Das Testament des Magiers

"Two on a Guillotine" is an effective little BW chiller when aiming for the scares, but when that's not the case it becomes ponderous (the budding romance between the leads) and it in end too long-winded when it finally reach it very foreseeable conclusion. Still it's entertainingly solid with able performances by the ever delightful Connie Stevens and a charming Dean Jones. They work off each other rather well and the script stays compelling within its mystery building or trivial exchanges. Some slow spots, but never that distracting.

In order to inherit her recently deceased father's fortune, his only daughter (who hadn't seen her father in years after an incident during a magic trick featuring her mother in a guillotine) must stay seven nights in his mansion. If not, the fortune is split between his carer and manager. Things soon get weird, but it hard to tell if it's just games or the house is really haunted. Although he did promise to return from the dead.

The plot is a typical haunted house mystery (as nothing seems quite like what it is), but it's well presented and exemplary photographed. Director William Conrad mixes successfully the playful elements (an acceptable light-hearted funny bone) with the creepy moments (where it can draw some intensity). Cesar Romero is quite good as the illusionist too.

An earnest little spook drama.

Not bad, lots of fun. Nice job by Dean Jones. I give it 6 stars Connie Stevens is very good and she looks great. Good movie for late at night. Nice to see the Joker out of makeup. Not too long, smart ending. Enjoy it.

I saw this movie several times in the late '60s to mid '70s on local (Los Angeles) television and then it disappeared. I enjoyed it a lot, especially Cesar Romero and Connie Stevens. I had wandered over here from Connie Stevens' biography.

The viewing I remember most occurred in 1975. I was in Harbor General Hospital in Torrance, California (Los Angeles County). I had just given birth to twin girls a day or two previous; new mothers and babies were kept in the hospital for three days back then. The babies weren't kept in the room with us. Being a county/teaching hospital they didn't put extras like TVs in the rooms and there were four beds to a room. One of the gals brought her 13" b/w set complete with rabbit ears. Since it was across the room on the other side from me on the window sill, I sat on the edge of another new mommy's bed and watched it.

Reading various areas of this title I've found out it's out on DVD. I'll have to see about getting hold of it and see if I still enjoy it as much as I remember. I always got a kick out of that kind of movie. They never really took themselves seriously. Vincent Price appeared in a lot of those and it wouldn't have been surprising if he'd been in it instead of Romero. Would have been right up his alley.

Like some others who've seen this film as children, I have fond memories of Two On a Guillotine when it played as a Friday night movie on network TV in the mid-1960s. The sight of a lifeless Cesar Romero being lowered into a grave in a glass coffin at the beginning sets the spooky tone for the rest of the story. His character, a famous magician, promised to one day perform his greatest feat of all by returning from the dead. His wife (identical to his daughter) died some years before when he botched the guillotine trick she was assisting with. Without giving anything away, a lot of the suspense is built on the anticipation of his re-materializing at any time, to the horror of his daughter. This is a movie which has many of the elements necessary for genuine horror. No spilled guts, no splatter. It works on a neater, more effective plane.

Connie Stevens was a huge favorite in the 60's due to her appearances on Warner Brothers great hit TV show "Hawaiian Eye" Connie was also cast in WB hit films such as Parrish and Susan Slade both with her friend and WB's big male star Troy Donahue. Troy was announced for this film but rebelled and was placed on suspension. Troy finally came to his senses and retuned to WB and starred in "My Blood Runs Cold". Troy hd everything going for him at WB with hits like Parrish, Rome Adventure, Palm Springs Weekend but asked for his early release from his 7 year contract. Troy claimed JL Warner blackballed him in the Industry.

This suspense movie was I think Max Steiner's last film at WB. Steiner made many movies better with his music! An Artist!

Troy was replaced in this film by the very able Dean Jones and together with Ms. Stevens were very effective. The film with top notch WB production values was directed by William Conrad. Connie after 5 years at WB got first billing on a picture. Connie was a star at WB. Natalie Wood was the Queen of the WB Lot, but Connie drew more fan mail.

This is what I would have called a "studio picture" made with contract players at the studio: some example: Diane McBain, in "Claudelle Inglish" , Clint Walker and Edd Byrnes om "Yellowsyone Kelly" Troy Donahue on "My Blood Runs Cold". Ty Hardin in "Wall Of Noise" Troy Donahue, Connie Stevens, Ty Hardin and Bob Conrad in "Palm Springs Weekend". Troy Donahue and Diane McBain in "A Distant Trumpet", Diane McBain in "Black Gold". Shirley Knight in "House of Women"