IMDb-BEWERTUNG
5,9/10
1416
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA brother and sister find romance and good clean fun at the state fair in Dallas.A brother and sister find romance and good clean fun at the state fair in Dallas.A brother and sister find romance and good clean fun at the state fair in Dallas.
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
Tap Canutt
- Red Hoertert
- (as Edward 'Tap' Canutt)
Bebe Allen
- Usherette
- (Nicht genannt)
Sheila Allen
- Hipplewaite's Girl
- (Nicht genannt)
Leon Alton
- Nightclub Patron
- (Nicht genannt)
Don Anderson
- Audience Member
- (Nicht genannt)
Jerry Antes
- Dancer
- (Nicht genannt)
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The third film version of 'State Fair' (and the second musical version) is only partly successful, although it is nowhere near as bad as reviews of the time would have you believe.
Margy Frake this time round is played by newcomer Pamela Tiffin, who is rather colourless (and has her voice dubbed as Jeanne Crain did 17 years earlier). Her squire at the fair this time round is called Jerry and works for that new-fangled media, the 'tube' or TV. He's played by Bobby Darin who looks far too old to be chasing Tiffin - perhaps that is why a couple of references were added in this version about her age.
Pat Boone, in one of his few film appearances, is really rather good as Wayne Frake, who is now a racing driver, and of course he does his own songs and rather well. As the show singer Emily, Ann-Margret is embarrassing and too trashy; I always find her a bit OTT, as she is here.
The Frake parents, Tom Ewell and Alice Faye are charming and both have songs created for this version which were not in the '45 film, including a charming duet when they are out on the midway.
The new songs, written by Rodgers alone as Hammerstein had died by the time the film was created, are a mixed bunch. 'Never Say No To A Man' is just plain odd, although is a nice number for Faye's voice. 'Sweet Hog of Mine' fits perfectly, although some of the others feel like padding. Now the Sate Fair has relocated to Texas, we have a new song to replace 'All I Owe Ioway', this time it is 'The Little Things In Texas I Love'.
Although watchable, the relationship between Jerry and Margy in particular does not have the easy romance we saw in previous versions; while Emily does not gain the audience sympathy her character should.
A misfire, then, but a fascinating companion piece to the earlier version and it is useful to see them released together on DVD.
Margy Frake this time round is played by newcomer Pamela Tiffin, who is rather colourless (and has her voice dubbed as Jeanne Crain did 17 years earlier). Her squire at the fair this time round is called Jerry and works for that new-fangled media, the 'tube' or TV. He's played by Bobby Darin who looks far too old to be chasing Tiffin - perhaps that is why a couple of references were added in this version about her age.
Pat Boone, in one of his few film appearances, is really rather good as Wayne Frake, who is now a racing driver, and of course he does his own songs and rather well. As the show singer Emily, Ann-Margret is embarrassing and too trashy; I always find her a bit OTT, as she is here.
The Frake parents, Tom Ewell and Alice Faye are charming and both have songs created for this version which were not in the '45 film, including a charming duet when they are out on the midway.
The new songs, written by Rodgers alone as Hammerstein had died by the time the film was created, are a mixed bunch. 'Never Say No To A Man' is just plain odd, although is a nice number for Faye's voice. 'Sweet Hog of Mine' fits perfectly, although some of the others feel like padding. Now the Sate Fair has relocated to Texas, we have a new song to replace 'All I Owe Ioway', this time it is 'The Little Things In Texas I Love'.
Although watchable, the relationship between Jerry and Margy in particular does not have the easy romance we saw in previous versions; while Emily does not gain the audience sympathy her character should.
A misfire, then, but a fascinating companion piece to the earlier version and it is useful to see them released together on DVD.
I saw this film in the theater as a nine-year old and loved it. I saw the film again the other night on DVD and what do you know? I still loved it. The silliest criticism that I saw about this film concerned the location filming at a real Texas State Fair. This criticism offered the theory that the people at Fox couldn't afford to build proper sets for the film due to the financial drain of "Cleopatra", so they had to settle for cheaper location filming! The location filming and the wide-screen sweep of the fairgrounds are what add to the appeal of this film. Also, not one review that I read commented on the exciting auto racing sequences which were certainly well-staged. The five additional songs written by Richard Rodgers were lovely and in the tradition of Rodgers and Hammerstein. The performances were uniformly good, especially Ann-Margaret, whose first movie filmed this was. ("Pocket Full of Miracles" was released first but filmed second.)
