Einmal ein Star sein

Although Bugs plays the title role, Daffy is the real star of this show and gets the most screen time. Bugs fans, of course are happy because once again Bugs outsmarts Daffy. But Daffy fans will enjoy the true genius of the Duck. Bugs may have more charisma but Daffy has more heart. Daffy is more like a human being, flawed yet lovable while Bugs seems to be too much of an ideal character.

Daffy Duck is in a vaudeville act with Bugs Bunny which he detests because of all the accolades that Bugs gets, and the lack of them that he gets. Which leads him to drastic measures to win the audience over. Some re-used famous gags cause this short to be less than what it could have been, but using the old saying that "any Looney Tunes is Good Looney Tunes", I can't really dislike this one either. This animated short can be seen on Disc 4 of the Looney Tunes Golden Collection Volume 2 and also features an optional commentary by Greg Ford (as well as vintage sound clips and unused musical scores)

My Grade: B-

I have always adored Looney Tunes, and Show Biz Bugs is a big example of why. While not one of my absolute favourites, I still love it for many reasons. The animation is wonderful, everything is drawn with great smoothness and the colours are gorgeous. The standout sequence in this regard was the Tea for Two sequence, not in a while have I seen animation so elegant. The music is energetic, characterful and full of lush orchestration. The humour is just as effective. You may have seen some of the gags before, but I still find them hilarious. I especially like the gag with the xylophone and the explosive. The dialogue has its usual wit, with Daffy getting the best lines. The dancing is beautifully choreographed, Daffy's tap dance is quite nifty and one does wonder why he didn't garner the applause he ought to have done. I do agree that it is Daffy who steals the show, I just love how overly-competitive he is. Of course there are shorts that are more effective at seeing him at his best, which is mainly in manic mode, but he is still funny here. That is not to say that Bugs isn't good, he still outsmarts his foil, here it is Daffy, as you'd expect, but here is a Bugs who plays it straight rather than the crafty and arrogant Bugs we are more familiar with. For a cartoon with his name in it, he is not as prominent as Daffy which is why the title is somewhat ironic. Mel Blanc's vocals are superb as always. All in all, lots of fun. 9.5/10 Bethany Cox

Daffy Duck has an oversized opinion of himself. He is incensed that Bugs Bunny has the top billing over him. He intends to prove his stardom over Bugs in their performance. The applause says otherwise. Daffy challenges Bugs and he tries so very hard to no avail. He tries attempted murder and finally the ultimate stunt.

The xylophone gag is a classic although it is the second time used against Bugs. Looney Tunes keeps going back to this iconic gag over and over again. Bugs is basically playing this one straight while Daffy is going all out Daffy. That is what sells this. Daffy being so Daffy is so fun.

As a young adult buff of the Warner cartoons, I felt that this was #5 on my personal list of Freleng's greatest Bugs films….that was a couple of years before I saw more of the greatest pre-1948 cartoons when I re-subscribed to cable. Man. There were biggies like "Stage Door Cartoon," "Bugs Bunny Rides Again," and "Slick Hare"—prompting me to revise somewhat my list of Freleng faves.

I've always been befuddled by cartoon buffs' downgrading a short because it uses gags utilized before. If it's a "cheater" film, that's a different matter. But nearly all the animation here's genuinely new, including Gerry Chiniquy's exemplary execution of Bugs's and Daffy's dances. Also, I for one never penalized, say, Benny Hill for using the same dozen or so gags multiple times: he always makes me feel I'm experiencing it and laughing at it for the first time because he always puts some new wrinkle in.

Similary, then, I don't penalize Freleng for borrowing wholesale several scenes and jokes from his earlier "Curtain Razor" and "Ballot Box Bunny" because, despite the fact he's aware of that, he now is doing all those gags in DEFINITIVE form.

"Show Biz Bugs" also benefits from the work of new backgrounds man Boris Gorelick. He was at Warner's for only a year, and contributed to the success of some of Freleng's finest (this one, and " Birds Anonymous"). The signature part of Gorelick's style was his use of portions of art apparently crayoned or charcoaled over sandpaper (or maybe a miniature pebble garden). Gorelick apparently crumbled early on, over Freleng's frequent and legendary temper tantrums.