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Josh Braun, producer of some of the best documentaries in the world, joins Josh and Joe to discuss the movies that have influenced him throughout his life.

Show Notes: Movies Referenced In This Episode

Man On Wire (2008)

The Cove (2009)

Cave of Forgotten Dreams (2010)

Encounters At The End of the World (2007)

Winnebago Man (2009)

Spellbound (2002)

Supersize Me (2004)

Tell Me Who I Am (2019)

Apollo 11 (2019)

The Edge of Democracy (2019)

Finding Vivian Maier (2013)

Searching For Sugarman (2012)

Dear Zachary: A Letter to a Son About His Father (2008)

A History Of Violence (2005)

Frat House (1998)

Easy Riders, Raging Bulls: How the Sex, Drugs and Rock ‘N’ Roll Generation Saved Hollywood (2003)

The Exorcist (1973)

Go West (1940)

A Night In Casablanca (1946)

Hello Down There (1974)

What’s Up Doc? (1972)

El Topo (1970)

Pink Flamingos (1972)

Female Trouble (1974)

The Rocky Horror Picture Show (1975)

Bambi Meets Godzilla (1969)

Gimme Shelter (1970)

Monterey Pop (1968)

Grey Gardens (1975)

Grey Gardens (2009)

Titicut Follies (1967)

To Have And Have Not (1944)

All About Eve...

” For I am Superwoman, and you have spurned her!”

Article by Jim Batts, Dana Jung, and Tom Stockman

Russell Albion “Russ” Meyer was born in California in 1922 and spent WWII as a combat photographer. In 1953 Playboy magazine debuted and Meyer was one of its first centerfold photographers. Meyer had a knack, and a passion, for photographing gorgeous, busty women and felt that the gals in the nudist camp movies that were popular in the ’50s were far too plain-looking for his tastes. In 1959, Meyer scraped together $24,000 and made The Immoral Mr. Teas, a quaint, colorful, and cartoonish movie about a nerdy fellow whose life is constantly interrupted by beautiful large-breasted women in various stages of undress. There was no sex in Meyer’s film and he made no pretense of presenting nudity as a lifestyle choice, as did the nudist camp movies. It was a simple and honest film about...

It may have taken nearly 25 years, but the typically admired Dardenne brothers have turned controversial and divisive–which, history tells us, is a common consequence of portraying radical Islam. How amply they’ve addressed the topic in Young Ahmed is not quite my territory–those seeking a discussion would be well-advised to read Soheil Rezayazdi’s Filmmaker interview–but in psychological portraiture it represents a revitalization from 2016’s narrative-dependent (albeit undervalued) The Unknown Girl. As played by Idir Ben Addi, Ahmed marks one of Jean-Pierre and Luc Dardenne’s most fascinating creations.

I was fortunate enough to sit with the duo at last fall’s New York Film Festival and pore over Young Ahmed‘s particulars: its conforming and deviating from the Dardenne visual palette, its reliance on Muslim communities, and how to gauge whether or not an audience’s response is in fact correct.

Thanks to Nicholas Elliott, who provided on-site translation.

Russ Meyer’s Faster Pussycat Kill Kill! screens Wednesday, August 2nd at 8pm at Schlafly Bottleworks Restaurant and Bar (7260 Southwest Ave.- at Manchester – Maplewood, Mo 63143) as part of Webster University’s Award-Winning Strange Brew Film Series. The film will be followed by an interview with its star Tura Satana that was conducted on-stage at the Way Out Club in St. Louis in October of 2008. Admission is $5

In 1953 Playboy magazine debuted and one of its first centerfold photographers was Russ Meyer, who had been a combat photographer in WWII. Meyer had a knack, and a passion, for photographing gorgeous, busty women and felt that the gals in the nudist camp movies that were popular in the ‘50s were far too plain-looking for his tastes. In 1959, Meyer scraped together $24,000 and made The Immoral Mr. Teas, a quaint, colorful, and cartoonish movie about a nerdy fellow whose life is constantly interrupted by...

Russ Meyer’s Faster Pussycat Kill Kill! screens Wednesday, August 2nd at 8pm at Schlafly Bottleworks Restaurant and Bar (7260 Southwest Ave.- at Manchester – Maplewood, Mo 63143) as part of Webster University’s Award-Winning Strange Brew Film Series. The film will be followed by an interview with its star Tura Satana that was conducted on-stage at the Way Out Club in St. Louis in October of 2008. Admission is $5

In 1953 Playboy magazine debuted and one of its first centerfold photographers was Russ Meyer, who had been a combat photographer in WWII. Meyer had a knack, and a passion, for photographing gorgeous, busty women and felt that the gals in the nudist camp movies that were popular in the ‘50s were far too plain-looking for his tastes. In 1959, Meyer scraped together $24,000 and made The Immoral Mr. Teas, a quaint, colorful, and cartoonish movie about a nerdy fellow whose life is constantly interrupted by...

The Russ Meyer Show Featuring Kitten Natividad takes place in St. Louis this Friday, June 15th at The Way Out Club. Details at the end of this article.

Article by Jim Batts, Dana Jung, and Tom Stockman

Russell Albion “Russ” Meyer was born in California in 1922 and spent WWII as a combat photographer. In 1953 Playboy magazine debuted and Meyer was one of its first centerfold photographers. Meyer had a knack, and a passion, for photographing gorgeous, busty women and felt that the gals in the nudist camp movies that were popular in the ’50s were far too plain-looking for his tastes. In 1959, Meyer scraped together $24,000 and made The Immoral Mr. Teas, a quaint, colorful, and cartoonish movie about a nerdy fellow whose life is constantly interrupted by beautiful large-breasted women in various stages of undress. There was no sex in Meyer’s film and he made no pretense of presenting nudity as a lifestyle choice,...

This article was originally posted in February of 2010 but is being reposted here with updates and to tie in to next week’s Wamg Top Ten Tuesday List “The Best of Russ Meyer”.

Mondo Topless (1966) is Russ Meyer’s send up of the swingin’ 60′s, a pseudo-documentary portrait of San Francisco, and most of all, a tribute to Meyer’s favorite subject; naked women! The 61-minute sort-of-documentary is sparse, even by Russ Meyer standards – just a rock soundtrack by The Aladdins accompanied by an overexuberant announcer who provides double entendre narration as stacked women dance about displaying their figures. Mondo Topless, which seems relatively wholesome now, was definitely a product of its time and requires historical perspective (and, despite the name of this column, it Is available on DVD).

With today’s endless cornucopia of internet porn, it’s hard to believe that less than 50 years ago, there was an...

Mondo Topless (1966) is Russ Meyer’s send up of the swingin’ 60’s, a pseudo-documentary portrait of San Francisco, and most of all, a tribute to Meyer’s favorite subject; naked women! The 61-minute sort-of-documentary is sparse, even by Russ Meyer standards – just a rock soundtrack by The Aladdins accompanied by an overexuberant announcer who provides double entendre narration as stacked women dance about displaying their figures. Mondo Topless, which seems relatively wholesome now, was definitely a product of its time and requires historical perspective (and, despite the name of this column, it Is available on DVD).

With today’s endless cornucopia of internet porn, it’s hard to believe that less than 50 years ago, there was an entire industry based on a glimpse at women’s breasts. In the 1950s, when healthy male movie fans wanted to see females naked on-screen, their only choice were ‘nudist camp movies’ – a genre...