Kronos

Kronos is slightly different from other 1950's/Atomic age sci fi's as the 'monster' that threatens the world in this one is a massive robot, Kronos. This was released on video in America as part of the excellent Science Fiction Gold collection, of which I have a copy.

A giant object crashes into the ocean and turns out to be a flying saucer. Scientists are sent to investigate, but one of them gets possessed by an alien and starts acting strange. At the same time, something strange rises out of the ocean and turns out to be a giant robot, Kronos. Two of the scientists land on top of it by helicopter to examine it. It then starts going on the rampage, destroying everything in its path. A nuclear bomb is dropped on it to try to destroy it, but this makes things worse as Kronos uses nuclear energy to get stronger. A method is found to destroy it in the end though and turns out to be a success.

For a low budget movie, the special effects are quite good and the music score is rather creepy.

The movies stars 50's sci fi regulars Jeff Morrow (This Island Earth), Morris Ankrum (Invaders From Mars), John Emery (Rocketship XM), Robert Shayne (Teenage Caveman) and Morrow's love interest is played by Barbara Lawrence. Morrow, Ankrum and Shayne also appeared together in The Giant Claw, made the same year as Kronos, 1957.

This movie is a must for fans of 1950's sci fi, like me.

Rating: 3 and a half stars out of 5.

"Kronos" is about a robot emissary (which Earth scientists name Kronos), sent by aliens to Earth. It lands on the coast of Mexico and goes on a rampage. The aliens have exhausted energy supplies on their own planet (which it is correctly noted may well happen here before too long), and so they sent Kronos to Earth to suck up energy from our remaining energy resources. Unknowingly, Earth counterattacks with weapons like an H-bomb, but Kronos greedily absorbs all that energy and just gets stronger and hungrier for more.

At this point, you just have to put aside the immediate obvious objection that there is far more energy in any star in the galaxy than in all the power plants on Earth, and the aliens should have just harvested energy from them.

If you can forget all that, what is left is an enjoyable typical 1950's B-movie, with what I consider to be some decent special effects for the time (except for the obvious cartoon animations of Kronos' march). Jeff Morrow, one of the better B-movie actors, delivers a decent performance as a scientist. Despite its low budget, the movie tries hard to be an early techno-thriller, replete with what was state-of-the-art technology for its time--B-47 jet bombers, missiles with nuclear warheads, computers, etc. And that also makes it a cut above the usual sci-fi B-movie of the 1950's.

Recient edit: I notice that a lot of the sci-fi movies are being remade. This movie could be remade and with CGI and all the special effects available now, could become a major money maker for the studio that can take on this project. So many remakes have been made that are based on boring original movies and some have been a success, most have not. If any producer that reads this would just watch this movie, he / she would see the potential of this story and as long as the story is followed with the critical elements intact, this could be a success for everyone. ----------------------------------------------------------------- I downloaded this movie last week because I remembered it from when I was a kid and a friend just happened to mention that he had a copy, so I grabbed it. I really didn't either understand or care about the story as much as I enjoyed the 'neat stuff' when I was 7, but after watching it again, I was impressed with the story. A species in outer space has used up all it's energy resources and sends out these machines to roam the galaxy looking for planets with energy producing potential. The machines have the ability to absorb any and all power and convert it into matter, thus growing in size with each meal. The science here was right on, The opposite on E=mc2, or as mentioned in the movie, 'the other half of the equation'. Because of these little bits of physics, I now wonder if the movie was made for kids or adults, Stuff like that was way over our heads back then. If the Machine is successful in locating a suitable planet, it calls for more machines to finish the job. Of course the special effects are primitive, but they make the point. The stream of energy as it flows past the 3 scientists while they are standing on top of the giant, was right on the money. The way the robot closed itself up to absorb the blast of the A-bomb from the jet it magnetically pulled into itself, even the design of the machine, was very original and very cool. All, in all, This is a classic 50's sci-fi movie that should be seen at least once. Of course, at the end there is a moral message and it is: "They ran out of energy because they wasted all the resources and if we don't watch out, we could end up the same way". We never know just where it came from and there are no aliens, just the machine. How was the machine going to get home? Somebody needs to remake this movie, it would be a great movie with all the modern effects in our bag of tricks.

