Füge eine Handlung in deiner Sprache hinzuAfter a small aircraft crashes in the Kalahari Desert, one of the seven passengers decides that his survival chances would increase if he eliminates the other men in the group.After a small aircraft crashes in the Kalahari Desert, one of the seven passengers decides that his survival chances would increase if he eliminates the other men in the group.After a small aircraft crashes in the Kalahari Desert, one of the seven passengers decides that his survival chances would increase if he eliminates the other men in the group.
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The plot is simple enough. A plane crash lands in the desert, where survivors are forced not only to deal with hunger and the elements, but a pack of angry baboons who don't like trespassers. The Discovery Channel likes to remind us we're all just animals. Stuart Whitman confirms it in the performance of his life, playing a man determined to survive, at any cost, an almost psychotic Cornel Wilde from Naked Prey.
Great locations, good camera work, and some of the best primate performances ever put on screen. One look at the Kalahari baboons, and you'll remember Cujo was just a sick doggie.
Davenport is a particularly nasty thug, the ubiquitous 'Mr Negativity' of a crisis situation, York desperately trying to deflect unwanted attentions, and Bikel offers the calming influence as the man who might be capable of engineering an improbable escape. Not too sure whether it's Whitman or Baker's picture per se, nevertheless, neither seems overshadowed despite Baker's producer credit and regular helmsman Cy Raker Endfield in the director's seat.
Searing heat and parched throats translates to the viewer, it's often tense despite the two hour run-time, and Endfield builds modest suspense out of limited material. Worth a look if you're intrigued by the "stranded" stories watching various personalities disintegrate, or galvanise, under survival stress.
All I can really remember (I'm 37, I must've seen it when I was 15) is a feeling of the vastness of the desert, the apparent futility of their situation, and an ending that I couldn't ever forget.
I couldn't remember the name, so I did a search in IMDb's 'Plot' category for 'baboons'. And up it came - good old IMDb! How I'd love to see this again, but I guess it'll never end up on DVD, and I'll be lucky to spot it on TV (even here in the UK, where there are dozens of movie channels).
Review: tough, after all this time, but this film - I think - started me off on a lifelong quest for films that DO NOT COP OUT AT THE END. My God, these films are so much more memorable than the rest. If memory serves, the final images in Sands Of The Kalahari are utterly chilling. Top marks to the team behind it. Fingers crossed I get to see it again one day. For impact, I'd put the ending up there with The Vanishing (1988), The Wicker Man and Runaway Train. I think ... hope my memory's not playing tricks on me!
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- WissenswertesGeorge Peppard dropped out because he didn't get on with director Cy Endfield. He insisted that Endfield be replaced, but Stanley Baker, who was co-producing the film with Endfield (his close friend) replaced Peppard instead.
- PatzerThe diamond area warning sign said "Trespasses will be prosecuted" not "Trespassers will be prosecuted".
- Zitate
Brian O'Brien: I see, the gun makes the king, and the king gets the girl, huh?
Mike Bain: You've got a one-track mind O'Brien. Thank God the whole human race doesn't think like you.
- Alternative VersionenWhen originally released theatrically in the UK, the BBFC made cuts to secure a 'A' rating.
- VerbindungenFeatured in Trailer Trauma (2016)
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- Laufzeit1 Stunde 59 Minuten
- Seitenverhältnis
- 2.35 : 1