I think this 62' remake of STATE FAIR doesn't deserve the bad rap it's been getting and has in the past. While it is not a great musical, it certainly has its credits. Yes, the original is better, but let's give credit where credit is due for this re-make. First of all it was great to see Alice Faye back on screen. She did a more than admirable job, as did Tom Ewell as Abel. They are definitely on par with the orginials. Pat Boone is quite wonderful as Wayne, better that Dick Haymes. Bobby Darin was his usual egotistical self which fits the character well, although I like Dana Andrews a bit more. The real standout is Ann-Margret. Not only is her one splashy number great, but she really shows her acting chops, especially in her final scene with Pat Boone. You can certainly see why she became a huge star and has been working for over 40 years and still is. Sorry to see her in her drunken frumpy roles, however. The only real disappointment is Pamela Tiffin. She looks the role but is unlovable as Margy. She looks and acts a bit snooty. Jeanne Crain was terrific in the original. The new songs that were added were good to great. The story changes were also interesting, although it looks like bits and pieces might have landed on the cutting room floor. Interesting that in both versions of the film, the parents never meet or have scenes with the kids boy/girlfriends. Now that this movie is on DVD, it should be a must seeing for all fans of STATE FAIR. Stero sound, wide screen a real fair as opposed to the orginals matte studio sets. A nice commentary by Mr. Boone as well.
This was the "updated" version of the original State Fair. The locality of this remake is Texas, not Iowa, as the original version was, which may make it seem "bigger" but not really "better". Alice Faye (who was in the original) is great, and Bobby Darin stole the show as the smooth talking big town guy, while Ann Margaret sparkled as she sang and danced during her production numbers, "Isn't It Kinda Nice". The music is wonderfully done, as always, and I truly wanted to enjoy this film more than I did. Boone was musically at the top of his form in this film and makes a valiant try in the dramatic parts of his role of Wayne, but the dramatic parts were just not as believable as his singing. The musical scenes were very good, and made the movie fun! It's a whimsical look back at a time which probably never was this clean cut. However, I do remember the importance of State Fairs, with its 4-H and farm demonstration, carnivals, family atmosphere, and introduction of young people in domestic and farming activities. To win FIRST in anything at the State Fair is BIG stuff. This part of the film rings very true. The plot is thin, because the music was the important part of the film. A DVD is currently available of both versions of "State Fair" (1942 and 1962 version). Anyone interested in comparing the two should view this DVD. Still "State Fair", whichever version you view does have songs which make it a "grand night for singing". Joyce
I know this film received less than favorable reviews at the time of its release, but I have always enjoyed it and watch it at least once or twice a year....there is something about the hominess and wonderful music that draw me to it in this day of mostly special effects in movies.
It is a tired old story and as others have stated, it has been filmed several times before, although, I think the array of young stars and their talents are well displayed and it was nice to see a couple of "old timers" like Tom Ewell and Alice Faye liven up the proceedings, which concern a family's adventure at the Texas State Fair; when I do compare it to the 1945 version, both seem very appropriate for the time they were filmed; Vivian Blaine made a wonderful Emily, as Ann-Margret does in the 1962 version, and both are "knockouts." Ann-Margret holds a special place in my heart, as she is originally from the Chicago area, and went to high-school with a good friend of the family; he told us that all eyes would turn when she entered a classroom, as she was such an imposing radiant figure and this was at seventeen or eighteen years of age....
It is a tired old story and as others have stated, it has been filmed several times before, although, I think the array of young stars and their talents are well displayed and it was nice to see a couple of "old timers" like Tom Ewell and Alice Faye liven up the proceedings, which concern a family's adventure at the Texas State Fair; when I do compare it to the 1945 version, both seem very appropriate for the time they were filmed; Vivian Blaine made a wonderful Emily, as Ann-Margret does in the 1962 version, and both are "knockouts." Ann-Margret holds a special place in my heart, as she is originally from the Chicago area, and went to high-school with a good friend of the family; he told us that all eyes would turn when she entered a classroom, as she was such an imposing radiant figure and this was at seventeen or eighteen years of age....
Wusstest du schon
- WissenswertesAnn-Margret, who had always been a brunette, as witnessed from her screen test for "State Fair" (1962), was required by director Jose Ferrer to have her hair dyed Titian red for this film, the color she would adopt as her signature shade from that point on.
- PatzerThe Frake family arrives at the fair in early morning, and skip breakfast to go right to the fairgrounds. Margy heads for the Midway, where the clock tower shows the time as 4:27 in the afternoon.
- Zitate
Margy Frake: What had gotten into me, anyway? The things I used to like, I don't like anymore. I want a lot of things I've never had before.
- VerbindungenFeatured in Rodgers & Hammerstein: The Sound of Movies (1996)
- SoundtracksOverture (Main Title and 'Our State Fair')
Lyrics by Oscar Hammerstein II
Music by Richard Rodgers
Performed by Pat Boone, Tom Ewell, Alice Faye, and Chorus
Top-Auswahl
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Details
Box Office
- Budget
- 4.500.000 $ (geschätzt)
- Laufzeit1 Stunde 35 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1
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