Verschollen im Harem

This was actually a much better movie than the critics say. It has an interesting plot and great actions. there are a lot of gorgeous women in this film. It's hard to believe that Sam Katzman produced a film this good, and also produced something as bad as Kissin' Cousins. This movie was the exact opposite of Kissin' Cousins, in Kissin' Cousins most of the songs were great, but the movie stank. In this movie, the film was great and most of the songs stank. There were still some good songs, like "Kismet", "So Close Yet So Far From Paradise". It's not that they weren't all good songs, they were just not good songs for Elvis.

Harum Scarum may not be Elvis's best movie, yet this Elvis movie is very much worth watching because it is a good movie. But more importantly the movies soundtrack is definitely the greatest album ever recorded, and its percussions are still being felt at the present time. For some reason they failed to play "Wisdom Of The Ages" in this Elvis movie and that is so wrong, because if there is one song from the 1960s that represents the 1960s rock & roll sound, its Elvis's song "Wisdom Of The Ages". Elvis's Harum Scarum soundtrack Middle Eastern infusion changed the world of rock & roll forever, and placed Elvis and his band, among the greatest of rock & roll teachers, who include John Lee Hooker and the most important Howlin Wolf. Yes, the Elvis movie Harum Scarum is worth buying to watch and so is that movies soundtrack.

Elvis returns, this time he is slightly weathered, quite a bit more lethargic, and desperate to escape his captors. But, his captors are not the oil paint smeared Arabs, nor the fairly innocuous women that surround him. His captors are much bigger than one motion picture could possibly describe. They are the entire industry he has found himself immersed in. They are the money-hungry culture vultures that readily devour a popular figure like him until he is but a bloated pasty corpse. This film shows them as they are through their sinister machinations. They can be seen with invisible marionette string as they force Elvis to march around in costume, as they prod him with sharp knives into doing little lackluster dances that turn into morose forced marches across the barren tundra of his once mighty career. This is not the Elvis of folklore, nor is it the Elvis that will return one day and save us from mediocrity. This is the dry Elvis, milked fully, udders raw, yet ever sedated. The Elvis that might have died on the screen in front of your eyes and you might have not even noticed it. Don't let the bright lights and forced smile fool you. It is your duty to lament this vision before you, because it is an ugly one.

With a couple of exceptions any Elvis Presley movie was merely a vehicle to display his singing talent. Movie executives thought that because he was such a colossal pop-star that any movie they put him in, no matter how trashy, was bound to sell. They were right, of course, & Elvis fans watched his movies in their droves. Harum Scarum is definitely one of his worst & pure hokum. It is so bad that it has the distinction of being listed in John Wilson's book of "The 100 Most Enjoyably Bad Movies Ever Made". It definitely fits into the "so bad that it's good" category of movie. It is enjoyable mainly because it is so utterly nonsensical & because, for us lads anyway, it showcases a number of gorgeous hot babes. Former beauty queen Mary Ann Mobley (who sadly died last December 9 aged 77) plays Princess Shalimar. Her talents as an actress are hardly called upon at all so she doesn't have much to do except look gorgeous & she never had any problem doing that. Pretty much the same goes for Fran Jeffries playing Aishah. It also contains a very enjoyable Arabian dance routine done by three more glamorous ladies played by Wilda Taylor (Amethyst), Gail Gilmore (Sapphire) & Brenda Benet (Emerald).

Now this was something, not really a good something but it was something nonetheless. Being a novice when it comes to the filmic work of 'The King' I approached this film and his others from a fresh perspective. I guess I was put off by the stigma of corniness that plagues his filmography. After checking out Jaihouse Rock, Paradise Hawaiian Style and Spinout I thought I'd give this relative b-movie a look.

I enjoyed the pseudo middle eastern soundtrack and expected the visual equivalent here, which essentially is what I got. The faux parody element of the film falls by the wayside pretty quick unfortunately and ultimately becomes another vehicle for Elvis' kung-fu, romancing and spontaneous song performances. Shake Your Tambourine and So Close So Far are the performance highlights and there is some overlooked snappy dialogue. The less said about the creepy Hey Little Girl sequence though the better. My favourite song, the Garage-lite Animal Instinct was sadly not featured in the film.

Its universally looked at as the bottom of the barrel in the career of Elvis but I think its a pretty fun 80 mins or so, there are far worse movies out there.