Um Kopf und Kragen

There's nothing epic about this well-crafted, workman-like western, and that works in its favor. Randolph Scott is wonderful as the world-weary small-time rancher who's pursuing a better life at an age when most men in those days were either retired or dead. He meets his evil double in the guise of Richard Boone, who finds himself out of place with the heartless thugs he finds himself running with. It's his fate but he yearns for the life that Scott has chosen. Wonderful location work. Dialogue and action are used to service the story and that's all, as it should be. As fulfilling and satisfying a movie as a good serving of stew and a mug of hot coffee.

Very good Western about a rough confrontation with strong characterization. Compelling tale of a cowboy , Randolph Scott , and his nemesis, Richard Boone, and hoodlums , Skip Homeier and Henry Silva . In the Old west there are always the men who live breathe violence and the women who hold their breath . Having lost his horse in a wager , a hard-bitten man named Brennan (Scott) takes a stagecoach driven by his friend Ed (Arthur Hunnicutt) . Ed is carrying newlyweds , Willard (John Hubbard) and Doretta (Maureen O'Sullivan). At the next station the stagecoach and its passengers are kidnapped by a trio of gunfighters ( Homeier , Silva) led by a villain named Usher (Richard Boone). When Usher aware that Doretta is the daughter of a rich copper-mine owner, he decides to obtain a ransom but the events get worse.

This is a tremendously exciting story of a drifter who helps newlyweds and falls in love with the recent wife . It begins as a sluggish , slow-moving Western but follows to surprise us with dark , complex characters and solid plot . The simple tale is almost rudimentary though full of clichés, a good guy come to free newlyweds just in time to get the woman . Suspense and tension builds over the time in which the outlaws and the starring await a response to their demands . The action is brutishly cruel as when the nasties shoot without remission. The highlights of the film are the facing off between Scott and his enemies and the climatic showdown on the ending . Phenomenal and great role for Randolph Scott as tough guy , he's the whole show. He play perfectly as stoic, craggy, and uncompromising figure .Vivid and atmospheric musical score by Heinz Roemhelz and colorful cinematography reflecting marvelously the rocky,stony scenarios by Charles Lawton Jr . Watchable results for this offbeat Western.

The motion picture is stunningly directed by Budd Boetticher in bleak style . Boetticher formed a production company called ¨Ranown¨ along with Harry Joe Brown and Randolph Scott and as usual writer Burt Kennedy. The first Harrry Brown-Boetticher-Scott movie was 1956's " Seven men from now" , following ¨Decision at sundown(57)¨, ¨Buchanan rides alone(58)¨,¨Westbound(59)¨ ,¨Ride lonesome(59) ,in the decades since, they have produced and directed one Western ¨Comanche Station(60)¨ . Boetticher was a great expert on Western genre and also on the bullfighting world as ¨Bullfighter and the lady¨, ¨The magnificent matador¨ and ¨Arruza¨ . Rating : Above average. Well worth watching .

**** I never really figured out what the Tall T exactly was. It doesn't matter. This is a great film and an outstanding western. The actors are all good, especially Randolph Scott as a western everyman (I always want to repeat the "Blazing Saddles" homage to Scott whenever I say his name)and Richard Boone as one of the most evil bad men in western film history. Skip Homeier and Henry Silva give great performances as two young guns who are teamed up with Boone. They are sexy and evil at once. The dialogue is biting, the situations are adult and dramatic, the scenery is superb, and the music complements the film's tension to a Tall T.

Borrowing elements from Stagecoach and Rawhide, The Tall T is one lean and mean collaboration from director Budd Boetticher and star Randolph Scott. It's one of the best of the seven films the two men did together in the Fifties.

Scott's lost a horse on a bet with his old boss Robert Burton and is walking back to his place, a good 15 miles carrying saddle and other western gear. A stagecoach stops and driver Arthur Hunnicutt offers him a lift. It's not the regular stagecoach run, it's been hired by John Hubbard for him and his wife Maureen O'Sullivan. She's the only child of a millionaire mine owner and Hubbard was the bookkeeper for her father. It's made quite obvious from the beginning this is not a love match.

When the stagecoach gets to a way station, it's been taken over by outlaws Richard Boone, Skip Homeier, and Henry Silva. They think it's the regular coach run, but when they hear how O'Sullivan's father is worth millions, they decide on a kidnap.

The T in The Tall T might just stand for tension because that's what the film bristles with. Once Scott, O'Sullivan, and Hubbard are taken prisoner, the film's suspense doesn't let up for a minute. Scott is at his most forthright as a western hero in The Tall T.

Homeier and Silva play their usual punk roles to perfection. Boone is lean and mean as their leader, a worthy adversary for Scott. Of course it's the other two with their more than human weaknesses that leads to their downfall.

The Tall T is one of the best of Randolph Scott's westerns required viewing if one calls thyself a Randolph Scott fan.

This 1957 Western follows in the tradition of "Rawhide" (1951). Once again we find a group of people that are being held by a band of thieves while waiting for their next stage to rob. This time Randolph Scott has taken over the Tyrone Power role of the hero in the earlier film. Scott must wait for the appropriate opportunity to make his stand against the evil band of killers (Richard Boone, Skip Homeier, and Henry Silva). Maureen O'Sullivan (who once portrayed Tarzan's Jane of the movies) finds herself in the unusual role of portraying a "plain jane" who has recently married a scoundrel. The newlyweds are on their way to their honeymoon when they are captured by Boone and his gang of cut throats. O'Sullivan's husband tries to use his new wife and her father's fortune as a bargaining chip to buy his way out of his predicament...but the killers wind up killing him along with the stage station's owner and his son. The hapless victims all seem to be killed off one by one and thrown into a well. Margaret O'Sullivan's only hope is for Randy to somehow save her. Scott uses the gang's individual weaknesses to get the drop on them .... and what is to come is one of the most brutal Westerns made during that period of film making. This film serves as a transitional bridge between the old Ken Maynard (man in a white hat who only drinks milk) bloodless Western and the grimy, realistic sweat stained Spaghetti Western that is destined to come. A fine cast and a disciplined script makes it everything one could hope for in a Western!!!