Ein Herzschlag bis zur Ewigkeit

... with Kim Novak as the famous stage and screen actress. The film charts her beginnings as a dancer in a carnival run by Jeff Chandler, to her eventual conquest of the Broadway stage, with the assistance of imperious acting coach Agnes Moorehead. Eagels develops a drug and alcohol problem along the way. Also featuring Gene Lockhart in his final film role. Frank Borzage also cameos as himself.

Like most Hollywood biopics, this is more fiction than fact. The weight of the story lies on Novak, who's not the kind of actress to do this part justice, although she tries. She also shows off a lot of skin, so fans of her pulchritude will enjoy that, at least. There are a few sensationalist scenes that push things towards out-right camp, but not enough to make this a must-see. Eagels' family sued Columbia over the way Eagels had been depicted in the movie

Jeanne Eagels was in a number of silent films and in a couple of talking films. She was nominated for Best Actress for her part in "The Letter" and that talking film survives.

I remember my acting teacher years ago talking about this movie and saying, boy, Kim Novak really thought she was ACTING.

"Jeanne Eagels" is a highly fictionalized biography of the great stage star who also acquitted herself well in films before her death at the age of 39. Directed by George Sidney, the movie also stars Jeff Chandler as Satori. His character existed, under another name, and unlike in the film, Eagels was married to him for a time. Virginia Grey has a small but showy role as a has-been who gives Eagels a script she wants to do, Rain, which turns out to be Eagels' signature play. That entire incident never happened (exceot of course that Eagles did play Sadie Thompson), but it provides some good drama in the film.

The main problem with this film is the atrocious acting of Kim Novak and Jeff Chandler. Novak was just getting started in her career, and she was the whole package - incredibly beautiful, a body to die for, a sultry speaking voice, and star quality. This type of scenery chewing dramatic role just wasn't her thing. She has such a lovely quality in Picnic; later on, she would do well in comedies and lighter films. Why Harry Cohn thought she could do this is beyond me. Chandler is way, way over the top - he did better in straightforward leading man roles.

A disappointing directing job from George Sidney. Novak deserved better. It's to her credit that she gave it a go. Thankfully, it didn't hurt what turned out to be a fine career.

Young waitress from Kansas City in the early 1920s hitches up with a traveling carnival with the fervent, starry-eyed hope of breaking into show business; once in New York City, she gets herself a drama coach and lands a plum part in a Broadway show after the original actress falls ill. Fabrication of real-life Broadway and silent movie starlet Jeanne Eagels is useless as a biography but rather entertaining as a backstage melodrama. Kim Novak is uneven in the lead, mercurial and brittle (and occasionally quite amusing when lapsing into a haughty European accent once she finds fame and fortune), however the part is a pretty good fit for Kim and she fills the bill. Jeff Chandler (as a fictitious lifelong beau) and Agnes Moorehead (as the drama coach who suddenly morphs into Jeanne's best friend and nursemaid) are both solid, as is Charles Drake as an ex-football player who marries Jeanne apparently for her money (yet seems to love her and puts up with her). Drake also played a role in "Valley of the Dolls", which mirrors this film in several ways (there's even one character called "Neely" and another named "O'Hara"!). Producer-director George Sidney takes great care in setting up this story, which is snappy and brash and looks fantastic in black-and-white. Not everyone will go for the picture's mix of hard-shelled pathos, booze-soaked blackouts and rags-to-riches clichés, yet the film manages to capture the excitement of stage life quite vividly. **1/2 from ****

"Jeanne Eagels" can almost be considered a "lost" film, since it is so rarely seen nowadays. That seems a shame. Yes, it suffers from standard "biopic" problems (cliched script, superficiality, etc.), but it is an interesting curiosity piece. Kim Novak, fresh onto the acting scene, actually acquits herself quite well in the role. There is an air of the troubled woman about her from the beginning, and the way she keeps adopting different personas shows Jeanne's desperate search for an identity. Contrary to the other reviewer here, I think that the drunk scenes are quite effective, without ever being pretty or played for comedic purposes. She succeeds in making Jeanne unlikable at times, which is a brave choice for the era. Unfortunately, the script and direction aren't the best, and some of Novak's more interesting choices contrast with other scenes that just don't come off as well. It's definitely worth a look though. I would argue that Novak's style is more "modern" than many other actresses of the era. Whether she always succeeds or not, she clearly looks for the reality of each scene, and is less interested in acting and more interested in "being." There are moments when I think she comes close to "being" Jeanne Eagels, making this forgotten film worth a second look.

I saw this film only once, when I was a kid, but I still remember it, and I loved it. I have been hoping to see it again someday and am disappointed that it is not available even on video. Not only was Kim Novak, she of the lavender blonde hair, gorgeous, she was really just right for this movie. The story was interesting too. Yes, I know, TRUTH is hardly the most valued element in screen biopics, but since I knew nothing about Jeanne Eagels then (and, indeed, know little now--let's face it, there isn't a whole lot of information about her available) it was fascinating to see a story about an actress in the 1920s. Yes, somebody should do a more realistic remake, but put this one out too. Whether the story is factual or not, seeing Kim in the role is a reward in itself. I really can't think of an actress today who could match Kim's performance--she might be more like the real Jeanne Eagels, but Kim Novak's Jeanne shouldn't be lost. Put out the DVD-- you've got one customer for sure. Here's hoping.