Endstation 13 Sahara

So tensions build at a lonely oil pump station in the middle of the Sahara where the men steal or buy dirty postcards and love letters while the more handsome among them fight over poker when a car wreck brings in Catherine Starr and her injured husband, Jimmy, who she's trying to split up with. Kramer and Martin become rivals for her love in some steamy scenes. Jimmy's revenge is a spectacle to behold. But really, what do 5 men have to work on living by an oil pump? Mostly any broads they can talk into meeting them there, I guess. Bryan Forbes directed one of his best early works and one less re-edited with a more coherent plot. Baker is at her dramatic best also. It's interesting that the ex-husband who crashes the car is named Jimmy and Catherine Starr is played by Baker, who made a lot of films in Europe during the sixties where her car crashes. James Dean, her co-star in Giant, died in a car crash, too. The trauma of losing him haunted many people long after his death.

As you look at the evolution of film through the 50's and 60's, one trend readily observed is that of increasing use of sex and nudity - as earlier boundaries began to expand. This film, coming in 1965, appears on the cusp of a change from more veiled hints of sex to more explicit scenes as the 60's closed and we moved into the 70's and beyond.

A few themes run through this film, one being that of the overbearing boss many of us have been saddled with in our careers - one who knows that the men have signed on for an extended stay under his "command" and plays his hand to the hilt. A boss who has little or no regard for his men and motivates through intimidation.

Clearly, the director reaches out to the farthest boundaries of the times (and mores) to inject the sexual tension of Ms. Baker arriving on the scene. She is beautiful and sexual and is never out of control of the situation. There is nothing explicit here (but oh so close); nevertheless, the suggestive nature of visits from members of the crew works just as well. In the end, she stands up to the crew commander in a way none of the men (save one) ever had.

I think the film is a well-acted little gem.

A rather strange film made by Artur Brauner,whom I briefly knew and who died aged 100 last year.As usual this is a combination of UK and continental stars.All ending up at this lonely pumping station.Everyone is covered in sweat except Baker.Ian Bannen chews the scenery with relish whilst Denholm Elliott underplays

Five men of disparate nationalities work an oil station in the sweaty Sahara; just as tempers begin to boil over within the group, a sexy girl and her ex-husband invade their territory (or rather, crash it--seems this reckless dame harbors a death wish for herself and her former spouse). Brian Clemens and Bryan Forbes, adapting Jean Martet's play "Men Without a Past", invest the dialogue exchanges with interesting give-and-take, but their scenario isn't inventive or enlightening or even titillating (despite the ads). Certainly the basic thrust of the material--when will the men take advantage of their new arrival--is salacious, however the writers are more interested in probing the human condition and all its faults (although there is some sex involved). Director Seth Holt ably delineates the disintegration of morality and decency among the men, but this woman is something else: a willing pawn in their company, she's both tease and temptress. Actors Studio alum Carroll Baker seemed to get stuck in a revolving door of sexually-uninhibited characters after "Baby Doll", yet this role does call for an actual dramatic performance and she delivers. ** from ****

This film begins with a young man named "Martin" (Hansjörg Felmy) being driven to a remote oil pumping station in the middle of the Sahara Desert. Upon arriving he is then gradually introduced to the other members of the small team with which he will spend his time every day and night. As one might expect this small group of men have their own personalities with two of them, "Fletcher" (Ian Bannen) and "Macey" (Denholm Elliott) constantly at odds with one another. But it isn't until a beautiful young woman by the name of "Catherine" (Carroll Baker) accidentally arrives that these personalities come out in the worst way possible. Now rather than reveal any more I will just say that this was a very good film which captures the loneliness of men cutoff from society and forced to endure each other's company in a remarkable manner. Likewise, having such an attractive actress like Carroll Baker certainly didn't hurt this film in anyway either. In short, although not a great film necessarily, it was still quite interesting and I have rated it accordingly. Above average.