Viva Maria!

What was Louis Malle thinking about when he put forth this gem of a movie? It's a tale of comedic revolution in a fictitious country south of the border, and it happens to be led by a couple of gorgeous carnival entertainers, namely Bardot and Moreau. This French/Italian production is certainly off beat when the girls, leading their little band of performers have to finish a revolution begun by George Hamilton (listen to his voice in French!). A little anti-church, anti-establishment, a little strange, this film will delight the curious. And of course, Bardot is as cute as can be. Don't miss this one, for the delight of it all.

Viva la revolucion! Fun movie, from the start to the end. Reminded me of other movies like Top Secret in some ways.

Some scenes are just hilarious: when the revolution starts, the pigeon's help, the torture chamber, the magician with the cigarettes, the curbed canon gun to shoot around the corner, and so, and so, and so...

Great laughs, but also great songs in this one. Great way to start the movie with the song about the little Irish girl and her love for dynamite. Interesting striptease scenes for the time.

So many movies about revolutionary action takes place in Mexico, seems like the perfect place to stage a revolution!

Brigitte Bardot and Jeanne Moreau are beautiful and they deliver an excellent performance.

Out of 100, I gave it 82. That's good for *** stars on a **** stars rating system.

Seen at home, in Welland, on February 12th, 2001.

VIVA MARIA, a French-Italian co-production, is set in the revolution-torn Mexico in the early 1900s. Maria (Brigitte Bardot) - the daughter of an IRA operative - journeys to Mexico and meets up with her namesake Jeanne Moreau. Under the guise of circus/vaudevillian entertainers, they pursue their revolutionary activities around the countryside. The illustrious pair are captured but escape to fight with an enthusiastic peasantry to free San Miguel from its Spanish oppressors. Thoroughly entertaining and rollicking fun with spectacular visual action. Most of the film was shot on location in Mexico and the railway scenes filmed authentically on the 3ft gauge Interoceanic division of National Railways of Mexico. The featured steam loco is G-023 class 2-8-0 No. 66 (Alco 5209).

I remember staying up late one night and watching this movie when I was about 13. Here was two stunning women that demanded attention. The movie was all about entertainment. Saw it 20 years later and still enjoyed it. This is a pleasant change from the regular diet of 100 lb anorexic female leads we get to 'drool' over.

This was an amusing film, which was the first movie that I saw starring either Bridget Bardot or Jeanne Moreau. I actually saw it on a double bill back in 1965. It is of interest because it brings up a matter that American films about Mexico's Revolution (or that of the other Latin American Countries) rarely touch upon. This is the position of the Roman Catholic Church in these matters.

The only time the issue of the Church and the Revolutionaries came up in American films was in the John Ford / Henry Fonda movie "The Fugitive". That (based on Graham Greene's novel "The Power And The Glory")dealt with the anti-Clericalism of the PRI regimes that ruled the country after 1920. In it Fonda is a fugitive priest who is trying to continue his religious role, despite the anti-clericalism of the regime. Greene (and Ford) were good Catholics, and stressed the negative actions of the revolutionary regime in Mexico (similar to the anti-religious viewpoint of the Communist regime in Russia). But the view barely notes why the anti-Clericalism developed.

One of the largest land owning groups in Mexico (and in most of Latin America's countries) was the Church. And, due to the holdings, the Church tended to be rather conservative politically. In the 19th Century the greatest figure of reform in Mexico was Benito Juarez, who was from a poor native Indian background. But most of his career was in trying to strengthen Mexican democratic government, and to drive the French invasion (that briefly set up Archduke Maximillian of Austria) as Emperor. But after the French were driven out, Juarez spent the remainder of his years in office (1867 - 1872) trying to get through some kind of fair land reform. This did not sit well with the Church. It supported the regime of his successor (Porfirio Diaz), who was opposed to land reform - he invited foreign investors (many Americans) into Mexico. Diaz's policies were good in giving Mexico a stable economy and political peace for three decades (the longest growth period until the later 20th Century).

The key character to watch in "Viva Maria" is Francisco Regueira, who plays the sinister Father Superior. It is he who is constantly in communication with the dictator, the landowner, and their minions. The role (as is the film) is played for laughs, but it is his behavior, conspiring against the two Marias and their friends, which is telling.

The plot is interesting in bringing in the universality of revolution. Bardot is shown growing up, the daughter of an Irish revolutionary, constantly destroying British forts and other sites with his daughter assisting. When she joins forces with Moreau the latter's sister has committed suicide, so that she needs Bardot to replace the sister. It is a circus group, but Bardot and Moreau do a singing and strip-tease act. They are brought into the Mexican Revolution by the brutality of the local landowner (who rules like he has a mini-kingdom).

The film was pure escapism: the circus group's resident marksman finds one of his special rifles is badly bent after an explosion - he doesn't throw it out, but attach-es a mirror to the barrel and uses the bent gun to shoot people around the corner. George Hamilton plays a local "Zapata" type hero, who is wounded and in hiding. When Bardot speaks in his honor, the members of the circus group listen to her words comments critically on her use of language, and on his theatricality - as though she is acting on stage.

It is not a major film, even for director Louis Malle (don't compare it with "Atlantic City", for example). But as an enjoyable romp it's worth watching.