Brick, ein alkoholkranker Ex-Footballspieler, trinkt den ganzen Tag und lehnt die Zuneigung seiner Frau Maggie ab. Die Wiedervereinigung mit seinem Vater, Big Daddy, der an Krebs stirbt, füh... Alles lesenBrick, ein alkoholkranker Ex-Footballspieler, trinkt den ganzen Tag und lehnt die Zuneigung seiner Frau Maggie ab. Die Wiedervereinigung mit seinem Vater, Big Daddy, der an Krebs stirbt, führt zu einer Vielzahl an Erinnerungen und Enthüllungen.Brick, ein alkoholkranker Ex-Footballspieler, trinkt den ganzen Tag und lehnt die Zuneigung seiner Frau Maggie ab. Die Wiedervereinigung mit seinem Vater, Big Daddy, der an Krebs stirbt, führt zu einer Vielzahl an Erinnerungen und Enthüllungen.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 6 Oscars nominiert
- 3 Gewinne & 16 Nominierungen insgesamt
- Sookey
- (Nicht genannt)
- Boy
- (Nicht genannt)
- Buster
- (Nicht genannt)
- Child
- (Nicht genannt)
- Dixie
- (Nicht genannt)
- Pollitt Groom
- (Nicht genannt)
- Party Guest
- (Nicht genannt)
- Trixie
- (Nicht genannt)
- Sonny
- (Nicht genannt)
- Lacey
- (Nicht genannt)
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The film is not the play, but you don't often get an opportunity to see a fine cast perform this amazing play, and it needs a fine cast.
The movie has a fine cast. The movie grips you from start to finish. The movie even adds a little; the basement scene works wonderfully in the movie in ways that would be hard or impossible to reproduce on stage.
Yes, the play has been bowdlerised to make it into a movie, but what do you expect in 1958. The reality is, this film is a piece of cinema and drama history. You'd need to be a "Williams Fundamentalist" to hate the movie for its toned-down-ness. To the balanced Williams fan, it is gripping, well acted and nicely-paced.
Once every 10-15 years there is a truly fine production of this play in a world-class theatre. If you get the chance, go see a great production in the theatre. In between times, this movie is a very good second.
Paul Newman and Elizabeth Taylor are both brilliant as Brick and Maggie Pollitt, respectively. Not very often is there a screen couple that have the same chemistry together that they do.
Newman, however, steals the show. If you watch "Cat on a Hot Tin Roof" for nothing else, watch it for his performance. One of the greatest actors of all time, Newman showcases how powerful an actor he can be. This is not to say the supporting cast isn't excellent. Burl Ives is superb in a supporting role as Big Daddy, a man who's greatest concern is having his legacy live on after him. The sequence with Ives and Newman in the basement of the house remains one of the most incredible displays of acting I have ever seen.
"Cat on a Hot Tin Roof" is a very appropriate title. It is a searing, wonderfully acted film that I will not soon forget. I recommend those who haven't seen it yet to rent it as soon as they get a chance. A true classic.
What makes the play so unique is this. Whereas directors tend to stage what they visualise in their heads when there are no stage directions to show exactly what the playwrights intend, Williams is very specific what he wants throughout. His characterisations are broad and his descriptions of everything down to the bed, which is very symbolic, are detailed. The film, like I said, is toned down, but it still retains the sizzle, wit and intensity of the play with consummate ease.
The screenplay is very witty, emotional and funny even. The direction is very good too, and respects Williams's style. The film for its time looks lovely with lovingly designed costumes and skillful cinematography. The music is great, and the editing is crisp.
Out of the performances, all of which were stellar in what is really an ensemble piece, Burl Ives stands out especially in a towering spot-on portrayal of the domineering patriarch Big Daddy, and managed to stay true to his character. Paul Newman is splendid as Brick, giving a performance of quiet intensity and broodiness. While she slightly overdid the Daddy Dawling routine, Elizabeth Taylor is deliciously catty and sexy as Maggie, and her and Newman's chemistry was evident throughout. While maybe not quite right in terms of build, Judith Anderson the brilliant actress she was is wholly convincing as Big Mamma. While loud and coarse, she is also sympathetic. Jack Carson plays Gooper well too, Madeleine Sherwood was a tad annoying as Mae, then again I never liked Mae that much in the play anyway.
There are many standout scenes, but the one that stood out for me was the scene in the rain with Big Daddy and Brick. Thanks to the contrasting personalities of the two characters and the powerful acting of Ives and Newman, it is one of the most powerful scenes in any film. It makes me wonder why Ives was so overlooked at the Academy Awards really. The final confrontation was also a highlight. All in all, Cat on a Hot Tin Roof has its minor flaws, but it is impeccably acted, atmospheric and very steamy. 9/10 Bethany Cox
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- WissenswertesDespite being really affected by her husband Mike Todd's death, Elizabeth Taylor resumed her job in a very professional way, without any delay on the set. Everyone was astonished by her determination.
- PatzerAfter Brick tries to drive away and gets stuck, Maggie goes out to him and helps him into the house through the pouring rain. Her hair is soaking wet, but the next time she is seen, it's perfectly dry and styled.
- Zitate
Harvey 'Big Daddy' Pollitt: I've got the guts to die. What I want to know is, have you got the guts to live?
- VerbindungenEdited into Hollywood: The Dream Factory (1972)
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Un gato sobre el tejado caliente
- Drehorte
- Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, Kalifornien, USA(studio: made in Hollywood, U.S.A. by)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 3.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 1.872 $
- Laufzeit1 Stunde 48 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1