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Die Katze auf dem heißen Blechdach

Originaltitel: Cat on a Hot Tin Roof
  • 1958
  • 18
  • 1 Std. 48 Min.
IMDb-BEWERTUNG
7,9/10
55.548
IHRE BEWERTUNG
Paul Newman and Elizabeth Taylor in Die Katze auf dem heißen Blechdach (1958)
Trailer ansehen
trailer wiedergeben2:17
1 Video
99+ Fotos
Psychological DramaTragedyDrama

Brick, ein alkoholkranker Ex-Footballspieler, trinkt den ganzen Tag und lehnt die Zuneigung seiner Frau Maggie ab. Die Wiedervereinigung mit seinem Vater, Big Daddy, der an Krebs stirbt, füh... Alles lesenBrick, ein alkoholkranker Ex-Footballspieler, trinkt den ganzen Tag und lehnt die Zuneigung seiner Frau Maggie ab. Die Wiedervereinigung mit seinem Vater, Big Daddy, der an Krebs stirbt, führt zu einer Vielzahl an Erinnerungen und Enthüllungen.Brick, ein alkoholkranker Ex-Footballspieler, trinkt den ganzen Tag und lehnt die Zuneigung seiner Frau Maggie ab. Die Wiedervereinigung mit seinem Vater, Big Daddy, der an Krebs stirbt, führt zu einer Vielzahl an Erinnerungen und Enthüllungen.

  • Regie
    • Richard Brooks
  • Drehbuch
    • Richard Brooks
    • James Poe
    • Tennessee Williams
  • Hauptbesetzung
    • Elizabeth Taylor
    • Paul Newman
    • Burl Ives
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,9/10
    55.548
    IHRE BEWERTUNG
    • Regie
      • Richard Brooks
    • Drehbuch
      • Richard Brooks
      • James Poe
      • Tennessee Williams
    • Hauptbesetzung
      • Elizabeth Taylor
      • Paul Newman
      • Burl Ives
    • 212Benutzerrezensionen
    • 96Kritische Rezensionen
    • 84Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 6 Oscars nominiert
      • 3 Gewinne & 16 Nominierungen insgesamt

    Videos1

    Trailer
    Trailer 2:17
    Trailer

    Fotos104

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
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    + 98
    Poster ansehen

    Topbesetzung19

    Ändern
    Elizabeth Taylor
    Elizabeth Taylor
    • Maggie Pollitt
    Paul Newman
    Paul Newman
    • Brick Pollitt
    Burl Ives
    Burl Ives
    • Big Daddy Pollitt
    Jack Carson
    Jack Carson
    • Gooper Pollitt
    Judith Anderson
    Judith Anderson
    • Ida 'Big Mama' Pollitt
    Madeleine Sherwood
    Madeleine Sherwood
    • Mae Pollitt
    Larry Gates
    Larry Gates
    • Dr. Baugh
    Vaughn Taylor
    Vaughn Taylor
    • Deacon Davis
    Zelda Cleaver
    • Sookey
    • (Nicht genannt)
    Brian Corcoran
    • Boy
    • (Nicht genannt)
    Hugh Corcoran
    • Buster
    • (Nicht genannt)
    Kevin Corcoran
    Kevin Corcoran
    • Child
    • (Nicht genannt)
    Patty Ann Gerrity
    Patty Ann Gerrity
    • Dixie
    • (Nicht genannt)
    Bobby Johnson
    Bobby Johnson
    • Pollitt Groom
    • (Nicht genannt)
    Walter Merrill
    • Party Guest
    • (Nicht genannt)
    Deborah Miller
    • Trixie
    • (Nicht genannt)
    Robert 'Rusty' Stevens
    Robert 'Rusty' Stevens
    • Sonny
    • (Nicht genannt)
    Vince Townsend Jr.
    • Lacey
    • (Nicht genannt)
    • Regie
      • Richard Brooks
    • Drehbuch
      • Richard Brooks
      • James Poe
      • Tennessee Williams
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen212

    7,955.5K
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    Empfohlene Bewertungen

    8ian_harris

    It isn't the play, but it is a very good film

    I first encountered "Cat" in a fine National Theatre production in 1988 with Lindsay Duncan as Maggie, Ian Charleson as Brick, Eric Porter as Big Daddy, Paul Jessons as Gooper and Alison Steadman as Mae.

    The film is not the play, but you don't often get an opportunity to see a fine cast perform this amazing play, and it needs a fine cast.

    The movie has a fine cast. The movie grips you from start to finish. The movie even adds a little; the basement scene works wonderfully in the movie in ways that would be hard or impossible to reproduce on stage.

    Yes, the play has been bowdlerised to make it into a movie, but what do you expect in 1958. The reality is, this film is a piece of cinema and drama history. You'd need to be a "Williams Fundamentalist" to hate the movie for its toned-down-ness. To the balanced Williams fan, it is gripping, well acted and nicely-paced.

    Once every 10-15 years there is a truly fine production of this play in a world-class theatre. If you get the chance, go see a great production in the theatre. In between times, this movie is a very good second.
    10Spider-52

    Makes you wish they gave Oscars for ensemble acting.

    "Cat on a Hot Tin Roof" is truly an actor's movie, and it is one of those rare films where every single actor is perfect.

    Paul Newman and Elizabeth Taylor are both brilliant as Brick and Maggie Pollitt, respectively. Not very often is there a screen couple that have the same chemistry together that they do.

    Newman, however, steals the show. If you watch "Cat on a Hot Tin Roof" for nothing else, watch it for his performance. One of the greatest actors of all time, Newman showcases how powerful an actor he can be. This is not to say the supporting cast isn't excellent. Burl Ives is superb in a supporting role as Big Daddy, a man who's greatest concern is having his legacy live on after him. The sequence with Ives and Newman in the basement of the house remains one of the most incredible displays of acting I have ever seen.

