Die vier- bis fünfmal pro Woche Abenteuer eines Motelbesitzers, Sohnes, Tochter und ihrer Mitarbeiter.Die vier- bis fünfmal pro Woche Abenteuer eines Motelbesitzers, Sohnes, Tochter und ihrer Mitarbeiter.Die vier- bis fünfmal pro Woche Abenteuer eines Motelbesitzers, Sohnes, Tochter und ihrer Mitarbeiter.
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For about 25 years, this was British TV's best loved bad soap. Shaky sets, some over the top storylines and a host of okay actors revelling in the whole affair.
Set in a fictitious Midlands town, it centres on the staff and guests at the eponymous Motel - in the early days run by Meg Mortimer (Noelle Gordon) and later by Nicola Freeman (Gabrielle Drake).
The best characters included irascible Scots chef Shughie McFee (from The Great Escape); David Hunter (Ronald Allen from a Night to Remember) and Hammer veteran Sandor Eles (Countess Dracula) as a cliched chef.
Look out too for the late Jeremy Sinden (Donald's son) who went on to play one of the ill-fated pilots in Star Wars - a little movie he shot inbetween breaks from Crossroads.
However, head and shoulders above them all was scruffy, backward, lovable Benny Hawkins who never had much luck - his gypsy girlfriend was knocked down and killed on his wedding day - but with his woolly hat and good heart, he was the Midlands version of Forrest Gump long before Tom Hanks cornered the market in loveable simpletons.
The whole thing was repackaged and revamped as Neighbours, a show also boasting a Tony Hatch theme tune. At one point in the late Seventies, Paul McCartney and Wings even provided a rockier theme tune for this Seventies slice of nonsense, nicely spoofed as Acorn Antiques in Victoria Wood: As Seen on TV.
Set in a fictitious Midlands town, it centres on the staff and guests at the eponymous Motel - in the early days run by Meg Mortimer (Noelle Gordon) and later by Nicola Freeman (Gabrielle Drake).
The best characters included irascible Scots chef Shughie McFee (from The Great Escape); David Hunter (Ronald Allen from a Night to Remember) and Hammer veteran Sandor Eles (Countess Dracula) as a cliched chef.
Look out too for the late Jeremy Sinden (Donald's son) who went on to play one of the ill-fated pilots in Star Wars - a little movie he shot inbetween breaks from Crossroads.
However, head and shoulders above them all was scruffy, backward, lovable Benny Hawkins who never had much luck - his gypsy girlfriend was knocked down and killed on his wedding day - but with his woolly hat and good heart, he was the Midlands version of Forrest Gump long before Tom Hanks cornered the market in loveable simpletons.
The whole thing was repackaged and revamped as Neighbours, a show also boasting a Tony Hatch theme tune. At one point in the late Seventies, Paul McCartney and Wings even provided a rockier theme tune for this Seventies slice of nonsense, nicely spoofed as Acorn Antiques in Victoria Wood: As Seen on TV.
To sum up Crossroads is a task which is practically impossible. The wobbly set legend is a strange one, we know when the show started it was filmed in a old cinema, so the sets were of a stage-production quality, but when Crossroads moved into ATV Centre (1970) those wobbles became no worse than any other TV show. (In fact I noticed a wobble in one of the sets on Coronation St a few months ago)
Was the 'so bad, its good' true? Well no, the cast and crew put in 110% into the programme, ATV were not exactly generous with cash, so maybe it did look cheap, however unless other soaps they were doing Crossroads five times a week on less cash than the rest so the fact they made anything at least half decent should be praised not knocked.
The show was a ground-breaker, but people prefer to knock it and insult its 17 million fans in the process. Crossroads made television history time and time again, yet how many people know of any of these feats?
Maybe the legend of the wobbles and the poor standards have actually stood the show well as even nearly 20 years after it disappeared everyone still knows of Crossroads.
Today compared with the poor Carlton version, the original Crossroads now stands out as a classic. The show boasted a host of stars, David Jason, Bob Monkhouse, Max Wall, Elaine Paige, Ken Dodd, Sue Nicholls and Johnny Briggs all stayed within the motel to name only a few.
The story lines at the time were said to be sometimes far fetched, but nothing compared to some that appeared later in Brookside or Coronation Street. Crossroads set the trend for real-life issue based plots, it also aimed to entertain. It was a family soap, something that is rare on television today. It wasn't afraid to be different, and it never gave in to the TV Critics, as Lord Lew Grade said, he made the show for the fans, not for the ATV cash generator or critics. Something ITV could learn from today. It might have been cheap but it was popular, and thats something many expensive shows have failed to be!
Was the 'so bad, its good' true? Well no, the cast and crew put in 110% into the programme, ATV were not exactly generous with cash, so maybe it did look cheap, however unless other soaps they were doing Crossroads five times a week on less cash than the rest so the fact they made anything at least half decent should be praised not knocked.
