Füge eine Handlung in deiner Sprache hinzuBubbly, middle-aged Evie Jackson has been single and alone for quite some time. When she attends a postmasters' convention at a New York City hotel, she meets rakish greeting card salesman H... Alles lesenBubbly, middle-aged Evie Jackson has been single and alone for quite some time. When she attends a postmasters' convention at a New York City hotel, she meets rakish greeting card salesman Harry Mork and falls in love.Bubbly, middle-aged Evie Jackson has been single and alone for quite some time. When she attends a postmasters' convention at a New York City hotel, she meets rakish greeting card salesman Harry Mork and falls in love.
- Für 1 Oscar nominiert
- 5 Nominierungen insgesamt
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This is a lovely story of two lonely people who find each other at just the right time, and the growing closeness between the two forces them to look at their lives more clearly and see what they really want out of life. The title song by Mancini is rather cloying and irritating, but I can overlook that for the wonderful performances by Ford and Page. Lansbury is also quite good as the supposed shrew and "tomato", but even she is not entirely unsympathetic in the end. She is also lonely, you see.
Anyone who has been truly lonely or is sympathetic to that position will react emotionally to this film. True, it is a little dated, but that is a large part of its charm for the innocence and hope that fills it. Definitely worth a look, and hopefully it will appear on DVD soon enough!
Evie is the person who has never met a stranger. Outwardly she is an eternal optimist and delights in knowing everyone's names, as if that knowledge makes them friends. Under the surface, though, she might be "Miss Lonelyhearts" from Hitchcock's "Rear Window" in a few years, if her life situation doesn't resolve into a satisfactory conclusion. Ms. Page's portrayal of Evie is so fascinating that she dominates the film. Frankly, my attention is always riveted to the screen when this film plays, even though I know how it turns out. As others have pointed out, this is a performance worthy of an Oscar.
The screenplay is very well written, allowing the viewer to observe every aspect of the characters, learning their way of life, their fears, and even their hidden dreams. The acting is good across the board. The end result is very satisfying, especially for viewers who can identify with the emotional vulnerability of the two main characters.
With a well-remembered theme song and a nice music score by the prolific Henry Mancini, there's probably no danger of this one being remade, I suspect, and, since it's close to perfect in this original telling, let's just hope that a DVD release will eventually allow us to revisit the qualities that made it genuinely appealing for mature audiences forty years ago and, I feel sure, still would today.
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- WissenswertesDuring the opening credits, the scene in Pennsylvania Station behind Director Delbert Mann's credit, is the same shot as the last scene of the movie. If you look closely, you can even see Glenn Ford standing near the Information desk.
- PatzerNear the end, in the train station, the lady in the leopard-skin style hat is behind Evie. In the next shot, the same lady is standing at the information booth as Evie arrives to answer the passenger page.
- Zitate
Miss Tait: We missed you at the awards banquet, Miss Jackson.
Evie Jackson: We ate Japanese.
Miss Tait: We had creamed chicken.
[walks away]
Harry Mork: You sorry you missed the banquet?
Evie Jackson: Oh, I've forgotten every banquet I ever went to. But I'll always remember the one I missed!
- VerbindungenVersion of Studio One: The Out-of-Towners (1957)
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- Laufzeit1 Stunde 54 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1