IMDb-BEWERTUNG
6,4/10
3675
IHRE BEWERTUNG
Boeing-Boeing folgt den Leben des Journalisten Bernard und seines Freundes Robert. Bernard jongliert Romanzen mit drei Stewardessen, aber als Robert zu Besuch kommt und die Fluglinien mehr F... Alles lesenBoeing-Boeing folgt den Leben des Journalisten Bernard und seines Freundes Robert. Bernard jongliert Romanzen mit drei Stewardessen, aber als Robert zu Besuch kommt und die Fluglinien mehr Flüge nach Paris anbieten, bricht die Hölle los.Boeing-Boeing folgt den Leben des Journalisten Bernard und seines Freundes Robert. Bernard jongliert Romanzen mit drei Stewardessen, aber als Robert zu Besuch kommt und die Fluglinien mehr Flüge nach Paris anbieten, bricht die Hölle los.
- Auszeichnungen
- 4 Nominierungen insgesamt
Alex Akimoff
- Restaurant Patron
- (Nicht genannt)
Nai Bonet
- Air India Stewardess
- (Nicht genannt)
Eugene Borden
- French Taxi Driver
- (Nicht genannt)
Françoise Bush
- Françoise - French Taxi Driver
- (Nicht genannt)
Peter Camlin
- French Taxi Driver
- (Nicht genannt)
Albert D'Arno
- Maitre d'
- (Nicht genannt)
Tony Dante
- Waiter
- (Nicht genannt)
George Dee
- French Taxi Driver
- (Nicht genannt)
Alphonso DuBois
- Pub Patron
- (Nicht genannt)
Vic Dunlop
- Husband
- (Nicht genannt)
Roger Etienne
- French Taxi Driver
- (Nicht genannt)
Empfohlene Bewertungen
"All you need is a timetable," explains playboy Tony Curtis (as Bernard Lawrence), an American reporter working in Paris. Mr. Curtis keeps three blondes in one apartment, each thinking she is Curtis' "one-and-only" fiancée. The rotating women are all airline stewardesses, on different timetables. Curtis' sexy arrangement is discovered by envious old pal Jerry Lewis (as Robert Reed). Mr. Lewis plots to take over the satisfying arrangement of women, after he learns Curtis may be transferred to New York. But, both men are threatened when the stewardesses' flight patterns change; and, everyone heads for the apartment bed!
Funnier than its reputation; perhaps, the film's celebration of pseudo-promiscuity distanced it from other sixties sex comedies - the "romance" between Lewis and Suzanna Leigh (as Vicky "British United" Hawkins) comes closest to "acceptable" for the genre. The other two women, hefty knockwurst-loving Christiane Schmidtmer (as Lise "Lufthansa" Bruner) and wispy soufflé-loving Dany Saval (as Jacqueline "Air France" Grieux), are more funny than romantic. Curtis is finely frantic; however, Lewis, in a lower key, and Thelma Ritter (as Bertha) are more outstanding.
****** Boeing Boeing (12/22/65) John Rich ~ Tony Curtis, Jerry Lewis, Thelma Ritter, Dany Saval
Funnier than its reputation; perhaps, the film's celebration of pseudo-promiscuity distanced it from other sixties sex comedies - the "romance" between Lewis and Suzanna Leigh (as Vicky "British United" Hawkins) comes closest to "acceptable" for the genre. The other two women, hefty knockwurst-loving Christiane Schmidtmer (as Lise "Lufthansa" Bruner) and wispy soufflé-loving Dany Saval (as Jacqueline "Air France" Grieux), are more funny than romantic. Curtis is finely frantic; however, Lewis, in a lower key, and Thelma Ritter (as Bertha) are more outstanding.
****** Boeing Boeing (12/22/65) John Rich ~ Tony Curtis, Jerry Lewis, Thelma Ritter, Dany Saval
1965's "Boeing Boeing" is a dated but mildly amusing film starring Tony Curtis, Thelma Ritter, Jerry Lewis and Dany Saval. Curtis is a swinging bachelor living in Paris who is juggling three flight attendants at one time, all of whom live with him, and all of them are his fiancees.
He's able to do this with the help of his able housekeeper (Ritter) and his carefully worked-out airline schedules. Unfortunately, the new fast planes are goofing up the schedules. Adding to the confusion is a visit by his friend Robert (Lewis), a reporter. The two men and an exhausted Ritter try to keep the women from running into one another at the apartment as their arrivals overlap.
"Boeing Boeing" was originally a play that had a very brief run on Broadway in the 1960's and went on to become the mainstay of dinner theaters throughout the U. S. After a very successful run in London, it has recently been revived on Broadway starring Christine Baranski as the maid, Bradley Whitford in the Tony Curtis role, Gina Gershon as an Italian flight attendant and Maureen McCormack as a German one.
