Die Vögel

The first and only time I've watched this movie was with my mom when I was a little kid. Back at that time, the movie frightened me to new levels, as it was horrifying to see flocks of birds attacking people mercilessly.

I don't remember the actual plot of the story, which consists of a San Francisco socialite following a boyfriend to a small town, where all sorts of birds suddenly begin to attack people. I just remembered the birds viciously attacking the town's residents, people trapping themselves in buildings and gas stations blowing up, indirectly caused by the birds.

Unlike conventional horror movies, where you would normally see ghosts, goblins, vampires and zombies, "The Birds" is a film that gives you a normal everyday creature suddenly attacking people in huge numbers, something you don't expect to witness. This, as a result, is a very interesting concept for a horror movie and definitely send chills to your spines.

All the scenes of mayhem, chaos and people running for their lives are disturbing, yet suspenseful. One of Alfred Hitchcock's greatest works, this movie is a must-see for any horror movie fan.

Grade B+

Hitchcock bragged that The Birds was pure fantasy, with no connection to real life (as we know it). I've seen this movie a few times and I still wonder what it "means," if it has a specific meaning. It might just be a horror film about preternatural killer birds, but I humbly suggest that it might, in a sense, be an allegory about the Nuclear Paranoia of the era. Not an exact allegory like "Pilgrim's Progress," but perhaps a parable, or a fable if you like, with the birds standing in for all those forces ready to kill innocent people for no good reason. "The Birds" is so richly suggestive that there's an Oedipal theme as well, and some hints that Mitch isn't a very admirable guy, and so on... very Kubrickian, but predating "2001" by 4 or 5 years. It's a film that can simply entertain, or frighten, or hold one's interest, without begging for interpretation. But it's fun to wonder what the writer and director were thinking, and how much the actors/actresses knew of the artistic intent of the filmmakers. It's interesting too that after "Psycho," with its classic musical score, Hitchcock made "The Birds" a 2-hour film with no music - except the squawks, clucks and cries of The Birds. Wonderful picture.

I've been listening to a podcast about Alfred Hitchcock in the past few weeks, so I decided to take a look and see which of his films I could watch with minimal fuss. "The Birds" was, of all things, on regular non streaming television (I know!) last week, so I set the recorder and watched it for the first time in a while. I have to say that, despite a couple of flaws, I really rather enjoyed it.

Melanie Daniels (Tippi Hedren) heads to a small coastal town on the west coast of America, to connect with Mitch Brenner (Rod Taylor). The pairs awkward courtship is interrupted by moments of unusual and violent behaviour from the bird population of the town. The scale of the violence increases with each incident, causing the Daniels and Brenner to barricade themselves in Brenner's farmhouse.

Interestingly, watching it today what "The Birds" feels most like, particularly once you get to the farmhouse assault is a zombie film, with a mostly unseen force banging on the doors and desperate fortifications that have been hastily assembled. It does take quite a while to get to the bird attacks, but I did enjoy the slightly salacious romantic comedy drama that the film is, prior to the shift into becoming a horror film. Hedren and Taylor are a delightful pair, but there's intrigue afoot with his former girlfriend now the schoolteacher in town and his mother seemingly unhappy about any potential romance.

Admittedly, the composite work on mixing bird footage in with the filmed pieces hasn't aged well and, though I don't need my films to each be tied up in a nice bow, the ending remains one of the most ". . . Wait, what?. . ." moments in all of film. To describe it as anticlimactical doesn't do the term justice.

I still enjoyed it though and, with certain caveats, would recommend it.

There is a kind of theory according to which a horror or thriller film would lose all its frightening effect if it did not have a musical support as a backdrop, and its greater or lesser intensity regulates the viewer's tension levels. And this is true, at least in most of these types of movies. But there is always an exception that proves the rule. In The Birds, an iconic film by director Alfred Hitchock (inspired by the eponymous short story by Daphne du Maurier), such musical intrusion was dispensed with, as the director wanted to give voice to these apparently harmless beings that terrorize the population of Bodega Bay (Bernard Herrmann appears in the credits only as sound consultant). The film, which dates from 1963, continues to promote an intense discussion about its meaning and the most varied hypotheses have been put forward, since the ending is left open, with the birds victoriously watching the removal of humans (of course Hitchcock knew that not giving an explanation would contribute to accentuating the mystery and interest that the film arouses, it is not his best film, but it is certainly one of the most enigmatic). Choosing the blonde on duty (one of my favorites) was also a winning bet. Tippi Hedren, the unlikely heroine, perfectly plays the role of the fragile young woman, who is able to stand up to the bloodthirsty bird though. Her image of scared eyes and disheveled hair covering herself with her hand is memorable. As far as I am concerned, the scene dominated by the couple of lovebirds always comes to mind, swinging along the curves, in the convertible on the way to Bodega Bay, inside a cage, without having the right to enjoy the landscape, as a trigger for the revolt of the birds.

What if..... imagine the unthinkable happened, and all of a sudden, The Birds attacked....

You have to hand it to Hitchcock, he knew how to scare people, by taking the ordinary, the everyday, and twisting it around, and making it scary, he did that pretty much to perfection here.

So the first half of the movie is slow, it's almost sedate, not a lot actually happens, however the second half is completely different, you can only imagine what audiences back in 1963 thought, as of 2022 it still terrifies.

It looks really good, the special effects for the time actually hold up very well.

Tippi Hedren is impressive as Melanie, it's a very sincere, strong performance.

The next time you put some bird food out for the jackdaws and magpies.....just wonder what if, what if the unthinkable did actually happen!

Great hooror from the real master of suspense, 9/10.