    "Cat on a Hot Tin Roof" is a very appropriate title. It is a searing, wonderfully acted film that I will not soon forget. I recommend those who haven't seen it yet to rent it as soon as they get a chance. A true classic.
    9TheLittleSongbird

    While toned down from the play, it sizzles fantastically on the screen

    I am studying Tennesse Williams's Cat on a Hot Tin Roof in English. It is a fabulous play, constantly entertaining and witty. I saw the film with great interest, and I was most impressed. Yes the filmmakers did tone down the sexual references and the language and some of the events are simplified or cut(ie. they suppressed Brick's supposed homosexuality) . But even with the changes, the film thanks to the stellar performances and the witty screenplay sizzles fantastically on screen. It is also very gripping and intense, like the play.

    What makes the play so unique is this. Whereas directors tend to stage what they visualise in their heads when there are no stage directions to show exactly what the playwrights intend, Williams is very specific what he wants throughout. His characterisations are broad and his descriptions of everything down to the bed, which is very symbolic, are detailed. The film, like I said, is toned down, but it still retains the sizzle, wit and intensity of the play with consummate ease.

    The screenplay is very witty, emotional and funny even. The direction is very good too, and respects Williams's style. The film for its time looks lovely with lovingly designed costumes and skillful cinematography. The music is great, and the editing is crisp.

    Out of the performances, all of which were stellar in what is really an ensemble piece, Burl Ives stands out especially in a towering spot-on portrayal of the domineering patriarch Big Daddy, and managed to stay true to his character. Paul Newman is splendid as Brick, giving a performance of quiet intensity and broodiness. While she slightly overdid the Daddy Dawling routine, Elizabeth Taylor is deliciously catty and sexy as Maggie, and her and Newman's chemistry was evident throughout. While maybe not quite right in terms of build, Judith Anderson the brilliant actress she was is wholly convincing as Big Mamma. While loud and coarse, she is also sympathetic. Jack Carson plays Gooper well too, Madeleine Sherwood was a tad annoying as Mae, then again I never liked Mae that much in the play anyway.

    There are many standout scenes, but the one that stood out for me was the scene in the rain with Big Daddy and Brick. Thanks to the contrasting personalities of the two characters and the powerful acting of Ives and Newman, it is one of the most powerful scenes in any film. It makes me wonder why Ives was so overlooked at the Academy Awards really. The final confrontation was also a highlight. All in all, Cat on a Hot Tin Roof has its minor flaws, but it is impeccably acted, atmospheric and very steamy. 9/10 Bethany Cox
    8Sergiodave

    Families, we all have them

    I have never read or seen the play 'Cat on a Hot tin roof', but after watching the quite superb film, I want to. A movie about families, money, love or lack off. The acting is first rate, Paul Newman and Elizabeth Taylor are superb, if you're looking for laughs, look elsewhere. A classic.
    8kupcr

    One Of The Best Newman Films

    I've got to say that Tennessee Williams' 'Cat On A Hot Tin Roof' was one of the best Newman films. It's one of those movies that grabs your attention in the first 10 minutes. The interactions between the gifted actors and actresses were stupendous. I really felt for Maggie (Elizabeth Taylor) "The Cat ", though and how she was able to keep her composure with her husband Brick Pollitt's (Paul Newman) berating of her. We learn that he was a drunk trying to recapture his glory days of high school sports by leaping hurdles on a track field, dreaming about his moments as a youthful athlete, but suddenly he falls and breaks his leg, leaving him dependent on a crutch. During the film, he has some harsh words for Maggie. I felt that her character was treated unfairly by Brick and to make matters worse, his father Big Daddy (Burl Ives), shows nothing, but contempt for his son that he's even violent towards him. I really understood why he was so angry with Brick and as you watch the verbal fight between the two, you really side with Big Daddy. Newman really was a great actor and was the best choice for this part. Taylor, on the other hand, is a big star And she played Maggie to a T! I really think the Hollywood scripts these days are dead weight compared to the 50s and 60s! The exchanges of dialog and the acting were definitely marvelous. Canadian actress Madeleine Sherwood, who played Mae Pollitt in the film, was the last one to pass away in 2016 at 93! they all left their mark in the acting world.

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    Handlung

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    • Wissenswertes
      Despite being really affected by her husband Mike Todd's death, Elizabeth Taylor resumed her job in a very professional way, without any delay on the set. Everyone was astonished by her determination.
    • Patzer
      After Brick tries to drive away and gets stuck, Maggie goes out to him and helps him into the house through the pouring rain. Her hair is soaking wet, but the next time she is seen, it's perfectly dry and styled.
    • Zitate

      Harvey 'Big Daddy' Pollitt: I've got the guts to die. What I want to know is, have you got the guts to live?

    • Verbindungen
      Edited into Hollywood: The Dream Factory (1972)
    • Soundtracks
      Lost in a Summer Night
      (uncredited)

      Composed by André Previn and Milton Raskin

    Top-Auswahl

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    FAQ23

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    Details

    Ändern
    • Erscheinungsdatum
      • 19. Februar 1959 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Un gato sobre el tejado caliente
    • Drehorte
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, Kalifornien, USA(studio: made in Hollywood, U.S.A. by)
    • Produktionsfirma
      • Avon Productions (II)
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 3.000.000 $ (geschätzt)
    • Weltweiter Bruttoertrag
      • 1.872 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 48 Minuten
    • Farbe
      • Color
    • Seitenverhältnis
      • 1.85 : 1

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