs, the passengers who discover this coast and gather there to spend their free time.
  • Récitant: The first tourist was maybe Cardinal Maurice of Savoy, who, despite his 50 years of age, took off his habit in order to marry his niece, Princess Marie-Louise. She was 14. Their honeymoon took place in a room still visited today.
  • Récitante: 2 rue Jules Gilly, Nice.
  • Récitant: They spent the winter there. Inventing "swallow tourism": the possibility to find, in any season, not only the sun, but also the wild palm tree, the mimosa, the cypress, the cypresses, the maritime pine, the pink laurel, the Indian fig opuntia, which Moroccans call the Christian fig tree, and the agave which lives for 100 years, grows flowers once and dies.
  • Récitant: The sun's carriage springs up from the water. It takes humanity along in its burning race and leaves it lying in the evening, to be born again in the morning, and then starts again the cycle of a slow labor, which requires overcoming reserve and boredom, at the risk of losing your head, or your skin which is judged by its tan.
  • Récitant: They came to find the sun; they found oblivion.
  • Récitant: Where are they? They are far away. Far from the coast. Far from everywhere. This is what we call exoticism.
  • Récitant: For want of seeing Bardot, talking to her, touching her, they come to drink in Saint-Tropez.
  • Récitant: Through a natural compensation system, appetites change. They come to eat in Cannes, for want of meeting Sophia Loren at the Festival.
  • Récitant: For want of seeing Matisse, they come to see his grave. Alive or dead, famous people have an audience, like Cro-Magnon, the first famous man, and the oldest dead, receiving the tribute of the visitors before they go see the Trophée d'Auguste...
  • Récitante: La Turbie.
  • Récitant: the Roman aqueduct...
  • Récitante: Fréjus.
  • Récitant: and the 13 moth-eaten marble blocks intended for the August temple in Narbonne, engulfed during a storm.
  • Récitante: Saint-Tropez.
  • Récitant: Tourists prefer the trendy colors, yellow and blue. Pacing fancies, hotels are painted yellow and blue. Blue wins. All women want to be fashionable. All women wear blue, except the English, those learning to swim, and the Germans, who are dedicated to green.
  • Récitant: Abandoned gardens, forgotten villas... This is cinema.
  • Récitant: What touches them and attaches them to a particular hotel, is the greeting of the doorman. According to the barometer of his familiarity, you are somebody or you're not.
  • Récitant: Where is the former Grand Hôtel? Where is the Eden Roc? Where is Eden? The entire coast longs for it. The entire coast writes its name.
  • Récitant: You always lack a penny to make one franc.
  • Récitant: The carnival is born from nostalgia.
  • Récitant: The carnival burns. The earth shakes. The sun goes mad. The water takes its shape. The carnival is dead, silence is golden. Silence as an answer to so many questions, to volcanoes, to swirls.
  • Récitant: We won't be filming the natives. In the popular imagination, they're always old and charming. Let's leave them to the ox and the ass.
  • Récitant: [View of many tents, campers, and cars packed on the beach between a cliff and the sea.] Campgrounds crowded with bon vivants lured by the seashore...
  • Récitant: [View changes to a shot through trees on a hillside revealing a large cemetery on the seashore.] ... mirror the campgrounds of the happily deceased on the same peaceful shores.
  • Récitant: [Closeup of an individual grave site.] In both cases, residents vie for prime real estate.
  • [Camera pans over several more graves.]
  • Récitant: The coast is indeed "the most."
  • Récitant: The Riviera is the most beautiful cemetery in France, offering unobstructed views and sea that's ever new. The Riviera's dead are high-class tourists, their rest well-deserved.

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