Ein Herzschlag bis zur Ewigkeit

OK....so this is not a classic film depicting the life of Jeanne Eagels however it has it's moments. First of all Kim Novak was a hot property at the time and she is gorgeous and oh so camp as Miss Eagels. Also captured in the film is the flavor of the era and the costumes are dazzling especially the one Novak wears as Princess Dardanella at a carnival where she gets busted by the police. The ultimate is when she prances on stage as Sadie Thompson in "Rain" to the tune of "Wabash Blues"....its actually a treat. Miss Novak is supported by a good cast including Jeff Chandler, Agnes Moorehead, Charles Drake, Murray Hamilton and especially Virginia Grey as has-been Elsie Desmond (one of Miss Grey's personal favorite roles).

Young waitress from Kansas City in the early 1920s hitches up with a traveling carnival with the fervent, starry-eyed hope of breaking into show business; once in New York City, she gets herself a drama coach and lands a plum part in a Broadway show after the original actress falls ill. Fabrication of real-life Broadway and silent movie starlet Jeanne Eagels is useless as a biography but rather entertaining as a backstage melodrama. Kim Novak is uneven in the lead, mercurial and brittle (and occasionally quite amusing when lapsing into a haughty European accent once she finds fame and fortune), however the part is a pretty good fit for Kim and she fills the bill. Jeff Chandler (as a fictitious lifelong beau) and Agnes Moorehead (as the drama coach who suddenly morphs into Jeanne's best friend and nursemaid) are both solid, as is Charles Drake as an ex-football player who marries Jeanne apparently for her money (yet seems to love her and puts up with her). Drake also played a role in "Valley of the Dolls", which mirrors this film in several ways (there's even one character called "Neely" and another named "O'Hara"!). Producer-director George Sidney takes great care in setting up this story, which is snappy and brash and looks fantastic in black-and-white. Not everyone will go for the picture's mix of hard-shelled pathos, booze-soaked blackouts and rags-to-riches clichés, yet the film manages to capture the excitement of stage life quite vividly. **1/2 from ****

"Jeanne Eagels" can almost be considered a "lost" film, since it is so rarely seen nowadays. That seems a shame. Yes, it suffers from standard "biopic" problems (cliched script, superficiality, etc.), but it is an interesting curiosity piece. Kim Novak, fresh onto the acting scene, actually acquits herself quite well in the role. There is an air of the troubled woman about her from the beginning, and the way she keeps adopting different personas shows Jeanne's desperate search for an identity. Contrary to the other reviewer here, I think that the drunk scenes are quite effective, without ever being pretty or played for comedic purposes. She succeeds in making Jeanne unlikable at times, which is a brave choice for the era. Unfortunately, the script and direction aren't the best, and some of Novak's more interesting choices contrast with other scenes that just don't come off as well. It's definitely worth a look though. I would argue that Novak's style is more "modern" than many other actresses of the era. Whether she always succeeds or not, she clearly looks for the reality of each scene, and is less interested in acting and more interested in "being." There are moments when I think she comes close to "being" Jeanne Eagels, making this forgotten film worth a second look.

Although Jeanne Eagels is a fascinating film with one of two career roles for Kim Novak, the other being Vertigo, it does do some disservice in telling the story of the legendary Jeanne Eagels, Broadway star of the Twenties. The Roaring Twenties was a hard partying era, especially on women as three of the brightest stars of that era, Marilyn Miller, Helen Morgan, and Jeanne Eagels died way to soon because they indulged too much.

That part of the story is all too true, Jeanne went like Elsie in the title song from Cabaret, from too much pills and liquor. What's not true is the fact that Jeanne was basically a raw talent who came to Broadway out of nowhere and then died. Eagels did pay her dues in a long hard road in stock companies. The character that Jeff Chandler plays is based on someone she did actually marry, one of the heads of a touring company, not a carnival barker. Her second husband played by Charles Drake was a Broadway playboy and former All American football player.

The surviving members of the Eagels family did threaten suit against Columbia Pictures for this film. From what I've researched about Eagels she got a whitewash in this picture.

Kim Novak does a great job playing Eagels, a woman who indulged too much in her life. She picked Jeff Chandler for her leading man in Jeanne Eagels. This was Chandler's first picture after finishing up his exclusive contract with Universal Studios. His new contract was non-exclusive and this was his first outside film. Jeff dusted off his Brooklyn accent for his role as the carnival man who loves Jeanne, but stands by helplessly as she self destructs.

Agnes Moorehead plays Jeanne's acting coach and Larry Gates her overwrought producer. This film was the farewell performance of Gene Lockhart who has a brief scene as the presiding member of an Actors Equity Hearing. Eagels got herself in lots of problems with Equity back in the day because she blew off performances. Lockhart was active in Equity and essentially is playing himself.

There is one other really good performance, a very touching one by Virginia Grey of a fading Broadway star who also dissipated herself. The role is great, but of course it has no basis in fact, Eagels did not 'steal' the play Rain away from this woman or anyone else.

Jeanne Eagels is a fine film capturing the essence of a self destructive star of a bygone era though factually it leaves quite a lot to be desired.

This is truly a movie worth viewing, if only for the chance to see KIM NOVAK portray another talented actress, the late Jeanne Eagles. Kim's acting is superb, although the screenplay is a tad flat. Agnes Moorehead gives her usual fine performance, and Jeff Chandler does he usual stiff acting routine. I do think that Jeanne's story should be re-told in an updated version, but until then, this movie captures that time frame of the 1920's very well. It would have been nice to view in color, but the black and white print lends itself well to that time era. All in all, an entertaining film, and a rare chance to see Kim Novak in a Hollywood-bio piece. Wouldn't it be nice if this movie were on DVD?