Made in 1957, this ultra weird science fiction movie "Kronos" is a product of the then unknown UFO phenom and the Soviet Union's nuclear threat of the time. Before I describe this film, I have to tell you, seeing it first, at a very young pre-teen ager, this movie gave me sweaty nightmares of world destruction's dreams constructed by odd and powerful machines for many nights and many years to come that made me hide under the covers. These dreams of mine were terrifying to the extreme, and when I watch this film today, I can finally understand this.

A strange movie, made by "Regal Films" and distributed by 20th Century Fox, it adds genuine sci-fi terror with the combination of some very effective and occasional cheesy effects, and generally good acting. The story is just weird enough to be believable, which is the mark of a good sci-fi movie. It is a sort of a "War of the Worlds" film in a way. The new DVD widescreen video transference by "Image Entertainment" is very good considering the lack of quality of the original film's input. The sound is true and clear.

The film is in black and white and incorporates many stock footage shots of the era. Some of those shots include the proverbial rocket launches of a German V2. And then there are some very beautiful shots of the elegant first Strategic Air Command's swept wing atomic jet bomber the B-47 StratoJet in flight. Finally there is very rare stock footage of the first supersonic fighter in experimental form, the XF-100 Super Saber soaring. Interesting.

To summarize, a giant flying saucer, mistaken for an asteroid, crashes off the coast of West Mexico. Bubbling out of the Pacific a few days later is this giant metallic multi stepped cube. The cube's goal is to suck up all the energy in the earth for it's home world. The more energy it absorbs the more fantastically large the machine becomes. Bizarre side stories are how this cube's energy affects certain humans for it's aid. You have to watch the movie as this oddness is hard to describe.

The imagery of the alien machine is often really scary, as in some scenes the monster takes upon an electric greenish tint in the wide screen display and it's electric lightning is the stuff of bad dreams. But other images are a bit cartoonish. Those cartoonish images if left out of the film would have made it a much more effective a movie.

Nevertheless on a 1950's level this sci-fi movie is most effective in it's ability to evoke true paranoia. It frightens the beegeezuss out of me every time I watch it and I can guarantee that I will have a nightmare about the giant and massive cubic Kronos, the ravager of worlds, vampire of energy, tonight as I slumber. As Kronos makes it's way on the earth sucking up energy it makes this crushing high pitched pulsing noise as if metal upon rock. Very eerie.

The film stared perennial B-movie star Jeff Morrow as the scientist that figures out how to destroy Kronos. He reverses Kronos' polarity! Didn't Scotty do that on the Enterprise once to save the ship? The obligatory cheese cake 1950's sci-fi actress in this film was the very lovely Barbara Lawrence as the wasted film technician Vera, the ever ignored girl friend of Morrow.

For it's genre, this movie is recommended, for it's unique story, eclectic acting, decent script, terrifying and very spooky imagery.

It still gives me the heebeejeebies.

Scientist John Emory (`Rocketship X-M' ) is possessed by an alien intelligence which foces him to provide information for invaders who are en route to Earth in a huge spacecraft. Astronomer Jeff Morrow (`This Island Earth') spots the approaching ship through his telescope, but he thinks it's an asteroid on a collision course with Earth (never mind the fact that the image we see through the telescope is obviously a saucer-shaped object that zigs and zags insanely).

The spacecraft splashes down off the coast of Mexico, and the next morning `Kronos' is standing on the beach -- a giant, rectangular robot with four piston-like legs. Kronos begins it's destructive march across the country, draining power from everything it encounters (including an atom bomb which the Air Force drops on it. Impressive scene). Morris Ankrum makes a welcome appearance as a psychiatrist (insteand of a general, for a change).

The plot has an interesting basic concept, but the script is plagued by scientific inaccuracies and unintentionally funny scenes. Jeff Morrow and fellow scientist George O'Hanlon (the voice of George Jetson) make casual comments about `minor shifts' in the orbit of the approaching asteroid -- even though what they (and the audience) see in their telescope is a wildly zig-zagging spaceship. Morris Ankrum is electrocuted when John Emory throws him against a protective fence that surrounds a high-voltage transformer ( Wait a second -- Ankrum is electrocuted by a PROTECTIVE FENCE?).

Despite the embarassing goof-ups, `Kronos' is loaded with special effects by FX wizards Jack Rabin, Irving Block, and Louis DeWitt, who are also billed as associate producers.