Der Kandidat

60's flick about political mudslinging between two candidates who are vying for their party's nomination for president. The action takes place at the convention as both Henry Fonda and Cliff Robertson dig up the dirt about each other. Compared to today's politics this 64 film actually seems tame. Fun to watch especially during a presidential election year.

The Best Man in a sense was dated before it ended its Broadway run of 520 performances in the 1960-1961 season. John F. Kennedy with his string of primary victories had the nomination almost decided before the Democrats met in Los Angeles that year to nominate him. After that, money raised and spent wisely in primaries decided nominations in both parties long before the conventions met. The last convention where there was a semblance of a contest was the 1976 Republican convention where it was not certain until the balloting that Gerald R. Ford would be the GOP candidate.

This film takes us back to the era of the smoke filled room although candidate Cliff Robertson pointedly tells former president Lee Tracy that he does not smoke. We've got two candidates at this fictional Democratic convention circa the sixties. One is Henry Fonda former Secretary of State, an intellectual in politics modeled on Adlai E. Stevenson and Cliff Robertson a no nonsense street fighter of a U.S. Senator that Joe McCarthy was the prototype.

By the way back in those days Joe McCarthy could easily have been a Democrat. Note that Robertson has the support of the lily white south in the era before the civil rights revolution. Minor candidate John Henry Faulk, a southern governor, is most concerned about mandated integration of his state's public schools. Back then the Dixie part of this country had a big influence in the Democratic party, the Republicans were almost moribund in many southern states. But they were a growing force.

Neither Fonda or Robertson really understands the motivations of the other. They're both courting the support of Lee Tracy a former Truman like president. In actual fact, Truman counted for very little once he was out of the White House. He anointed no successor in 1952 and in 1956 and 1960 his candidates were W. Averill Harriman and Stuart Symington respectively and both came up very short.

Fonda and Robertson both have dirt of varying degrees on the other. Fonda's dirt is supplied by former army buddy of Robertson's Shelley Berman who says that Robertson was gay. As it turns out Robertson ratted out a bunch of gay men in the service and got smeared in retaliation with the label. That sad to say has not changed even with don't ask don't tell in the Defense Department.

Fonda and Robertson's roles on Broadway were played by Melvyn Douglas and Frank Lovejoy. Lee Tracy who was the only carry over from Broadway, won a Tony Award and was nominated for an Oscar, but lost to Peter Ustinov for Topkapi. Tracy's is a finely etched portrayal of a bitter old man now out of real power and seeing his power to control events slipping by. Made even more bitter by the fact that he reads the characters of Fonda and Robertson very well, but can't influence either.

Gore Vidal aided in the transition of his play to the screen and it survived the journey from Broadway none the worse for wear. It's a fascinating look at a bygone era of politics when the national conventions meant something as opposed to being the media shows they are today.

In which we hope then as now that The Best Man will win out.

I work at a movie theatre and in a time of one-week wonders ( yes, one film with an action star lasted 3 days in our chain !) it is refreshing to see a film again where the acting is good and the story keeps your interest.

I am watching this movie after not seeing it for 30 years. It made an impression on me and I started listening to both Gore Vidal and William F Buckley because of it.

Henry Fonda's character is clearly based on Adlai Stevenson. Cliff Robertson echoes Richard Nixon so much it is scary. His arrogance is such that he gives the former President orders !

People decried the smoke-filled room politics of this era but I wonder if we got better leaders back then. They seemed to make decisions based on the courage of their convictions and not what the latest poll says. Fonda's character comments on his ignoring polls, whereas now, politicians can't seem to brush their teeth without worrying about public opinion and not what is best for the country.

The actors in this movie didn't need special effects and could ACT unlike so many of the baby-faced wanna-bes of today.

This movie reflects sex, immorality, infidelity, integrity. God and judgement day are even mentioned, something that is anathema today. And what's shown in here shows that times change but one could replace current politicians for these actors and see them immediately.

Lee Tracy is great in this movie and it could be easily watched for just his performance.

Of note, is the glad-handing by William Russell at a public pool. No security guards, no secret service people.

And mention of a nervous breakdown by Fonda's character. Remember Thomas Eagleton?

If you haven't seen this movie, see it and Seven Days In May afterward. It will give you an idea of how poliiics was looked upon in a totally different era.

George Senda Concord, Ca.

Two men vie for the presidential nomination of a party. Based on a play by Vidal, this is a fascinating behind-the-scenes look at the political machinations on the campaign trail. Although the name of the party is not identified in the film, the candidates display elements of both Democratic and Republican values. Fonda is the decent, old-school liberal while Robertson is his ruthless, right-leaning rival. Both turn in excellent performances. The standout in the fine supporting cast is Tracy as a former president who must decide which candidate to endorse. This is an ideal companion piece to "Advise and Consent," made a couple of years earlier and also starring Fonda.

In a Presidential convention, William Russell (Henry Fonda) and Joe Cantwell (Cliff Robertson) are the leading candidates. Russell is a principled intellectual with personal issues that could haunt him. His estranged wife Alice is supportive publicly. Cantwell is a populist on the outside, and a ruthless opportunist on the inside. His wife is superficial. They struggle for the endorsement of the departing President Art Hockstader. Cantwell threatens to Hockstader that he would release Russell's secret psychiatric hospital records. In his all important speech, Hockstader doesn't give a direct endorsement throwing the convention open. He has concerns about Russell but vows to stop Cantwell.

This is a political movie of the era. The main characters are referencing politicians of the time. It loses a little with the passage of time. Fonda and Robertson are exceptional. Writer Gore Vidal injects the movie with plenty of behind the scenes realism. It is more real than most political thrillers of that era.