The show was a ground-breaker, but people prefer to knock it and insult its 17 million fans in the process. Crossroads made television history time and time again, yet how many people know of any of these feats?
Maybe the legend of the wobbles and the poor standards have actually stood the show well as even nearly 20 years after it disappeared everyone still knows of Crossroads.
Today compared with the poor Carlton version, the original Crossroads now stands out as a classic. The show boasted a host of stars, David Jason, Bob Monkhouse, Max Wall, Elaine Paige, Ken Dodd, Sue Nicholls and Johnny Briggs all stayed within the motel to name only a few.
The story lines at the time were said to be sometimes far fetched, but nothing compared to some that appeared later in Brookside or Coronation Street. Crossroads set the trend for real-life issue based plots, it also aimed to entertain. It was a family soap, something that is rare on television today. It wasn't afraid to be different, and it never gave in to the TV Critics, as Lord Lew Grade said, he made the show for the fans, not for the ATV cash generator or critics. Something ITV could learn from today. It might have been cheap but it was popular, and thats something many expensive shows have failed to be!
The previous reviewer is quite right. Crossroads was of the "so bad, it's good" ilk. Still, during its peak it had its followers including the (then) prime minister's wife, Mrs. Mary Wilson, a staunch follower. Crossroads suffered from a hectic schedule, originally five days a week. No time for retakes, so it was not uncommon to see a camera crew whizzing by in the background, or to witness an overhanging microphone at the top of the TV screen. Fluffed lines guaranteed in every episode. In its favor, it did not bring dead and buried characters back to life, or have five different actors play the same character (as is common in US soaps). Aside from those mentioned, there were many other memorable characters such as the mousy postmistress Miss Tatum (Elisabeth Croft), the "tart with a heart" hairdresser Vera Downend (Zeph Gladstone), and the kitchen gossip Amy Turtle (Ann George, who deserved an award for worst actress).
Looking back years later, and having spent ten years in the States, I can only compare Crossroads star Noele Gordon to Susan Lucci, the queen of US soaps. Gordon was hardly the glamorous star that Lucci is, but she was undoubtedly THE queen of the UK soap. When she was unceremoniously dumped from Crossroads in 1981, there was a public outcry, and the soap's fate was sealed (as was Gordon's who never quite got over her dismissal and died four years later). Crossroads was given an overhaul and plodded on for a few more years. In the last episode, Jane Rossington (Gordon's screen daughter who spoke the first lines in 1964) drove off into the distance (sunset unavailable) and it was the end of an era. Crossroads and Coronation Street often replaced each other at No. 1 in the charts, just as Coronation Street and Eastenders do these day. That's how good/bad it was.
Looking back years later, and having spent ten years in the States, I can only compare Crossroads star Noele Gordon to Susan Lucci, the queen of US soaps. Gordon was hardly the glamorous star that Lucci is, but she was undoubtedly THE queen of the UK soap. When she was unceremoniously dumped from Crossroads in 1981, there was a public outcry, and the soap's fate was sealed (as was Gordon's who never quite got over her dismissal and died four years later). Crossroads was given an overhaul and plodded on for a few more years. In the last episode, Jane Rossington (Gordon's screen daughter who spoke the first lines in 1964) drove off into the distance (sunset unavailable) and it was the end of an era. Crossroads and Coronation Street often replaced each other at No. 1 in the charts, just as Coronation Street and Eastenders do these day. That's how good/bad it was.
Like many people at the time of the original Crossroads Soap Opera i fell in love with it. But i did not notice any wobbly sets also i did not consider any of the acting was wooden. The story lines i thought were good.
This was my grans favourite show and as I use to go to hers for tea most school nights I saw a lot of episodes I really enjoyed it an actually felt the plotting was far superior to coronation street I certainly remember the characters far more fondly it sad how a few moaners can destroy a beloved show of. Millions.
Wusstest du schon
- WissenswertesAs a side-effect of the ongoing storyline of Sandy Richardson, who became a paraplegic following a car crash in August 1972, and a plot the following June exploring the daily practicalities of helping the disabled, the series aided in the formation of the real-life Crossroads charity in 1974. ATV provided the funding for the pilot scheme in Rugby; the organisation (which helps provide support for carers) remains an active UK service today.
- PatzerThe March 1975 civil ceremony wedding of a fairly anonymous motel owner to a businessman - Meg Richardson and Hugh Mortimer - at Birmingham Register Office sees the city centre thronged with well-wishers; similarly the later affirmation/blessing at Birmingham Cathedral has a packed congregation, outside police supervision and reporters. Whilst in reality this reflects the interest of the general public in the show and its production, in narrative terms it is completely nonsensical.
- VerbindungenFeatured in A Change of Sex: Julia - My Body, My Choice (1980)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Crossroads Motel
- Drehorte
- Ramada Hotel, Penns Lane, Walmley, Sutton Coldfield, West Midlands, England, Vereinigtes Königreich(Crossroads motel: exterior scenes, 1980s)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit30 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.33 : 1
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