Witchcraft

In all honesty "Witchcraft" is just an average British horror accomplishment from the sixties, but I'm slightly biased and overenthusiastic because I'm a big admirer of the subject matter (witchery and family curses), the director (Don Sharp also made "Psychomania", "Dark Places" and many other overlooked genre movies) and the notorious cool guy who receives top billing even though he only sporadically appears in the film (Lon Chaney in finally another role that suits his grim appearance). Somewhere deep in the remote en rural British countryside, the centuries old feud between the Whitlock clan and the Lanier family sparks up again. For the big upcoming real estate project of the Laniers, a bulldozer ravages straight through the Whitlock family cemetery and destroys the grave of 17th Century ancestress Vanessa Whitlock, whom was accused of witchery and buried alive by the Lanier family. Well, the accusation wasn't false for sure, as Vanessa promptly rises from the tomb and teams up with the grumpy Morgan Whitlock in order to bring the entire Lanier family down. Several members of the Lanier family die in mysterious circumstances, but complications arise when it turns out that Morgan's little niece Amy is in love with a Lanier enemy. "Witchcraft" is a competent enough and well-paced occult thriller with gloomy black & white cinematography, a couple of original ideas in its screenplay and an extremely tense finale. Lon Chaney Jr. is naturally menacing, but the biggest creeps are provided by Yvette Rees as silent the hypnotically staring witch Vanessa Whitlock. If she would appear behind me on a flight of stairs, I would surely throw myself down from them as well! There are also two very nifty and imaginative fright scenes involving a car and its passenger(s) driving through a bumpy landfill and towards certain death, although in their minds it looks as if they're driving on a safe and cozy lane.

... who does very little through the entire film but threaten people and wave his cane around. And yet he is top billed.

Morgan Whitlock (Lon Chaney Jr.) is angry with the Lanier family for bulldozing the Whitlock family cemetery so that they can put in new construction. But he's also mad because 300 years ago the Lanier family had condemned a member of his family, Vanessa Whitlock, as a witch and used the opportunity to seize the Whitlock family estate. So the bad blood goes way back.

Unfortunately, the Laniers didn't have her burned at the stake but buried her alive. Also unfortunately, her coffin was disinterred by the bulldozing. And very unfortunately, she is still alive 300 years later, and not in the best of moods.

I'm surprised Vampira didn't sue the makers of this movie because the freed Vanessa never speaks, never makes any telling expression, just stalks about like, well, Vampira! And the Laniers are much too likeable and fair minded individuals to make good objects of revenge for Vanessa Whitlock.

There are some subplots of interest - in the tradition of Romeo and Juliet a young couple, one in the Lanier family the other in the Whitlock family, are in love. The matriarch of the Lanier family hasn't left her room since the death of her husband years ago, and she also has come to believe she cannot walk. And who builds a family crypt that connects to the main house anyway? Finally, as in so many British films, "an inspector calls" as people start dying in weird ways, but atypically turns out to be pretty useless as the Laniers seem to be on their own in figuring this out for themselves.

In an American film you'd probably be able to tell who survives and who is killed by the witch, but since this is a British film the survivors and victims are unexpected. It certainly was better than I expected considering the no-name cast, thus raising my rating of it just a bit.

When I finally caught up with it, this turned out to be a nice little mid-1960s thriller, made very much in the style of a Hammer Films production (indeed, as such it makes a suitable double-feature with the film it's paired with on DVD, DEVILS OF DARKNESS)- it makes good use of settings, has a decent script and quite adequate acting (especially a typically hammy late-career performance from Lon Chaney Jr), and evokes a very effective atmosphere of evil. What I was most surprised about (and impressed with) was the striking black-and-white photography and lighting, which really contributed to that atmosphere, particularly in its use of the reawakened witch. Definitely a fun, creepy movie for a rainy Saturday afternoon!

All the ingredients for a good story about witchcraft are assembled for this minor British entry, well photographed in low-key style with effective B&W photography and featuring a competent, but rather not well-known British cast, with the exception of LON CHANEY, JR. who has a minor role despite being top-billed.

JACK HEDLEY is the land developer who is too late in stopping the Lanier family from building a construction site that disturbs the Whitlock graveyard. The feuding families even have a "Romeo and Juliet" sub-plot going with Hedley's son, David WESTON, involved in a romance with Chaney's grand-daughter DIANE CLARE. The desecration of the grave site causes a 300-year-old woman buried alive as a witch to return from the grave to wreck havoc on the Lanier family.

It's a simple plot and it plays fairly well but there is nothing new to the material and it's been done before in a thousand different ways. The vengeance theme gets a workout with various members meeting untimely deaths and there's a big fire at the conclusion where the past is buried once and for all.

Biggest drawback is that Chaney doesn't fit into the proceedings with his American accent, so it's probably a good thing his role is a minor one. He was clearly not in the best of health at the time and it weakens even his subordinate role.

YVETTE REES as the vengeful, wordless witch who was buried alive gives the film's most chillingly sinister performance.

I first saw Witchcraft on TV when i was around seven years old and it scared the pants off me! I used to have this feeling for years afterwards that the witch stood in my garden looking up at my window waiting for me to peek from behind my curtain late at night! Since then of course I've grown up and out of that fear (ive also moved house umpteenth times) and if anything i now find the witch (Yvette Rees) quite sexy and she could haunt me anytime! Even though I'm lucky enough to own a copy of the film i think its a shame that it isn't available on DVD. Its now perhaps thought of as dated and is to all intents forgotten but for me it will always remain the horror movie that showed me for the first time what the cinema was capable of. Itll always have a special place in my heart. Ill watch it every now and again and it takes me straight back to my childhood and daring myself to peek around that bedroom curtain. A forgotten horror classic.