IMDb-BEWERTUNG
5,2/10
3430
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuIn 1964, a group of scientists create a portal that takes them to a barren, mutant inhabited, Earth in the year 2071.In 1964, a group of scientists create a portal that takes them to a barren, mutant inhabited, Earth in the year 2071.In 1964, a group of scientists create a portal that takes them to a barren, mutant inhabited, Earth in the year 2071.
Wayne Anderson
- Android
- (Nicht genannt)
William F. McGaha
- Android Technician
- (Nicht genannt)
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The one thing that struck me right away was the static camera shots. Usually just one master shot and one other angle. I thought it might be the fault of the cinematographer, but when I looked it up I found that Vilmos Zsigmond was the cinematographer on Close Encounters of the Third Kind and Witches of Eastwich which are 2 of my favorite films with stunning cinematography. Of course, made for the big screen it wouldn't be as bad as watching it on a small TV. Actually this kind of cinematography is preferable to a lot of today's films that are shot like a music video. I am sure that having a low budget is constraining to the cinematographer's creative endeavors.
The person who commented on this movie needs to remember when it was made. It was 1964, and for that time, I thought it was done pretty well, if you look at the themes the movie was trying to portray. Sure it was full of cheesy effects, but the premise was pretty good. Filmaking had at least progressed from the '50's Cold War hysteria to the 60's trying to understand one another (somewhat). Some people need to stop trying to be witty and hope they get to be the next Roger Ebert, and be be honest about a movie. I have great memories of seeing this movie in the 1960's at a theater, and I have a copy I obtained on the Internet simply because of the fun such sci-fi was and continues to be for fans of the genre. Without such movies, you would not have the Star Wars franchise!!! Think about the history of the genre, and not how clever you are!
First saw this one when I was 12 and loved it ever since(I'm now 44-a geezer,I suppose}Probably the best low-budget sci-fi ever made,as far as I'm concerned,and one of the best endings of a movie ever(thanks to Ib Melchior and Dave Hewitt).Cast is quite good,especially Steve Franken and the always-excellent Preston Foster.And Merry Anders is,as always, a real babe.Watch it if you get the chance!!!
Three scientists and the inevitable everyday Joe are catapulted over a hundred years into the future by a lab accident, into a post-apocalyptic nightmare in which atomic war has devastated the planet. Pursued by a band of savage mutants, they're rescued by the last few humans, a small group of scientists and technicians engaged in a race against time to construct a starship and get away before the more numerous mutants can break through their defenses.
None of these elements is particularly new to the genre, but writer/director Ib Melchior manages to combine them into a fairly entertaining and occasionally original piece of "upper low-budget" sf cinema. This isn't to say that the pace doesn't occasionally lag a bit toward the middle, with some sequences feeling like they were inserted just to pad out the running time. (Like a totally unnecessary scene devoted to what's supposed to be a demonstration of their futuristic "matter transmitter", which is clearly just a stage magician's prop.)
Mostly, though, there's scarcely a moment wasted in exposition or character development, as the story barrels along to its truly unique conclusion.
Set design, miniatures, costuming and makeup -- particularly the androids -- are surprisingly good, for its budget. The optical effects are sparse but imaginative. Though it's early in his distinguished career, having Vilmos Zsigmond behind the camera also contributes considerably to making this a much more polished and expensive-looking production than you'd normally expect to see from American International.
None of these elements is particularly new to the genre, but writer/director Ib Melchior manages to combine them into a fairly entertaining and occasionally original piece of "upper low-budget" sf cinema. This isn't to say that the pace doesn't occasionally lag a bit toward the middle, with some sequences feeling like they were inserted just to pad out the running time. (Like a totally unnecessary scene devoted to what's supposed to be a demonstration of their futuristic "matter transmitter", which is clearly just a stage magician's prop.)
Mostly, though, there's scarcely a moment wasted in exposition or character development, as the story barrels along to its truly unique conclusion.
Set design, miniatures, costuming and makeup -- particularly the androids -- are surprisingly good, for its budget. The optical effects are sparse but imaginative. Though it's early in his distinguished career, having Vilmos Zsigmond behind the camera also contributes considerably to making this a much more polished and expensive-looking production than you'd normally expect to see from American International.
If it weren't for Ib Melchior, Irwin Allen would never have made Lost in Space or The Time Tunnel. Yet Allen had connections so Ib mostly shut up. This, one of my three favorite time travel movies from the 60s (then others being the incomparable The Time Machine & Beyond the Time Barrier) is so well done it transcends it's low budget. Every penny is on screen. A group of scientists opens a portal into the future - a horrible one - and must find a way home.
Wusstest du schon
- WissenswertesThe mutants were played by members of the Los Angeles Lakers.
- PatzerWhen the characters return to their lab, they find they are unable to move any matter. Yet the characters are still able to move and breathe. If they were actually unable to affect any matter, as they clearly establish and go to lengths to explain, the air would not move out of the way when they walked nor would it move in/out of their lungs.
- Zitate
Reena: Don't you like me?
Danny McKee, the Electrician: Of course, I like you. You're a beautiful girl.
Reena: Oh, that! Beauty is only skin deep.
Danny McKee, the Electrician: Well, it's deep enough. What do you want - a lovely liver?
- VerbindungenFeatured in Reise ins Zentrum der Zeit (1967)
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Details
Box Office
- Budget
- 250.000 $ (geschätzt)
- Laufzeit1 Stunde 24 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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By what name was 2071 - Mutan-Bestien gegen Roboter (1964) officially released in India in English?
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