Not having seen the original play, it's hard to know what if anything in the film was changed from the play. In the current Broadway production, the Jerry Lewis character, done to great acclaim on both continents by Mark Rylance, is totally different - he's a shlub who's never seen a woman before. Lewis would have been perfect playing it that way - instead, in the film, the character of Robert is very against type, quite serious.
The handsome Curtis does comedy well and is a perfect playboy. Baranski currently does the Ritter role with a French accent, which wrecks most of the dry humor that Baranski, like Ritter, brings to a role. Ritter is very funny as she changes the photograph on the desk, cooks sauerkraut for the German flight attendant, tosses it when the French flight attendant arrives and makes a soufflé instead and basically wears herself out.
"Boeing Boeing" is pleasant and fun to watch as an example of that great comedy form, the farce.
He's able to do this with the help of his able housekeeper (Ritter) and his carefully worked-out airline schedules. Unfortunately, the new fast planes are goofing up the schedules. Adding to the confusion is a visit by his friend Robert (Lewis), a reporter. The two men and an exhausted Ritter try to keep the women from running into one another at the apartment as their arrivals overlap.
"Boeing Boeing" was originally a play that had a very brief run on Broadway in the 1960's and went on to become the mainstay of dinner theaters throughout the U. S. After a very successful run in London, it has recently been revived on Broadway starring Christine Baranski as the maid, Bradley Whitford in the Tony Curtis role, Gina Gershon as an Italian flight attendant and Maureen McCormack as a German one.
Not having seen the original play, it's hard to know what if anything in the film was changed from the play. In the current Broadway production, the Jerry Lewis character, done to great acclaim on both continents by Mark Rylance, is totally different - he's a shlub who's never seen a woman before. Lewis would have been perfect playing it that way - instead, in the film, the character of Robert is very against type, quite serious.
The handsome Curtis does comedy well and is a perfect playboy. Baranski currently does the Ritter role with a French accent, which wrecks most of the dry humor that Baranski, like Ritter, brings to a role. Ritter is very funny as she changes the photograph on the desk, cooks sauerkraut for the German flight attendant, tosses it when the French flight attendant arrives and makes a soufflé instead and basically wears herself out.
"Boeing Boeing" is pleasant and fun to watch as an example of that great comedy form, the farce.
In this 1965 Paramount Pictures comedy, Tony Curtis and Jerry Lewis are nutty and, for all practical purposes, perpetual kids. The setting is Paris where Bernard Lewis (played by Curtis) is definitely a philanderer who never wants to marry but have only fiancees, and he has three who are all airline stewardesses; there is the beautiful actress Christiane Schmitdner who plays a stewardess for Lufthansa, Davy Saval plays a stewardess for Air France, and Suzanna Leigh plays a stewardess for British Airways. Robert Reed, played by Lewis, is a newspaper man assigned to Paris where he stays with his friend of many years Bernard. During his time there, against his wishes Bernard's fiancees end up arriving at his apartment at the same time due to sudden changes in flight schedules, but one doesn't know the others are there. It does become silly and comical when the two men are hiding each girl in a separate bedroom, sometimes moving them around fast, and coming up with weak last-minute excuses as to why each one of them cannot stay where she has been resting. Thelma Ritter is quite comical as the maid who gets caught in the middle of the entire zany situation. The Paris sights are beautiful and, again, despite the bizarre story line, it is hard not to laugh at the nutty piece
I usually don't crave for comedies, but this one, I must admit, is purely exquisite. How could it be else, with the likes of Tony Curtis and Jerry Lewis? The plot, scheme, of course suggests a stage play behind it. The situations can't let you evoke something else.... I have heard this film had a great great success all over the world. I remember that this film was shown in Paris till the mid eighties. But I had never seen it before. And Tony Curtis could not avoid a meeting with Jerry Lewis, another born comedy actor; both were made to fit together, as the bullet with the gun barrel. I don't know the director though, I guess that's the only film he made for the big screen.
You'll enjoy this movie from start to end if you take it as it is: a fun, entertaining film with two wonderful leading men. Tony Curtis was a brilliant actor, and in comedies he's simply amazing. I spent a wonderful evening laughing out loud in certain moments. See it!
Wusstest du schon
- WissenswertesThis was the last film that Jerry Lewis made for Paramount Pictures, marking the end of a 17-year association.
- PatzerReed gets in the cab through the left door; then we see him inside sitting on the right side of the taxi and the girl is on the left.
- Crazy CreditsThe three actresses who play the flight attendants have their physical measurements listed in small print under their names. Instead of measurements, Thelma Ritter has (?-?-?) by her name.
- VerbindungenReferenced in Film Film Film (1968)
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Details
Box Office
- Budget
- 2.200.000 $ (geschätzt)
- Laufzeit1 Stunde 42 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.78 : 1
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