Für ein paar Dollar mehr

Leone's 'A Fistful Of Dollars' is a bona fide western classic, but amazingly he managed to top himself with this "sequel". Yeah, I know it isn't REALLY a sequel. In fact Leone's "Dollars" trilogy actually have no connection with each other, and Eastwood's so-called "Man With No Name" actually has many! (In this movie Monco, in the previous one Joe). Most people seem go for 'The Good, The Bad And The Ugly' as the best of the three movies, but I think 'For A Few Dollars More' just beats it. Anyway, there's no argument that they are three brilliant films, Eastwood is super cool in all of them, Leone is on top form, particularly in this one, and Ennio Morricone's scores are amazing stuff. 'For A Few Dollars More' is helped enormously by Lee Van Cleef playing Colonel Mortimer, and the scenes between him and Eastwood, and the ones between him and Klaus Kinski are pure gold. This is not only one of the best westerns ever made, but one of the best movies of any genre released in the 1960s. It was also a highly influential one. I can't imagine Peckinpah's 'The Wild Bunch' for example existing without Leone. Words fail me praising movies as brilliant as this one. All I can say is WATCH IT NOW. Or if you've already seen it WATCH IT AGAIN!

Just for the record I happen to love all three films. For a Few Dollard More is an amazing film though perhaps not as influential as The Good, The Bad and The Ugly. There is one improvement over that film though, and that is the writing of Clint Eastwood's character, more developed and more compelling. A Fistful of Dollars is also great because of everything that makes TGTBATU and FAFDM so good, but I do consider the other two more influential on the genre and also Akira Kurosawa's Yojimbo, which used the film as its inspiration, to be the superior film. Back to A Few Dollars More, the stylised visuals are stunning to look at, the scenery is the very definition of epic and the cinematography sweeps. Ennio Morricone's score is both elegiac and operatic in tone and the story of greed and revenge that focuses mainly on the pursuit of bandit Indio draws you right in and never lets go. The dialogue is peppered with grit and dark humour, which is well-balanced with neither over-powering the other, while Leone's direction is superb. Clint Eastwood plays his more developed character with immense charisma, Lee Van Cleef is suitably vengeful and again Gian Maria Volonte snarls convincingly. Overall, a wonderful film. 10/10 Bethany Cox

This movie is the second best western i have ever seen with The Good, The Bad, The Ugly being first. I disagree with someone who wrote that this movie is not as good as A Fistful of Dollars. This movie is way better than a fistful of dollars. The reason is (as i pointed out in my other post) is that Clint's role or character is better when he has a good supporting member because it gives Clint's character more depth as well as throw a wild card into the mix. Lee van clef is excellent in his role, i still have him labeled as the bad but it was surprising to see him play a good guy in this one. Both bounty hunters have their own styles which meshes really good on the screen. Gian had more depth to this one which played perfectly into Lee Van Clefs character. In a fistful of dollars Gian didn't have much depth at all and some of the characters were annoying. I like how leone tied all of the characters into each other in this one, having all of their stories somehow play a role in the other ones. If you haven't seen this movie i suggest you watch Leone's films in chronological order with A fistful of dollars first, this one second, and finish it off with the good the bad the ugly. You'll be glad you did.

"For a Few Dollars More" is the middle film of Sergio Leone's classic western trilogy starring a then upstart Clint Eastwood. Sandwiched between "A Fistful of Dollars" and the finale, "The Good, the Bad, & the Ugly." This film provides further insight into Eastwood's "Man with No Name."

Eastwood is a bounty killer who is in search of the feared bandit known as El Indio. Colonel Douglas Mortimer (played by Lee Van Cleef) is in a similar position, and the two cross paths many times in their pursuits of El Indio. The premise has similarities to that of the first, and in fact won't be all that surprising to most younger viewers. But at the time, the various plot turns and twists were unique and revolutionary.

The pace is both a pro and con at the same time. Unlike modern films, the usual western showdown scenes unfold very deliberately. Rather than simultaneously begin and end in a furious volley of bullets, the encounters are set up slowly. On the bright side, this gives both the characters and the viewers an opportunity to fully appreciate the choices made and the consequences that will follow. From a negative perspective (not mine), one might say that the gunfights are plain slow, and the action is too sparse. While I enjoyed the change of pace, I also understand why some will say otherwise. Others portions of "More" can hang with any western sequences ever put on film. Highlighting the action is a robbery scene, the creativity of which ranks with any modern heist out of "The Score" or "The Italian Job."

This trilogy catapulted Clint Eastwood to Hollywood fame, and one can see his star-making charisma ooze through the screen. Blending stoicism and machismo wonderfully, Eastwood produces the epitome of the tough and arrogant loner cowboy. In a role that could easily have been overshadowed, Van Cleef holds his own against Eastwood. His character was probably similar to Eastwood's in his youth, but Van Cleef accurately reflects the wisdom that would likely come with his character's age. The motley crew of baddies is filled with men who completely look their parts. That's about all that is asked of them, and they deliver.

The cinematography of "More" follows in the groundbreaking footsteps of "Fistful." While one might not notice anything revolutionary now, at the time shots like that had scarcely been seen. Shots like the low-angles utilized prior to a few shootouts, as well as the framing of space are all now staples of cinematic westerns, and they originated here.

Ennio Morricone's score is also a classic. Whether serving as epic background music for sweeping crane shots or providing aural cues during action sequences, the music is always appropriate and often the best part of the film.

Bottom Line: While it might not seem as great now, so much of this movie was groundbreaking and remains classic that it merits 8 of 10.

Completely defying the tried & tested Hollywood formula and introducing his own style of narration that was more character driven, glamorized violence & also added a new dimension of moral ambiguity into its characters' psyche, thus bringing both heroes & villains very much on the same level, Sergio Leone presented a whole new outlook of the Wild West in A Fistful of Dollars but with this second chapter, he further accelerates the inevitable rebirth of the western genre.

The second installment of Leone's Dollars trilogy is quite an improvement over its predecessor in almost all departments of filmmaking & gradually portrays the developing maturity in Leone's craftsmanship. Starring Clint Eastwood as a bounty hunter looking for a number of wanted suspects, who later partners with another bounty hunter looking for the same guys & make a deal of splitting the reward but in the end when it comes down to final showdown, one of them shows their real motive behind the hunt.

Featuring an improved direction from Sergio Leone, For A Few Dollars More presents the director in more control of his artistry & has a much stronger script to muster ahead with. The scope of camera-work, the precision of editing & overall production design also get their upgrades plus the performances from the recurring cast turn out to be better than the previous film with Clint Eastwood & new addition of Lee Van Cleef impressing the most.

On an overall scale, For A Few Dollars More is another huge step towards placing the coffin on traditional westerns & presents a significant evolution of every single aspect of its making when compared with A Fistful of Dollars. Ennio Morricone's music also leaves a bigger mark than before & it's exciting to observe how seamlessly it accompanies the drama. A rare sequel that improves upon the original, For A Few Dollars More is absolutely recommended.